Hell Collection (page 46)

Illustration from Dantes Divine Comedy, Inferno, Canto XII: 55, 1921
XOT361720 Illustration from Dantes Divine Comedy, Inferno, Canto XII: 55, 1921 (w/c on paper) by Bayros, Franz von (Choisy Le Conin) (1866-1924); Private Collection; German, out of copyright

Amina is carried away by an angel whilst the devil captures the Sacristan of Albaicin
KW360448 Amina is carried away by an angel whilst the devil captures the Sacristan of Albaicin (litho) by Spanish School, (19th century); Private Collection; (add.info)

Orpheus with a Harp Playing to Pluto and Persephone in the Underworld (oil on panel)
BAL35660 Orpheus with a Harp Playing to Pluto and Persephone in the Underworld (oil on panel) by Brueghel, Jan the Elder (1568-1625); Johnny van Haeften Gallery, London

The fire at the Universal Exhibition of Brussels, a menagerie being consumed by the flames
XIR346378 The fire at the Universal Exhibition of Brussels, a menagerie being consumed by the flames, illustration from Le Petit Journal, supplement illustre

Luxury, 1557 (engraving) (b / w photo)
XIR345963 Luxury, 1557 (engraving) (b/w photo) by Bruegel, Pieter the Elder (c.1525-69); Bibliotheque Royale de Belgique, Brussels, Belgium; (add.info.: La Luxure; Brueghel; ); Flemish

St. James the Elder combating the diabolical enchantments of a magician, engraved
KW345510 St. James the Elder combating the diabolical enchantments of a magician, engraved in the 16th century after a composition by Brueghel the Elder

Haywain, 1515 (oil on panel) (see also 37911)
XIR3429 Haywain, 1515 (oil on panel) (see also 37911) by Bosch, Hieronymus (c.1450-1516); 147x212 cm; Prado, Madrid, Spain; Netherlandish, out of copyright

The Last Judgement (oil on canvas)
XIR33758 The Last Judgement (oil on canvas) by Cousin, Jean the Younger (1522-94); 145x142 cm; Louvre, Paris, France; French, out of copyright

Detail of the Small Last Judgement, c. 1620 (oil on panel) (see 206400)
XIR336938 Detail of the Small Last Judgement, c.1620 (oil on panel) (see 206400) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich

The Last Judgement, 1721 (egg tempera on wood)
BAL322448 The Last Judgement, 1721 (egg tempera on wood) by Ulanov, Cornili (Kirill) (d.1731); State Tretyakov Gallery, Moscow; Russian, out of copyright

Death, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts
KW320814 Death, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by Italian School

The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts
KW320807 The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by French School

The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts
KW320798 The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by Italian School

The Resurrection of the Dead and the Weighing of Souls in the Balance at the Last Judgement
KW315639 The Resurrection of the Dead and the Weighing of Souls in the Balance at the Last Judgement, from Science and Literature in the Middle Ages by Paul Lacroix (1806-84)

The Hour of Death, an allegoric miniature, from a 15th century manuscript (litho)
XJF308724 The Hour of Death, an allegoric miniature, from a 15th century manuscript (litho) by French School, (15th century); Private Collection; French, out of copyright

Satan, illustration from Paradise Lost by John Milton, fourth edition 1688
XJF396638 Satan, illustration from Paradise Lost by John Milton, fourth edition 1688 (engraving) by Medina, John Baptist de (1659-1710); Private Collection; (add.info)

Dante (1265-1321) and Virgil (70-19 BC) in the Underworld, 1822 (oil on canvas)
XIR2996 Dante (1265-1321) and Virgil (70-19 BC) in the Underworld, 1822 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 189x241.5 cm; Louvre, Paris

The Barque of Dante (after Delacroix) (oil on canvas)
XIR781335 The Barque of Dante (after Delacroix) (oil on canvas) by Manet, Edouard (1832-83); Musee des Beaux-Arts, Lyon, France; (add.info.: See also 2996.); Giraudon; French, out of copyright

Elysium and Sartarus or the State of Final Retribution, 1791 (etching)
XYC291021 Elysium and Sartarus or the State of Final Retribution, 1791 (etching) by Barry, James (1741-1806); Yale Center for British Art, Yale Art Gallery Collection; Gift of Mr. and Mrs. John E

The Day of Judgement, pl. 9, from The Grave, A Poem by William Blake (1757-1827)
XYC290779 The Day of Judgement, pl.9, from The Grave, A Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

The speculator (engraving) (b / w photo)
XIR287758 The speculator (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: L Agioteur; agioteur; ); French, out of copyright

The Champion of Westminster, defending the People from Ministerial Imps and Reptiles
XCF290952 The Champion of Westminster, defending the People from Ministerial Imps and Reptiles, 1818 (colour etching) by Cruikshank, Isaac Robert (1789-1856); Private Collection; English

Altarpiece with 48 Scenes of the Apocalypse, c
XCF282064 Altarpiece with 48 Scenes of the Apocalypse, c.1400 (tempera and gilt on panel transferred to canvas) by Master Bertram of Minden (c.1345-c.1415); 123.4x167.6 cm; Victoria & Albert Museum

Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain
XIR266941 Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain, enchains the dragon for a thousand years, Latin edition, 1511 (woodcut) (b/w photo) by DAOErer or Duerer

The descent of Christ into Limbo, from The Great Passion series, 1510
XIR266937 The descent of Christ into Limbo, from The Great Passion series, 1510 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 39.6x28.4 cm; Bibliotheque Nationale, Paris

The arrival of the damned in hell, Demonic beings draw souls to bottom, part of Last Judgment scenes, print maker: Hendrick Goltzius (mentioned on object), Dating 1575 - 1579 and/or 1596 - 1652

A man has doubts about his conduct at a junction of two roads, one way of life in virtue leads to eternity and the other away from a life of sin leading to hell, Boetius Adamsz

12: Los howld in a dismal stupor... plate 10 from The First Book of Urizen
XYC256361 12: Los howld in a dismal stupor... plate 10 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Satan Calling up his Legions
BAL25414 Satan Calling up his Legions by Blake, William (1757-1827); Victoria & Albert Museum, London, UK; English, out of copyright

The Ages of Life (colour litho)
XIR214234 The Ages of Life (colour litho) by Italian School, (19th century); Musee Nat. des Arts et Traditions Populaires, Paris

Cerberus Tamed by Hercules (engraving) (b / w photo)
XIR213102 Cerberus Tamed by Hercules (engraving) (b/w photo) by French School, (16th century); Bibliotheque des Arts Decoratifs, Paris, France; French, out of copyright

Christs Descent into Limbo, c. 1532 (oil on canvas)
XJL211809 Christs Descent into Limbo, c. 1532 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 226x114 cm cm; Prado, Madrid, Spain; Italian, out of copyright

Dante and Virgil (70-19 BC) from The Divine Comedy by Dante Alighieri (1265-1321) c
XIR207020 Dante and Virgil (70-19 BC) from The Divine Comedy by Dante Alighieri (1265-1321) c.1480 (pen & ink on paper) by Botticelli

Small Last Judgement, c. 1620 (oil on panel)
XIR206400 Small Last Judgement, c.1620 (oil on panel) by Rubens, Peter Paul (1577-1640); 183x120 cm; Alte Pinakothek, Munich, Germany; (add.info.: Le Petit Jugement Dernier; ); Flemish

The Angel Binding Satan, c. 1797 (oil on canvas)
XYC239866 The Angel Binding Satan, c.1797 (oil on canvas) by Loutherbourg, Philip James (Jacques) de (1740-1812); 45.1x37.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; French

Charon Passing the Shades (oil on canvas)
XIR188802 Charon Passing the Shades (oil on canvas) by Subleyras, Pierre (1699-1749); 135x83 cm; Louvre, Paris, France; French, out of copyright

Condemnation of the Jesuits, 6th August 1762 (engraving) (b / w photo)
XIR188713 Condemnation of the Jesuits, 6th August 1762 (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris

The Fall of the Rebel Angels, detail of angels fighting and playing music (oil on panel)
XIR184006 The Fall of the Rebel Angels, detail of angels fighting and playing music (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); Musees Royaux des Beaux-Arts de Belgique, Brussels

Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre-restoration)
BAL183476 Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre-restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Triptych of the Temptation of St. Anthony (oil on panel)
XIR179404 Triptych of the Temptation of St. Anthony (oil on panel) by Bosch, Hieronymus (c.1450-1516) (after); Prado, Madrid, Spain; (add.info.: copy of original in Lisbon; ); Netherlandish

Aeneas and the Sibyl in the Underworld, 1598 (oil on copper)
BAL178004 Aeneas and the Sibyl in the Underworld, 1598 (oil on copper) by Brueghel, Jan the Elder (1568-1625); 26.4x35.3 cm; Private Collection; Johnny Van Haeften Ltd

Christ appears in the sky, print maker: Gillis van Scheyndel I, Gerhard Verstegen, 1625

The Inferno (oil on panel) (detail)
XIR177819 The Inferno (oil on panel) (detail) by Bles, Herri met de (Civetta) (c.1510-p.1550); Palazzo Ducale, Venice, Italy; (add.info)

Death and Miser, c. 1485-90 (oil on panel)
XOS1765993 Death and Miser, c.1485-90 (oil on panel) by Bosch, Hieronymus (c.1450-1516); 93x31 cm; National Gallery of Art, Washington DC, USA; Netherlandish, out of copyright

The Sea Gave up its Dead, Last Judgment
BAL1763601 The Sea Gave up its Dead, Last Judgment by Italian School, (11th century); Cathedral of Santa Maria Assunta, Torcello, Venice, Italy; Italian, out of copyright

Ms 2017 f. 245 Dantes Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca
XIR173422 Ms 2017 f.245 Dantes Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440 by Master of the Vitae Imperatorum (fl.1431-59); Bibliotheque Nationale, Paris

Christ in limbo, Adriaen Collaert, 1598 - 1618

Baptism of Christ, from Sandzak (tempera on panel)
XIR172253 Baptism of Christ, from Sandzak (tempera on panel) by Yugoslavian School, (14th century); 40.5x32.5 cm; Narodni Muzej, Belgrade, Serbia; Yugoslavian, out of copyright

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.