Heinrich Collection (page 9)

German Renaissance cartouches and works in metal and enamel, (1898). Creator: Unknown
German Renaissance cartouches and works in metal and enamel, (1898). Figs 1 and 2: Cartouches from a pedigree in the Sammlung vaterlandischer Altertumer at Stuttgart

German Renaissance painted plaster ornament, (1898). Creator: Unknown
German Renaissance painted plaster ornament, (1898). Our representations illustrate further details of the ceiling in the large knights hall of the castle of Heiligenberg mentioned with Plate 72

Metalwork and woodcarving, France and Germany, (1898). Creator: Unknown
Metalwork and woodcarving, France and Germany, (1898). Figs 1-7: Table mountings in the Royal Bavarian Museum, Munich, Louis XIV period [c1643-1715]

German Renaissance typographic ornaments, (1898). Creator: Unknown
German Renaissance typographic ornaments, (1898). Fig 1: Title-frame (1519) probably by Hieronymus Hopfer. Fig 2: Initial by A. Durer. Fig 3: Frieze (1539) by A. Aldengrever [Heinrich Aldegrever?]

Byzantine glass mosaic, coloured enamel, illumination, (1898). Creator: Unknown
Byzantine glass mosaic, coloured enamel, illumination, (1898). Fig 1: Glass-mosaic from the cylindrical vault above the central nave of the tomb-church of Galla Placidia at Ravenna [Italy]

Scandinavian wood-carvings, (1898). Creator: Unknown
Scandinavian wood-carvings, (1898). Northern - Wood Carving - Fig 1: Porch of the church at Hedal. Fig 2: Side portion of the Porch of the church at Austad

Medieval ceiling and wall painting, (1898). Creator: Unknown
Medieval ceiling and wall painting, (1898). Fig 1: From a pedigree in the hospital-church at Stuttgart, 15th century. Fig 2: Portion of Fig 22: Painted flat ornament, the ground being deepened

Medieval wood mosaic, (1898). Creator: Unknown
Medieval wood mosaic, (1898). Figs 1-6: From a reading-desk in the cathedral of Orvieto [Italy]. Figs 7 and 8: From the stalls of Frari Church at Venice. Figs 9-17: From the vestry-door in S

Medieval stained glass, (1898). Creator: Unknown
Medieval stained glass, (1898). Figs 1-6: From the cathedral at Chartres. Fig 7: From the abbey-church at St. Denis. Fig 8: From the church St. Urbain at Troyes. Fig 9: From the cathedral ibid

Medieval architectural ornament and sculpture, (1898). Creator: Unknown
Medieval architectural ornament and sculpture, (1898). Fig 1: Carved figure from the stalls of the Minster at Ulm. Fig 2: Projecting bracket of a seat-flap (Misericordia) of the same stalls

Italian Renaissance wood mosaic, (1898). Creator: Unknown
Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown
Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Fig 1: Christ enthroned on a rainbow and surrounded by the symbols of the four Evangelists - book-cover of gilt bronze decorated with

Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt
Roman architectural ornament and sculpture, (1898). Fig 1: Corinthian capital from the Pantheon at Rome. Fig 2: Head of a candelabrum from the Vatican Museum

Persian metawork, (1898). Creator: Unknown
Persian metawork, (1898). Examples of metal objects with damascened designs including Arabic inscriptions: Figs 1 and 2: Helm [helmet] with shield belonging to it. Fig 3: Border from an armature

Italian Renaissance stained glass, (1898). Creator: Unknown
Italian Renaissance stained glass, (1898). Fig 1: From the National Museum in the Bargello at Florence, taken by H. Dolmetsch

Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown
Medieval weaving, embroidery, enamel and painted sculpture, (1898). Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid

Persian pottery, (1898). Creator: Unknown
Persian pottery, (1898). Figs 1-5: Ancient Persian fayence plates in the Musee Cluny at Paris. Figs 6 and 7: Borders from walls wainscoted with fayence. Fig 3. After an original drawing by C

Japanese weaving, painting and cloisonne, (1898). Creator: Unknown
Japanese weaving, painting and cloisonne, (1898). Examples of painted decoration, textiles and enamelling: Figs 1-7: Borders and patterns from silk stuffs

Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown
Indian metal work, embroidery, weaving and painting, (1898). Fig 1: Ancus (instrument used to drive and train elephants) in chiselled iron

Roman mosaic floors, (1898). Creator: Unknown
Roman mosaic floors, (1898). Fig 1: Mosaic frieze in the house of the Faun at Pompeii [Italy]. Figs 2 and 3: Patterns of plate-mosaic in the Palatine Museum at Rome (drawn by H. Dolmetsch)

Italian Renaissance works in precious metals and enamel, (1898). Creator: Unknown
Italian Renaissance works in precious metals and enamel, (1898). Fig 1: Crowning of a little altar in the Galerie d Apollon of the Louvre at Paris

Indian embroidery, weaving, plaiting and lacquerwork, (1898). Creator: Unknown
Indian embroidery, weaving, plaiting and lacquerwork, (1898). Fig 1: Embroidered carpet of the 16th century. Figs 2-6: Borders from silk-embroideries. Fig 7: Pattern embroidered in silk

Ancient Greek polychrome architecture, (1898). Creator: Unknown
Ancient Greek polychrome architecture, (1898). Fig 1: Polychrome cyma (ogee) with lions head from Selinus. Fig 2: Acroterium [acroterion] from the temple of Nike Apteros

Italian Renaissance ornament in marble and bronze, (1898). Creator: Unknown
Italian Renaissance ornament in marble and bronze, (1898). Fig 1: Door-lintel with marble-frieze in the Palazzo Ducale at Urbino, 15th century. Fig 2: Frieze on a marble-chimney ibid

