English Artist Collection (page 13)

A Future Derby Winner on the Downs Near Marlborough, (oil on canvas)
658308 A Future Derby Winner on the Downs Near Marlborough, (oil on canvas) by Wright, George (1860-1942); 56x91.5 cm; Private Collection; (add.info)

The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)
658307 The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour) by Corbould, Edward Henry (1815-1905); 91.5x137 cm; Private Collection; (add.info)

Daydreaming on the River Bank, (oil on canvas)
659916 Daydreaming on the River Bank, (oil on canvas) by Lejeune, Henry (1819-1904); 33.7x49.8 cm; Private Collection; (add.info.: Daydreaming on the River Bank. Henry Lejeune (1820-1904)

Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)
659771 Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel) by Solomon, Abraham (1824-62); 40.7x31.8 cm; Private Collection; (add.info)

The Lonely Princess, 1921 (oil on canvas)
659735 The Lonely Princess, 1921 (oil on canvas) by Munns, Bernard (1869-1942); 61x50.8 cm; Private Collection; (add.info.: The Lonely Princess. John Bernard Munns (1869-1942). Oil on canvas

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar
658895 Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas) by Millais

Resting on the Terrace, (oil on canvas)
658826 Resting on the Terrace, (oil on canvas) by Rossi, Luigi (1853-1923); 45x70.2 cm; Private Collection; (add.info.: Resting on the Terrace. Luigi Rossi (1853-1923). Oil on canvas

The Amethyst Necklace, 1906 (oil on canvas)
658687 The Amethyst Necklace, 1906 (oil on canvas) by Shannon, Charles Haslewood (1863-1937); 85x87 cm; Private Collection; (add.info.: The Amethyst Necklace. Charles Haslewood Shannon (1863-1937)

Garland Weavers, c. 1846 (oil on panel)
658585 Garland Weavers, c.1846 (oil on panel) by Millais, John Everett (1829-96); 19x14 cm; Private Collection; (add.info.: Garland Weavers. Sir John Everett Millais (1829-1896). Oil on panel

Boarding the Coach to London, 1879 (oil on canvas)
658468 Boarding the Coach to London, 1879 (oil on canvas) by Maggs, J.C. (1819-96); 43.2x76.2 cm; Private Collection; (add.info.: Boarding the Coach to London. John Charles Maggs (1819-1896)

A Spanish Beauty, (oil on canvas)
658301 A Spanish Beauty, (oil on canvas) by Jopling, Louise, nee Goode (1843-1933); 60.5x50.5 cm; Private Collection; (add.info.: A Spanish Beauty. Louise Jopling (1843-1933). Oil on canvas

Loves Destiny, 1901 (oil on canvas)
658298 Loves Destiny, 1901 (oil on canvas) by Glindoni, Henry Gillard (1852-1913); 127x101.5 cm; Private Collection; (add.info.: Loves Destiny. Henry Gillard Glindoni (1852-1913). Oil on canvas

Playing Football Outside the Gun Inn, 1844 (oil on canvas)
658294 Playing Football Outside the Gun Inn, 1844 (oil on canvas) by Williams, Alfred Walter (fl.1843-90); 76x106.6 cm; Private Collection; (add.info.: Playing Football Outside the Gun Inn)

By the River, (oil on canvas)
658283 By the River, (oil on canvas) by Gibbs, Percy William (fl.1894-1937); 52x39 cm; Private Collection; (add.info.: By the River. Percy William Gibbs (active ca. 1895-1925). Oil on canvas

Despatch from Trebizond;Some news is come that turns their countenances
658271 Despatch from Trebizond; Some news is come that turns their countenances - Shakespeare, c.1873 (oil on canvas) by Wallis

Britomart Unarming, c. 1855 (oil on canvas)
658269 Britomart Unarming, c.1855 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 127x106.7 cm; Private Collection; (add.info.: Britomart Unarming)

