English Artist Collection (page 17)

The Assumption of the Virgin, (oil on canvas)
659349 The Assumption of the Virgin, (oil on canvas) by Halle, Noel (1711-81); 254x172.7 cm; Private Collection; (add.info.: The Assumption of the Virgin. Noel Halle (1711-1781). Oil on canvas

St. Giorgio from the Housetops, 1905-1906 (oil on canvas)
652202 St. Giorgio from the Housetops, 1905-1906 (oil on canvas) by Goodwin, Albert (1845-1932); 59x89.5 cm; Private Collection; (add.info.: St. Giorgio from the Housetops)

Portrait of Miss Mary Gainsborough, Later Mrs. Fischer, the Artists Daughter
652181 Portrait of Miss Mary Gainsborough, Later Mrs. Fischer, the Artists Daughter, Head and Shoulders, Facing to Her Right, Wearing a Blue and White Dress with a Pink Rose in her Corsage

Portrait of His Wife, Anne (nee Stowe), Half Length, in a Black Dress with Crimson
652177 Portrait of His Wife, Anne (nee Stowe), Half Length, in a Black Dress with Crimson Sleeves, a Black Hat Trimmed with Feathers, Wearing a Pearl Necklace and Pearls in Her Hair

Portrait of Thomas Hanway, Half Length, in a Beige Coat with Blue and Silver Facings
652176 Portrait of Thomas Hanway, Half Length, in a Beige Coat with Blue and Silver Facings, and a Blue and Silver Waistcoat, Holding a Hat Under His Arm, in a Landscape

Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword
652173 Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword and Wearing the Badge of a C.B

A View of the Grand Canal Venice, from the Palazzo Bernardo Looking Towards the Rialto
652166 A View of the Grand Canal Venice, from the Palazzo Bernardo Looking Towards the Rialto Bridge, (oil on millboard) by Bonington

Portrait of the Artist, Head and Shoulders, in a Red Gown of a Doctor of Laws
652160 Portrait of the Artist, Head and Shoulders, in a Red Gown of a Doctor of Laws and White Stock - Unfinished, (oil on canvas) by Reynolds

Portrait of Arthur Vansittart, Three-Quarter Length, in the Uniform of the Life Guards
652154 Portrait of Arthur Vansittart, Three-Quarter Length, in the Uniform of the Life Guards, (oil on canvas) by Middleton

A Group Portrait of Mary, Countess of Darnley and Her Children
652141 A Group Portrait of Mary, Countess of Darnley and Her Children, Lord Clifton and Lady Mary Bligh, All Full Length, (oil on canvas) by Dance-Holland

Portrait of a Girl, Full-Length, in a Grey Satin Dress with Elaborate Floral Embroidery
652127 Portrait of a Girl, Full-Length, in a Grey Satin Dress with Elaborate Floral Embroidery, Beside a Basket of Flowers on a Table, a Wooded Landscape Beyond, (oil on canvas) by Dandrige

Temple Bar, (pencil and watercolour heightened with white)
652102 Temple Bar, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 21.2x16.5 cm; Private Collection; (add.info.: Temple Bar. Louise Rayner (1832-1924)

The Reapers, (watercolour heightened with white)
652093 The Reapers, (watercolour heightened with white) by Foster, Myles Birket (1825-99); 76.8x66.3 cm; Private Collection; (add.info.: The Reapers. Myles Birket Foster (1825-1899)

Pesquets Dasyptilus (Dasyptilus Pesquetii), (watercolour heightened with white
652045 Pesquets Dasyptilus (Dasyptilus Pesquetii), (watercolour heightened with white and gum arabic) by Lear, Edward (1812-88); 18.4x11.4 cm; Private Collection; (add.info)

Children by a Thatched Cottage at Chiddingfold, (pencil, watercolour and bodycolour)
652023 Children by a Thatched Cottage at Chiddingfold, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 15.2x22.9 cm; Private Collection; (add.info)

A Ferry at Sunset, (watercolour with touches of white heightening)
652022 A Ferry at Sunset, (watercolour with touches of white heightening) by Foster, Myles Birket (1825-99); 18.7x25.7 cm; Private Collection; (add.info.: A Ferry at Sunset)

Runswick Bay, Yorkshire, (pencil and watercolour heightened with white)
652015 Runswick Bay, Yorkshire, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 26x36.7 cm; Private Collection; (add.info.: Runswick Bay, Yorkshire)

Work and Play in the Kitchen, (pencil and watercolour with white)
651970 Work and Play in the Kitchen, (pencil and watercolour with white) by Heaphy, Thomas (1775-1835); 48.9x69.9 cm; Private Collection; (add.info.: Work and Play in the Kitchen)

Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with
651960 Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info)

Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
651948 Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 38.2x54 cm; Private Collection; (add.info.: Place Victoire a Paris)

Hotel de Bellevue and Cafe d Amitie Seen from the Park, Brussels, 1830 (watercolour)
651931 Hotel de Bellevue and Cafe d Amitie Seen from the Park, Brussels, 1830 (watercolour) by Boys, Thomas Shotter (1803-74); 17.1x26.6 cm; Private Collection; (add.info)

A Birdcatcher, (pencil, red and white chalk on buff paper)
651925 A Birdcatcher, (pencil, red and white chalk on buff paper) by Laroon, Marcellus the Elder (1653-1702); 31.6x20.3 cm; Private Collection; (add.info.: A Birdcatcher)

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
651923 A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23.4x32.3 cm; Private Collection; (add.info.: A Cornish Wrestling Match)