Italian Renaissance ceiling and wall painting, (1898). Creator: Unknown
Italian Renaissance ceiling and wall painting, (1898). Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid

Medieval wall painting, (1898). Creator: Unknown
Medieval wall painting, (1898). Figs 1 and 2: From the apsis of the Basilica di S. Angelo in Formis near Capua, 11th century

Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown
Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the Museum vaterlandischer Altertumer at Stuttgart

French Renaissance block printing and embroidery, (1898). Creator: Unknown
French Renaissance block printing and embroidery, (1898). Figs 1, 2 and 4: Patterns in relief-printing, 17th century. Fig 3: Pattern in flat printing, 17th century

Russian enamel, majolica, wall painting, ceilings and japanned woodwork, (1898). Creator: Unknown
Russian enamel, majolica, wall painting, ceilings and japanned woodwork, (1898). Figs 1-4: Wall-paintings on a spiral staircase in the Cathedral of the Annunciation at Moscow, 15th century

Italian Renaissance polychrome ceramics, (1898). Creator: Unknown
Italian Renaissance polychrome ceramics, (1898). Examples of painted faience: Figs 1, 6, 9, 11, 12, 13, 14 and 15: Wainscot-plates on the staircase-walls of the house Nr. 26 in Via Luccoli at Genoa

Italian Renaissance ornamental painting, (1898). Creator: Unknown
Italian Renaissance ornamental painting, (1898). Examples of painted building facades: Figs 1-7: From the front of a house in Genoa (Via San Matteo. Nr, 10)

Napoleons bivouac on the battlefield of Wagram during the night of 5-6 July 1809, (1921). Napoleon la veille de Wagram. Napoleon Bonaparte (1769-1821), silhouetted against the campfire

The High Priests, 1922. Creator: Henry Traut
The High Priests, 1922. Players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria, Germany

The Way of the Cross, 1922. Creator: Henry Traut
The Way of the Cross, 1922. Jesus (Anton Lang) carrying the cross: players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

Jesus before Pilate, 1922. Creator: Henry Traut
Jesus before Pilate, 1922. Jesus (Anton Lang) appears before Roman governor Pontius Pilate (Hans Mayr): players in the Oberammergau Passion Play

The meeting after the denial, 1922. Creator: Henry Traut
The meeting after the denial, 1922. St Peter (Andreas Lang) denies Jesus (Anton Lang) three times, and then repents: players in the Oberammergau Passion Play

Peter denies Jesus, 1922. Creator: Henry Traut
Peter denies Jesus, 1922. Andreas Lang as St Peter in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

Jesus before Ananias, 1922. Creator: Henry Traut
Jesus before Ananias, 1922. Jesus appears before the high priest Annas (or Ananias): players in the Oberammergau Passion Play

Judas betrays his master, 1922. Creator: Henry Traut
Judas betrays his master, 1922. Judas (Guido Mayr) betrays Jesus (Anton Lang): players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

Jesus on the Mount of Olives, 1922. Creator: Henry Traut
Jesus on the Mount of Olives, 1922. The Agony in the Garden: Jesus and the angel with the cup of suffering: players in the Oberammergau Passion Play

The entry into Jerusalem, 1922. Creator: Henry Traut
The entry into Jerusalem, 1922. Players on stage in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

The Last Supper, 1922. Creator: Henry Traut
The Last Supper, 1922. Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary

The journey to Jerusalem, 1922. Creator: Henry Traut
The journey to Jerusalem, 1922. Players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria

The Anointing, 1922. Creator: Henry Traut
The Anointing, 1922. Players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria, Germany

Child performers in the Oberammergau Passion Play, 1922. Creator: Henry Traut
Child performers in the Oberammergau Passion Play, 1922. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria, Germany

Herod, 1922. Creator: Henry Traut
Herod, 1922. Gregor Breitsamter as King Herod, player in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

Prologue, 1922. Creator: Henry Traut
Prologue, 1922. Anton Lechner, player in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria

Pilate, 1922. Creator: Henry Traut
Pilate, 1922. Hans Mayr as Roman governor Pontius Pilate: player in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

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"Heinrich: A Journey Through Time and Legends" Step into the world of Heinrich, where ancient creatures roamed and mythical tales unfolded. From the towering Iguanodons, herbivorous dinosaurs that once ruled the earth, to primitive men armed with spears hunting down a formidable glyptodon. In this captivating journey, we delve into the depths of history and encounter intriguing figures like Hedwig of Silesia, a noble woman known for her compassion and piety. We witness Medea and Jason's audacious quest as they steal the coveted Golden Fleece. The haunting image of "The Wailing Women" by Henry Traut transports us to 1922, evoking emotions that transcend time. Meanwhile, Heinrich Khunrath's Alchemist Laboratory reveals secrets hidden within its walls - an eternal pursuit of wisdom. German Renaissance art adorns ceilings and walls with wood mosaics and embroidery; each stroke tells stories untold. The valiant Knight in mid-15th-century battle armor stands ready to defend honor with his arsenal of weapons. Nature's fury unfolds as a long-horned European wild ox faces off against relentless wolves while an extinct European cave lion prowls through our imagination. These majestic creatures remind us of nature's delicate balance. Lastly, Prince Henry of Prussia graces our narrative alongside his family – symbols of royalty intertwined with historical significance. Through these glimpses into Heinrich’s world, we are reminded that history is not merely a collection of facts but rather a tapestry woven from countless stories waiting to be discovered. Join us on this enchanting voyage through time.