English Artist Collection (page 18)

Harrogate, its Quicker by Train, poster advertising rail journeys
1198163 Harrogate, its Quicker by Train, poster advertising rail journeys, 1941 (colour litho) by Tittensor, Harry (1887-1942); 102x127 cm; Private Collection; (add.info.: Tittensor)

Part of the Palace within the Fort of Allahabad, (pencil and w / c)
1196901 Part of the Palace within the Fort of Allahabad, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 49.8x75.3 cm; Private Collection; Photo eChristies Images; English

View of the Fort, Jaunpur, Uttar Pradesh, (pencil and w / c)
1196900 View of the Fort, Jaunpur, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 29.5x39.5 cm; Private Collection; Photo eChristies Images; English

Hindu Temples at Agori, Uttar Pradesh, (pencil and w / c)
1196898 Hindu Temples at Agori, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 53.4x74.3 cm; Private Collection; Photo eChristies Images; English

Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink
1196895 Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

The North West View of Rohtasgarh, Bihar, (pencil and w / c)
1196893 The North West View of Rohtasgarh, Bihar, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 53x74.3 cm; Private Collection; Photo eChristies Images; English

Little Girl and her Sheltie, 1892 (oil on canvas)
1197614 Little Girl and her Sheltie, 1892 (oil on canvas) by Barber, Charles Burton (1845-94); 91.4x71.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Mausoleum of Sultan Parviz, Near Allahabad (pencil, pen and black ink, w / c)
1196704 The Mausoleum of Sultan Parviz, Near Allahabad (pencil, pen and black ink, w/c) by Daniell, William (1769-1837) (circle of); 43.8x60.3 cm; Private Collection; (add.info.: Daniell)

Sunset on the Lagoon of Venice, Church of Isola di San Giorgio in Alga in the Distance
1199634 Sunset on the Lagoon of Venice, Church of Isola di San Giorgio in Alga in the Distance, (oil on paper laid down on canvas) by Cooke

The Wool Gatherer, (oil on canvas)
1199625 The Wool Gatherer, (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 161.9x124.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Study of a Girls Head, (oil on canvas)
1199615 Study of a Girls Head, (oil on canvas) by Leighton, Frederic (1830-96); 26.4x18.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Head of a Young Girl, 1890 (red chalk on buff paper)
1199586 Head of a Young Girl, 1890 (red chalk on buff paper) by Solomon, Simeon (1840-1905); 34x26.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Cornish Roller, 1898 (oil on canvas)
1199566 A Cornish Roller, 1898 (oil on canvas) by James, David (1834-97); 61x125 cm; Private Collection; Photo eChristies Images; English, out of copyright

Thisbe, 1861-62 (ceramic)
1194900 Thisbe, 1861-62 (ceramic) by Burne-Jones, Edward Coley (1833-98); 25.5 high cm; Private Collection; Photo eChristies Images; English, out of copyright

Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
1196946 Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna, in the Year 1788, to Meet Lord Cornwallis, c

Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint)
1196941 Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of a Gentleman, probably Mr. Lyte, in Black Van Dyke costume
1195524 Portrait of a Gentleman, probably Mr. Lyte, in Black Van Dyke costume, 1769 (oil on canvas) by Kettle, Tilly (1735-86); 26.2x63.5 cm; Private Collection; Photo eChristies Images; English

Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
1195393 Aeneas stands beside the spoils of King Mezentius, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English

Three frieze panels, 1895-1896 (cast iron)
1195259 Three frieze panels, 1895-1896 (cast iron) by Adler, Dankmar (1844-1900) & Sullivan, Louis (1856-1924); 30.5x221 cm; Private Collection; Photo eChristies Images; American, out of copyright

Two elevator panels, 1894-1895 (copper-plated cast iron)
1195258 Two elevator panels, 1894-1895 (copper-plated cast iron) by Adler, Dankmar (1844-1900) & Sullivan, Louis (1856-1924); 182.9x32.4 cm; Private Collection; Photo eChristies Images; American

An elevator grille, c. 1893 (wrought-iron)
1195257 An elevator grille, c.1893 (wrought-iron) by Adler, Dankmar (1844-1900) & Sullivan, Louis (1856-1924); 187.3x148.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

A rectangular window, 1886-1889 (leaded glass with opalescent
1195256 A rectangular window, 1886-1889 (leaded glass with opalescent and textured glass in a frame) by Adler, Dankmar (1844-1900) & Sullivan

White-headed Ibis; Tantalus Leucocephalus, c. 1850-1873 (hand-finished colour lithograph)
1195403 White-headed Ibis; Tantalus Leucocephalus, c.1850-1873 (hand-finished colour lithograph) by Gould, John (1804-81) (after); 56x38.5 cm; Private Collection; Photo eChristies Images; English