Camerino, 1849, 1849 (pen and brown ink and watercolour over pencil on paper)
658240 Camerino, 1849, 1849 (pen and brown ink and watercolour over pencil on paper) by Lear, Edward (1812-88); 32.5x51.9 cm; Private Collection; (add.info.: Camerino, 1849. Edward Lear (1812-1888)

Intruders, (oil on board)
657869 Intruders, (oil on board) by King, Henry John Yeend (1855-1924); Private Collection; (add.info.: Intruders. Henry John Yeend King (1855-1924). Oil on board

The Cock Tavern, Bishopsgate Street, London, (oil on canvas)
659911 The Cock Tavern, Bishopsgate Street, London, (oil on canvas) by Maggs, J.C. (1819-96); 35.9x66.3 cm; Private Collection; (add.info.: The Cock Tavern, Bishopsgate Street, London)

Eltham High Street- 1892, (oil on canvas)
659896 Eltham High Street- 1892, (oil on canvas) by Hicks, George Elgar (1824-1914); 71.1x91.4 cm; Private Collection; (add.info.: Eltham High Street- 1892. George Elgar Hicks (1824-1914)

A View on Holmwood Common, Surrey, (pencil, watercolour and bodycolour)
659832 A View on Holmwood Common, Surrey, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 38.2x76.2 cm; Private Collection; (add.info.: A View on Holmwood Common, Surrey)

The Valley of Vision, c. 1910 (pencil, red chalk and watercolour)
659823 The Valley of Vision, c.1910 (pencil, red chalk and watercolour) by Payne, Henry A. (Harry) (1868-1940); 37.5x47.6 cm; Private Collection; (add.info.: The Valley of Vision. Henry A)

Dr. Johnsons Penance, 1880 (oil on canvas)
659819 Dr. Johnsons Penance, 1880 (oil on canvas) by Stokes, Adrian Scott (1854-1935); 118.5x184 cm; Private Collection; (add.info.: Dr. Johnsons Penance. Adrian Scott Stokes (1854-1935)

In the Library, 1897 (oil on board)
659774 In the Library, 1897 (oil on board) by Linton, James Dromgole (1840-1916); 33x27.3 cm; Private Collection; (add.info.: In the Library. James Dromgole Linton (1840-1916). Oil on board

Apres, (pencil and watercolour heightened with bodycolour)
659765 Apres, (pencil and watercolour heightened with bodycolour) by Gregory, Edward John (1850-1909); 45.4x35.2 cm; Private Collection; (add.info.: Apres. Edward John Gregory (1850-1909)

Still-Life with Basket, Nest, Egg, Red Currants and Ladybird
1767289 Still-Life with Basket, Nest, Egg, Red Currants and Ladybird (pencil and watercolour with gum arabic and with scratching out) by Hunt

Captain Cook at the Island of Otaheite, from the Voyages of Captain Cook
1767265 Captain Cook at the Island of Otaheite, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info)

Laus Deo (oil on canvas)
1766769 Laus Deo (oil on canvas) by Solomon, Solomon Joseph (1860-1927); Private Collection; (add.info.: Laus Deo. Solomon Solomon Joseph (1860-1927)

Old Damascus: Jews Quarter Or Gathering Lemons, c. 1873-1874 (oil on canvas)
1766762 Old Damascus: Jews Quarter Or Gathering Lemons, c.1873-1874 (oil on canvas) by Leighton, Frederic (1830-96); Private Collection; (add.info.: Old Damascus: Jews Quarter Or Gathering Lemons)

Interior (Mrs. Mounter), 1917 (oil on canvas)
1766643 Interior (Mrs. Mounter), 1917 (oil on canvas) by Gilman, Harold (1876-1919); 38x33 cm; Private Collection; (add.info.: Interior (Mrs. Mounter). Harold Gilman (1876-1919). Oil on canvas