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour)
651912 The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour) by Goodwin, Albert (1845-1932); 28.5x44.4 cm; Private Collection; (add.info.: The Fonte Branda, Siena)

The Bishop and Death (pencil, pen and ink and watercolour)
651903 The Bishop and Death (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 14x20.6 cm; Private Collection; (add.info.: The Bishop and Death. Thomas Rowlandson (1756-1827)

Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, Bust Length
651845 Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, Bust Length, in Profile to the Right, (oiled charcoal on a prepared light blue canvas) by Lawrence

Figures on the River Banks at St. Etienne, Caen, (pencil and watercolour)
651833 Figures on the River Banks at St. Etienne, Caen, (pencil and watercolour) by Prout, Samuel (1783-1852); 54.3x71.8 cm; Private Collection; (add.info.: Figures on the River Banks at St)

The Gaming Table, (pencil, pen and ink and watercolour)
651828 The Gaming Table, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 27.3x37.2 cm; Private Collection; (add.info.: The Gaming Table. Thomas Rowlandson (1756-1827)

The Nymphs in the Garden; Les Nymphes dans un Jardin, (oil on canvas)
653324 The Nymphs in the Garden; Les Nymphes dans un Jardin, (oil on canvas) by Martin, Henri (1860-1943); 63.5x79.4 cm; Private Collection; (add.info)

In Brixham Harbour, South Devon, 1897 (oil on canvas)
1766659 In Brixham Harbour, South Devon, 1897 (oil on canvas) by Williams, Terrick (1860-1936); Private Collection; (add.info.: In Brixham Harbour, South Devon. Terrick Williams (1860-1936)

Poster advertising the Royal Mail service to South America, c. 1930 (colour lithograph)
1770109 Poster advertising the Royal Mail service to South America, c.1930 (colour lithograph) by Shoesmith, Kenneth (1890-1939); 102x64 cm; Private Collection; (add.info)

Thy Will Be Done (oil on panel)
1767293 Thy Will Be Done (oil on panel) by Lejeune, Henry (1819-1904); 28.8x24.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Thatched Cottage near Peaslake, Surrey (watercolour)
1767282 A Thatched Cottage near Peaslake, Surrey (watercolour) by Allingham, Helen (1848-1926); 23x24.5 cm; Private Collection; (add.info.: A Thatched Cottage near Peaslake, Surrey)

An embroidered hanging in coloured silks (silk)
1767219 An embroidered hanging in coloured silks (silk) by English School, (17th century); 110x225 cm; Private Collection; (add.info.: An embroidered hanging in coloured silks. English, 17th century)

The Brown Gallery, Knole, Kent (oil on canvas)
1772174 The Brown Gallery, Knole, Kent (oil on canvas) by Rayner, Louise Ingram (1832-1924); 50.8x68.6 cm; Private Collection; (add.info.: The Brown Gallery, Knole, Kent. Louise Rayner (1832-1924)

The Bible: This is the Secret of Englands Greatness, Englands Glory
1772172 The Bible: This is the Secret of Englands Greatness, Englands Glory!, 1864 (mixed method engraving) by Barker, Thomas Jones (1815-82) (after); 73.7x85 cm; Private Collection; (add.info)

Calling to the Valley (oil on canvas)
1772165 Calling to the Valley (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.2x101.6 cm; Private Collection; (add.info.: Calling to the Valley. Henry Herbert La Thangue (1859-1929)

Portrait of the Hon. Mrs. Ernest Guinness, Standing, Wearing an Emerald Dress and Feather
1772158 Portrait of the Hon. Mrs. Ernest Guinness, Standing, Wearing an Emerald Dress and Feather, 1912 (oil on canvas) by Dicksee

Hilda in a Black Hat, 1909 (oil on canvas)
1772156 Hilda in a Black Hat, 1909 (oil on canvas) by Watson, George Spencer (1869-1934); 74.9x54 cm; Private Collection; (add.info.: Hilda in a Black Hat. George Spencer Watson (1869-1934)

Planting a Tree (oil on canvas)
1772154 Planting a Tree (oil on canvas) by Clausen, George (1852-1944); 35.6x29.9 cm; Private Collection; (add.info.: Planting a Tree. Sir George Clausen (1852-1944). Oil on canvas

Study of a Girls Head, 1899 (oil on canvas)
1772139 Study of a Girls Head, 1899 (oil on canvas) by Godward, John William (1861-1922); 45.7x40.6 cm; Private Collection; (add.info.: Study of a Girls Head. John William Godward (1861-1922)

Harrogate, its Quicker by Train, poster advertising rail journeys
1198163 Harrogate, its Quicker by Train, poster advertising rail journeys, 1941 (colour litho) by Tittensor, Harry (1887-1942); 102x127 cm; Private Collection; (add.info.: Tittensor)

Part of the Palace within the Fort of Allahabad, (pencil and w / c)
1196901 Part of the Palace within the Fort of Allahabad, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 49.8x75.3 cm; Private Collection; Photo eChristies Images; English

View of the Fort, Jaunpur, Uttar Pradesh, (pencil and w / c)
1196900 View of the Fort, Jaunpur, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 29.5x39.5 cm; Private Collection; Photo eChristies Images; English

Hindu Temples at Agori, Uttar Pradesh, (pencil and w / c)
1196898 Hindu Temples at Agori, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 53.4x74.3 cm; Private Collection; Photo eChristies Images; English

Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink
1196895 Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.