Hanoverian Collection (page 3)

Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in
NCO193155 Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching
NCO192598 A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching)
NCO190402 St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Fat Cattle, published by Hannah Humphrey in 1802 (hand-coloured etching)
NCO190135 Fat Cattle, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray, James (1757-1815); 36x25.5 cm; Courtesy of the Warden and Scholars of New College

Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190133 Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill
NCO190109 An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill, published by Hannah Humphrey in 1791 (etching with w/c) by Gillray

A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO190105 A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Inspecting a Volunteer Corps in Hyde Park, published by Hannah Humphrey in 1803
NCO189794 Inspecting a Volunteer Corps in Hyde Park, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Royal Extinguisher, or Gulliver Putting Out the Patriots of Lilliput, published by S
NCO189782 The Royal Extinguisher, or Gulliver Putting Out the Patriots of Lilliput, published by S.W. Fores in 1795 (hand-coloured etching) by Gillray

William Pitt (1759-1806) 1780 (engraving)
NCO189773 William Pitt (1759-1806) 1780 (engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: youngest Prime Minister)

A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching)
NCO189759 A Right Honourable, alias a Sans-Culotte, published by J. Fores in 1792 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching)
NCO189743 The Marriage of Cupid and Psyche, published by Hannah Humphrey in 1797 (etching) by Gillray, James (1757-1815); 26x36.5 cm; Courtesy of the Warden and Scholars of New College

The Morning after Marriage, or A scene on the Continent, published by W
NCO189739 The Morning after Marriage, or A scene on the Continent, published by W, Holland in 1788 (hand-coloured etching) by Gillray

United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint)
NCO189716 United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

8 vignettes depicting eloquence, published by Hannah Humphrey in 1795
NCO191281 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching)
NCO191208 Irish Gratitude, published by Hannah Humphrey in 1782 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Givenchy Royal Hanover Chandelier, 1736 (silver)
3057861 The Givenchy Royal Hanover Chandelier, 1736 (silver) by Kent, William (1684-1748) (after); Private Collection; (add.info)

Portrait of HRH Frederick Augustus, Duke of York (oil on canvas)
872308 Portrait of HRH Frederick Augustus, Duke of York (oil on canvas) by Hoppner, John (1758-1810); 107x83 cm; Private Collection; (add.info)

Great Seal of King George I, 18th Century (engraving)
6029816 Great Seal of King George I, 18th Century (engraving) by English School, (18th century); Private Collection; (add.info.: Great Seal of King George I)

The Kings and Queens of England from Egbert to Victoria (litho)
6032051 The Kings and Queens of England from Egbert to Victoria (litho) by English School, (19th century); Private Collection; (add.info)

The Election - Canvassing for Votes: satire on the parliamentary election of 1755
5997532 The Election - Canvassing for Votes: satire on the parliamentary election of 1755, one of a series of four titled Humours of an Election (engraving) by Hogarth

Roebuck Mug House Riot, London
A Roebuck Mug House Riot, Salisbury Court, Fleet Street, London, between Jacobites and Hanoverians. 1716

King George III in old age, 1817 (engraving)
5233601 King George III in old age, 1817 (engraving) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: King George III (1738-1820) in old age

The Duke of St Albans carrying the Queens crown at the coronation of King George II, 1727 (engraving)
5233575 The Duke of St Albans carrying the Queens crown at the coronation of King George II, 1727 (engraving) by English School

Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving)
2966823 Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

A Hackney Meeting, pub. 1796 (hand coloured engraving)
2966806 A Hackney Meeting, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub
2966795 Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Richard Howe)

The Friend of Humanity and the Knife Grinder, 1797 (hand-coloured etching)
BAL42770 The Friend of Humanity and the Knife Grinder, 1797 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

Loyal Souls - or a Peep into the Messroom at St. James
BAL42778 Loyal Souls - or a Peep into the Messroom at St. James, 1797 (hand-coloured etching) by Gillray, James (1757-1815); O Shea Gallery, London

The Coronation Ceremony of 1902: The Position of King Edward VII during the Act of
STC360919 The Coronation Ceremony of 1902: The Position of King Edward VII during the Act of Crowning, from The Illustrated London News, 1902 (litho) by Begg

The Battle of Fontenoy (colour litho)
620143 The Battle of Fontenoy (colour litho) by English School, (18th century); Private Collection; (add.info.: The Battle of Fontenoy, 11 May 1745)

Opposition Coaches, published by S. W. Fores in 1788 (hand-coloured etching)
NCO190497 Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796
NCO190493 The Presentation, or Wise Mens Offering, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Scotch Harrys News, or Nincumpoop in high Glee, published by J
NCO190423 Scotch Harrys News, or Nincumpoop in high Glee, published by J. Aitken in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching)
NCO190420 Wha Wants Me? published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Sketch of the Interior of St. Stephen s, as it now stands
NCO190157 Sketch of the Interior of St. Stephen s, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving) by Gillray

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
NCO190148 La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 24.8x35.1 cm; Courtesy of the Warden and Scholars of New College

Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgan
NCO193111 Enchantments lately seen upon the Mountain of Wales, or Shon-ap-Morgans Reconcilement to the Fairy Princess, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797
NCO193102 Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Smoking Club, published by Hannah Humphrey in 1793 (hand-coloured etching)
NCO190412 A Smoking Club, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Ancient Music, published by S. W. Fores in 1787 (hand-coloured etching)
NCO190404 Ancient Music, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 42.7x55.1 cm; Courtesy of the Warden and Scholars of New College

Fine Bracing Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO190125 Fine Bracing Weather, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English

Jeremy Bentham in an imaginary landscape, 1835 (oil on paper)
UCL284497 Jeremy Bentham in an imaginary landscape, 1835 (oil on paper) by Watts, George Frederic (1817-1904); UCL Art Museum, University College London, UK; (add.info.: Bentham (1748-1832)

George III, 1764 (marble) (see also 283567)
XYC283568 George III, 1764 (marble) (see also 283567) by Nost, John van the Younger (fl.1750-87); 63.5x48.9x25.4 cm; Yale Center for British Art, Paul Mellon Collection

Leaving off Powder, or A Frugal Family saving the Guinea
NCO191734 Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child
NCO189793 Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.