English Artist Collection (page 25)

Pica Erythrorhyncha. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer

Myophonus Horsfieldii, Malabar Whistling Thrush. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Myophonus Temmenckii. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer

Pastor Traillii. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer

Garrulus Striatus, Striated Laughingthrush. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Garrulus Bispecularis, Himalayan Jay. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Parus Xanthogenys, Parus Monticolus. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer

Nucifraga Hemispila, Himalayan Nutcracker. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Lamprotornis Spilopterus, winged Starling. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Carduelis Caniceps, Grey-headed Goldfinch, Carduelis Spinoides, Yellow-breasted Greenfinch. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Fringilla Rodopepla, Spot-winged Rosefinch, Fringilla Rodochroa, Pink-browed Rosefinch. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Pyrrhula Erythrocephala, Red-headed Bullfinch. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Parus Erythrocephalus, Parus Melanolophus. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Phoenicura Frontalis, Phoenicura Leucocephala. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Phoenicura Rubeculoides, Phoenicura Coeruleocephala. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Cinclus Pallasii, Brown Dipper. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould. John Gould was working as a taxidermist, he was known as the bird-stuffer

Zoothera Monticola, Long-billed Thrush. Birds from the Himalaya Mountains, engraving 1831 by Elizabeth Gould and John Gould

Albert Edward John Spencer, 7th Earl Spencer 1892 - 1975 : Portrait by Augustus John

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.