Hanoverian Collection (page 5)

The State Tinkers, published by William Humphrey in 1780 (etching)
NCO191225 The State Tinkers, published by William Humphrey in 1780 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO190115 Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190100 A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

William Hyde Wollaston (1766-1828) from The Gallery of Portraits
KW189021 William Hyde Wollaston (1766-1828) from The Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; English, out of copyright

The Caneing in Conduit Street, published by Hannah Humphrey in 1796
NCO191729 The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO191725 Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan
NCO191711 Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO190454 Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793
NCO190400 A Vestal of -93 trying on the Cestus of Venus, published by Hannah Humphrey in 1793 (hand-coloured etching & engraving with aquatint) by Gillray

The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO191250 The Three Mr Wiggins s, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); 34.1x24.6 cm; Courtesy of the Warden and Scholars of New College

Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching
NCO191235 Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c) by Gillray

Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching)
NCO191231 Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
NCO190121 The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Two-Penny Whist, published by Hannah Humphrey in 1796 (etching, engraving
NCO190118 Two-Penny Whist, published by Hannah Humphrey in 1796 (etching, engraving, aquatint and w/c on paper) by Gillray

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791
NCO190112 A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast
NCO189787 Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798
NCO189777 Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798 (hand-coloured etching with aquatint) by Gillray

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
NCO189770 Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); 34.5x24.5 cm; Courtesy of the Warden and Scholars of New College

Political Candour, i. e. Coalition Resolutions of June 14th 1805
NCO189766 Political Candour, i.e. Coalition Resolutions of June 14th 1805. Pro Bono Publico, published by Hannah Humphrey in 1805 (hand-coloured etching) by Gillray

The Rights of Man, or Tommy Paine, the little American Taylor
NCO189760 The Rights of Man, or Tommy Paine, the little American Taylor, taking the Measure of the Crown for a new Pair of Revolution-Breeches

A Military Sketch of a Gilt Stick, or a Poker Emblazoned
NCO189741 A Military Sketch of a Gilt Stick, or a Poker Emblazoned, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO189726 Taking Physick, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

His Present Majesty William IV at 14 Years of Age, c. 1830-37 (engraving)
WAG451545 His Present Majesty William IV at 14 Years of Age, c.1830-37 (engraving) by English School, (19th century); 11x8 cm; Wolverhampton Art Gallery, West Midlands

Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)
2490625 Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox
6032184 Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving) by Sayers

The Motion: satire on the attempts in Parliament to unseat Sir Robert Walpole as Prime Minister in 1741 (engraving)
5997537 The Motion: satire on the attempts in Parliament to unseat Sir Robert Walpole as Prime Minister in 1741 (engraving) by Fairholt

Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox
5997521 Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving) by Sayers

The Political Banditti Assailing the Saviour of India: Warren Hastings, former Governor of Bengal
5997518 The Political Banditti Assailing the Saviour of India: Warren Hastings, former Governor of Bengal, under attack from politicians Edmund Burke, Charles James Fox and Lord North

George III presides in the Council Chamber in the Guildhall, City of London (b / w photo)
3637586 George III presides in the Council Chamber in the Guildhall, City of London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Discipline A La Kenyon, March 25th 1797 (hand-coloured etching)
BAL42784 Discipline A La Kenyon, March 25th 1797 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

Bombardinian, conferring upon State Affairs with one in Office, pub
2962520 Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Sir Grey Cooper (c)

The Dissolution or The Alchymist producing an Aetherial Representation, pub
2966808 The Dissolution or The Alchymist producing an Aetherial Representation, pub. 1796 (hand coloured engraving) by Gillray

Charlotte of Mecklenburg-Strelitz, Queen Consort of King George III (engraving)
5233728 Charlotte of Mecklenburg-Strelitz, Queen Consort of King George III (engraving) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Charlotte of Mecklenburg-Strelitz)

Georgey Porgey the Firstgoing out for a ride in his State Coachy Pachy
3075741 Georgey Porgey the Firstgoing out for a ride in his State Coachy Pachy, from The Comic History of England, pub. 1864 (hand coloured etching) by Leech

Fat Cattle, pub. 1802 (hand coloured engraving)
3051746 Fat Cattle, pub. 1802 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Francis Russell)

The first united Parliament, 1801 (colour litho)
3621853 The first united Parliament, 1801 (colour litho) by English School, (19th century); Private Collection; (add.info.: The first united Parliament, 1801)

King George I (engraving)
3626339 King George I (engraving) by American School, (19th century); Private Collection; (add.info.: King George I (1660-1727)

King George III (engraving)
3626307 King George III (engraving) by American School, (19th century); Private Collection; (add.info.: King George III (1738-1820)

The Duke of York lying in state, 1827 (engraving)
3103698 The Duke of York lying in state, 1827 (engraving) by English School, (19th century); Private Collection; (add.info.: The Duke of York lying in state, 1827)

The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of
2966804 The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub

Group portrait of Frederick, Prince of Wales, with his brother the Duke of Cumberland
CTS336300 Group portrait of Frederick, Prince of Wales, with his brother the Duke of Cumberland and their five sisters, 1730 (oil on canvas) by Aikman

The Inthronization at the Coronation of George I, October 20th, 1714
STC360914 The Inthronization at the Coronation of George I, October 20th, 1714, from The Illustrated London News, 1902 (litho) by Begg

Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor
KDC384221 Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor concerning his commission of a picture of Sigismunda, June 13

Society of United Irishmen in training against the British Army
PNP310573 Society of United Irishmen in training against the British Army, 1798 (coloured engraving) by Gillray, James (1757-1815); Private Collection; Peter Newark Historical Pictures; English

The State Watchman discover d by the genius of Britain
XCF290981 The State Watchman discover d by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching) by Rowlandson

The Wreck of the "Hanoverian"at Portugal Cove, Trepassey Bay, Newfoundland (engraving)
1041131 The Wreck of the " Hanoverian" at Portugal Cove, Trepassey Bay, Newfoundland (engraving) by English School

King George III and Queen Charlotte (engraving)
981708 King George III and Queen Charlotte (engraving) by English School, (18th century); Private Collection; (add.info.: King George III (1738-1820) and Queen Charlotte (1744-1818) of Great Britain

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.