Hanoverian Collection (page 6)

Prince Frederick, Duke of York (engraving)
981706 Prince Frederick, Duke of York (engraving) by English School, (18th century); Private Collection; (add.info.: Prince Frederick, Duke of York (1763-1827)

Contemplations upon a Coronet, pub. 1807 (hand coloured engraving)
3035677 Contemplations upon a Coronet, pub. 1807 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Elizabeth Farren (c.1759-1829); Edward Smith-Stanley

Crest of the King of the United Kingdom of Great Britain and Ireland
STC111319 Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111318) by German School

Crest of the King of the United Kingdom of Great Britain and Ireland
STC111318 Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111319) by German School

The Visit of the Prince Regent to Oxford, 1814 (oil on canvas)
MCO154595 The Visit of the Prince Regent to Oxford, 1814 (oil on canvas) by Jones, George (1786-1869); 47x66 cm; Magdalen College, Oxford, UK; English, out of copyright

Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan
BAL42843 Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan, 1796 (hand-coloured engraving) by Gillray, James (1757-1815); O Shea Gallery, London

Pillars of the Consitution: Three o Clock & a Cloudy Morning
BAL42764 Pillars of the Consitution: Three o Clock & a Cloudy Morning, 1809 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

The Jersey Smuggler detected, or Good Causes for Discontent
NCO190418 The Jersey Smuggler detected, or Good Causes for Discontent: Marriage vows are false as Dicers oaths, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

A Pig in a Poke, published by S. W. Fores in 1788 (hand-coloured etching)
NCO193158 A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Procession to the Hustings after a Successful Canvass, published by G
NCO193130 Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching) by Gillray

The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching)
NCO193108 The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Sleep-Walker, published by Hannah Humphrey in 1795 (hand-coloured etching0)
NCO190163 The Sleep-Walker, published by Hannah Humphrey in 1795 (hand-coloured etching0 by Gillray, James (1757-1815); 34.7x24.5 cm; Courtesy of the Warden and Scholars of New College

A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796
NCO190134 A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Devil to Pay: The Wife Metamorphos d, or Neptune Reposing after Fording
NCO190129 The Devil to Pay: The Wife Metamorphos d, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W
NCO189790 Anticipation, or The Approaching Fate of the French Commercial Treaty, published by W. Holland in 1786 (hand-coloured etching) by Gillray

Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO189771 Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

St. George and the Dragon, a design for an equestrian statue
NCO189745 St. George and the Dragon, a design for an equestrian statue, from the original in Windsor Castle, engraved by James Gillray (1756-1815)

Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain
NCO189704 Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain, by John Horne Tooke (1736-1812) published by J

Portrait of Sir Patrick Blake, MP, 1773 (oil on canvas)
JBN202321 Portrait of Sir Patrick Blake, MP, 1773 (oil on canvas) by Carter, George (1737-94); 71.1x91.5 cm; Private Collection; John Bennett Fine Paintings; English, out of copyright

The Friend of Humanity and the Knife-Grinder, published by Hannah Humphrey in 1797
NCO191292 The Friend of Humanity and the Knife-Grinder, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Friendly Agent, published by S. W. Fores in 1787 (etching)
NCO191276 The Friendly Agent, published by S.W. Fores in 1787 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

So Skiffy-Skipt-on, with his wonted grace published by Hannah Humphrey in 1800
NCO191256 So Skiffy-Skipt-on, with his wonted grace published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching)
NCO191254 A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); 35.5x25.2 cm; Courtesy of the Warden and Scholars of New College

The Devonshire, or Most Approved Method of Securing Votes
NCO190485 The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching) by Rowlandson

The Cole-Heavers, published by William Humphrey in 1783 (hand-coloured etching)
NCO190477 The Cole-Heavers, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching)
NCO190476 Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Impeachment, or The Father of the Gang turned Kings Evidence
NCO190433 The Impeachment, or The Father of the Gang turned Kings Evidence, published by S.W. Fores in 1791 (hand-coloured etching) by Gillray

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children
NCO190422 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching) by Gillray

A Country Concert, or an Evenings Entertainment in Sussex
NCO193428 A Country Concert, or an Evenings Entertainment in Sussex, published by Hannah Humphrey in 1798 (hand-coloured etching) by English School

Pillars of the Consitution: Three o Clock & a Cloudy Morning
NCO190406 Pillars of the Consitution: Three o Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray

La Promenade en Famille, or A Sketch from Life, published by Hannah Humphrey in 1797
NCO190405 La Promenade en Famille, or A Sketch from Life, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793
NCO193110 The Visit to Piccadilly, or A Prussian Reception, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray

Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet
NCO193103 Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet and the Clyster-Pipe, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Loyal Souls, or A Peep into the Mess Room at St. James, published by Hannah Humphrey in
NCO190152 Loyal Souls, or A Peep into the Mess Room at St. James, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching
NCO190140 Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

and would st thou turn the vile Reproach on me
NCO189797 and would st thou turn the vile Reproach on me? published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
NCO189792 The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

A Man of Importance, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO189774 A Man of Importance, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Monstrous Craws at a New Coalition Feast, published by S. W
NCO189767 Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit
NCO189729 A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

A Duet: Turn Fair Clora, turn, ah cruel, turn again
NCO191752 A Duet: Turn Fair Clora, turn, ah cruel, turn again published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Integrity retiring from Office!, pub. 1801 (hand coloured engraving)
2490981 Integrity retiring from Office!, pub. 1801 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Plan of the Battle of Villinghausen, Germany, Seven Years War, 15-16 July 1761 (engraving)
5233403 Plan of the Battle of Villinghausen, Germany, Seven Years War, 15-16 July 1761 (engraving) by English School, (18th century); Private Collection; (add.info)

Great Seal of King George I, 18th Century (engraving)
6029827 Great Seal of King George I, 18th Century (engraving) by English School, (18th century); Private Collection; (add.info.: Great Seal of King George I)

An Irish Howl: meeting of the National Convention of United Irishmen being shown the horrors of republicanism
5997517 An Irish Howl: meeting of the National Convention of United Irishmen being shown the horrors of republicanism exemplified by the French Revolution, 1799 (engraving) by Rowlandson

A Brandy Drinker (engraving)
5997525 A Brandy Drinker (engraving) by English School, (19th century); Private Collection; (add.info.: A Brandy Drinker. Illustration from Caricature History of the Georges or)

Charons Boat, or The Ghosts of the All Talents
2489003 Charons Boat, or The Ghosts of the All Talents Taking their Last Voyage, published by Hannah Humphrey, 1807 (hand-coloured etching) by Gillray

A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving)
3025385 A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.