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8 vignettes depicting eloquence, published by Hannah Humphrey in 1795
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8 vignettes depicting eloquence, published by Hannah Humphrey in 1795
NCO191281 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: top row, left to right: Ministerial; Prime Minister William Pitt (1759-1806); bottom row, left to right: Fools; ); English, out of copyright
Media ID 23354852
© Bridgeman Images
1749 1806 Arguing Billingsgate Brutish Charles James Fox Coarse Crone Duke Of Clarence Fishwife Fool Foolish Hanoverian Lawyer Opposition Leader Preacher Preaching Pulpit Sermon Social Satire Unkempt Vignette Whig
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EDITORS COMMENTS
This print showcases a series of eight vignettes depicting eloquence, skillfully crafted by James Gillray and published by Hannah Humphrey in 1795. Each vignette captures a different aspect of society, highlighting the power of language and communication. In the top row from left to right, we see Ministerial; Prime Minister William Pitt exuding confidence and authority. His presence commands attention as he delivers his speech with conviction. Moving to the bottom row from left to right, Fools; presents us with a comical scene featuring an array of characters. From an arguing soldier to a foolish opposition leader, even the Duke of Clarence makes an appearance alongside Sailor Billy. This satirical portrayal pokes fun at societal figures who lack wisdom or make irrational decisions. The hand-colored etching beautifully brings out the intricate details in each vignette. The vibrant colors add depth and life to these caricatures while enhancing their expressive nature. Gillray's work is known for its social satire and sharp commentary on Georgian society. Through this collection of scenes ranging from pulpit preachers to coarse fishwives, he masterfully captures both the elegance and absurdity found within various aspects of life during that time period. Courtesy of New College Oxford's Warden and Scholars, this historical piece provides us with insight into not only Gillray's artistic brilliance but also serves as a window into 18th-century England's political landscape.
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