Iris appearing before Turnus, 1874-c. 1919 (w / c on vellum)
1195391 Iris appearing before Turnus, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Venus giving armour to Aeneas, 1874-c. 1919 (w / c on vellum)
1195389 Venus giving armour to Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Four Cosway binding style covers including portrait miniatures of (from left to right)
1195357 Four Cosway binding style covers including portrait miniatures of (from left to right), William Harrison Ainsworth, Charles Dickens, Clementina Walkinshaw and Nelson aged 39

Santa Maria della Salute, Venice: Evening, (oil on paper laid down on canvas)
1199635 Santa Maria della Salute, Venice: Evening, (oil on paper laid down on canvas) by Cooke, Edward William (1811-80); 29.2x45 cm; Private Collection; Photo eChristies Images; English

The Little Model, (oil on canvas)
1199558 The Little Model, (oil on canvas) by Rossi, Alexander M. (1840-1916); 91x60.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Church Parade, Hyde Park, (oil on canvas)
1199553 Church Parade, Hyde Park, (oil on canvas) by Wells, John Sanderson (1872-c.1940); 95.2x115.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

View Across the Lagoon, Venice, Sunset, 1850 (oil on paper)
1199493 View Across the Lagoon, Venice, Sunset, 1850 (oil on paper) by Cooke, Edward William (1811-80); 29.8x43.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Portrait of Penny, (oil on canvas)
822915 A Portrait of Penny, (oil on canvas) by Glackens, William James (1870-1938); 60.5x57 cm; Private Collection; (add.info.: A Portrait of Penny. William James Glackens (1870-1938). Oil on canvas

Portrait of Miss Emilia Vansittart, half length, wearing a Pink
824265 Portrait of Miss Emilia Vansittart, half length, wearing a Pink and White Dress holding a Dog, c.1767-68 (oil on canvas) by Reynolds

The Landing of Princess Charlotte at Harwich in 1761, 1762 (oil on canvas)
824259 The Landing of Princess Charlotte at Harwich in 1761, 1762 (oil on canvas) by Cleveley, John the Elder (c.1712-77); 87x170.1 cm; Private Collection; (add.info)

The Stake, 1837 (oil on canvas)
824241 The Stake, 1837 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H. (1811-74); 110.5x141.5 cm; Private Collection; (add.info.: The Stake)

Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress
824224 Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress, a Yellow Shawl and Black Mantilla, Holding a Maltese Dog, in the Grounds of Frogmore House, (oil on canvas) by Beechey

Portrait of the Hon. Mary Wharton, Standing three-quarter length
824208 Portrait of the Hon. Mary Wharton, Standing three-quarter length, in a White Chemise and Yellow Robe by a Maroon Draped Column, () by Lely

Portrait of Edward Abney, seated three-quarter-length, in a Green Coat
824191 Portrait of Edward Abney, seated three-quarter-length, in a Green Coat, Holding a Letter against a Red Curtain, Late 1780s (oil on canvas) by Wright of Derby

A View of Windsor Castle from Travers College, (oil on canvas)
824186 A View of Windsor Castle from Travers College, (oil on canvas) by Montague, Alfred (1832-83); 60.9x91.4 cm; Private Collection; (add.info.: A View of Windsor Castle from Travers College)

Head of a Lady, (oil on canvas)
824177 Head of a Lady, (oil on canvas) by Lawrence, Thomas (1769-1830); 47x39.5 cm; Private Collection; (add.info.: Head of a Lady. Sir Thomas Lawrence (1769-1830). Oil on canvas

Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform
824170 Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform, Holding a Document, a Battle in Progress Beyond, (oil on canvas) by Lawrence

Portrait of Martha Ray (c. 1745-1779), seated three-quarter-length
824168 Portrait of Martha Ray (c.1745-1779), seated three-quarter-length, in a Pink Dress with a Blue Sash, holding a Musical Score, in a Landscape, 1777 (oil on canvas) by Dance-Holland

Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from
824158 Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere;

The Flower Market, Toulon, (watercolour heightened with bodycolour)
824157 The Flower Market, Toulon, (watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 45.7x71.1 cm; Private Collection; (add.info.: The Flower Market, Toulon)

Rebuilding London Bridge, (pencil, pen, ink and watercolour)
824153 Rebuilding London Bridge, (pencil, pen, ink and watercolour) by Yates, Gideon (fl.1825-37); 32.7x58.1 cm; Private Collection; (add.info.: Rebuilding London Bridge. Gideon Yates (fl.1790-1840)

Edinburgh from Arthurs Seat, (pencil and watercolour)
824152 Edinburgh from Arthurs Seat, (pencil and watercolour) by Williams, Hugh William (1773-1829); 43.1x61.6 cm; Private Collection; (add.info.: Edinburgh from Arthurs Seat)

The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)
824111 The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour) by Turner, Joseph Mallord William (1775-1851); 22.6x28.6

A Room in an Ancient Mansion, (pen and brown ink and watercolour)
824050 A Room in an Ancient Mansion, (pen and brown ink and watercolour) by Price, William Henry Lake (1810-91); 46.4x61.3 cm; Private Collection; (add.info.: A Room in an Ancient Mansion)

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.