Sarpedon, c. 1875-76 (oil on canvas)
1199612 Sarpedon, c. 1875-76 (oil on canvas) by Richmond, William Blake (1842-1921); 244.5x92.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Sirens, 1903 (oil on canvas)
1199539 The Sirens, 1903 (oil on canvas) by Rae, Henrietta (1859-1928); 114.3x254 cm; Private Collection; Photo eChristies Images; English, out of copyright

Houghton Mill, Near St Ives, Huntingdonshire, 1889 (pencil & w / c on paper)
1199523 Houghton Mill, Near St Ives, Huntingdonshire, 1889 (pencil & w/c on paper) by Garden, William Fraser (1856-1921); 28.3x39.7 cm; Private Collection; (add.info)

Christ of the Cornfield, 1883 (oil on canvas)
1199491 Christ of the Cornfield, 1883 (oil on canvas) by Dicksee, Thomas-Francis (1819-95); 139.7x104.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

New Town of Rio de Janeiro from the Livramiento, c. 1825-6 (w / c)
1199470 New Town of Rio de Janeiro from the Livramiento, c. 1825-6 (w/c) by Landseer, Charles (1799-1879); 27x52.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Deluge, 1828 (mezzotint with etching)
1198426 The Deluge, 1828 (mezzotint with etching) by Martin, John (1789-1854); 60x80.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Poster advertising travel from Europe to America with shipping company Cunard Line, c
1197972 Poster advertising travel from Europe to America with shipping company Cunard Line, c. 1925 (colour lithograph) by Shoesmith

Two Sailing Boats, (pencil and oil on card)
1197179 Two Sailing Boats, (pencil and oil on card) by Wallis, Alfred (1855-1942); 20.4x34.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Qutb Minar, Delhi, c. 1789 (pencil and w / c)
1196907 The Qutb Minar, Delhi, c. 1789 (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 37.4x55.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Gateway of the Taj Mahal, Agra, Uttar Pradesh, (pencil and w / c)
1196905 The Gateway of the Taj Mahal, Agra, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 50.2x69.8 cm; Private Collection; Photo eChristies Images; English

The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c. 1788-1796 (pencil, pen and grey ink
1196891 The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c.1788-1796 (pencil, pen and grey ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

View Taken on the Esplanade, Calcutta, 1797 (hand-coloured aquatint)
1196745 View Taken on the Esplanade, Calcutta, 1797 (hand-coloured aquatint) by Daniell, Thomas (1749-1840) (after); 46x65 cm; Private Collection; Photo eChristies Images; British, out of copyright

Flying at Hendon, an advertising poster, 1914 (colour lithograph)
1769949 Flying at Hendon, an advertising poster, 1914 (colour lithograph) by Cuneo, Cyrus (1879-1916); 102x64 cm; Private Collection; (add.info.: Flying at Hendon, an advertising poster)

The Love Letter (oil on canvas)
1772177 The Love Letter (oil on canvas) by Gorst, Jessie Elliot (fl.1889-99); 59.7x49.5 cm; Private Collection; (add.info.: The Love Letter. Jessie Elliot Gorst (fl.1889-1899). Oil on canvas

A Provencal Forge (oil on canvas)
1772149 A Provencal Forge (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.8x92.1 cm; Private Collection; (add.info.: A Provencal Forge. Henry Herbert La Thangue (1859-1929)

The Young Microscopists: Portrait of Frank, Harry and Arthur Izod Richards, Aged 10
1772122 The Young Microscopists: Portrait of Frank, Harry and Arthur Izod Richards, Aged 10, 8 and 5, Playing with a Microscope (oil on canvas) by Williams

Mrs R. E. Hoare, 1889 (oil on canvas)
1772105 Mrs R.E. Hoare, 1889 (oil on canvas) by Hacker, Arthur (1858-1919); 127x188 cm; Private Collection; (add.info.: Mrs R.E. Hoare. Arthur Hacker (1858-1919). Oil on canvas. Painted in 1889

All Professionally Made to Order for Quick Shipping

English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.