Horsemanship Collection (page 2)

The Advance in the Soudan (litho)
1042703 The Advance in the Soudan (litho) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: The Advance in the Soudan)

The First Steeplechase on Record (colour litho)
981811 The First Steeplechase on Record (colour litho) by Alken, Henry Thomas (1785-1851) (after); Private Collection; (add.info.: The First Steeplechase on Record, 1839)

British Cavalry saddle, from The Discipline of the Light-horse by Robert Hinde
3267433 British Cavalry saddle, from The Discipline of the Light-horse by Robert Hinde, 1778 (engraving) by English School, (18th century); Private Collection; Photo eDon Troiani; English

French cavalrymen descending a cliff on horseback (colour litho)
2779956 French cavalrymen descending a cliff on horseback (colour litho) by French School, (20th century); Private Collection; (add.info.: French cavalrymen descending a cliff on horseback)

Powder-Play, Morocco (colour litho)
2799247 Powder-Play, Morocco (colour litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Powder-Play, Morocco)

La Vie Sauvage Dans L Ouest Americain (engraving)
2783324 La Vie Sauvage Dans L Ouest Americain (engraving) by French School, (19th century); Private Collection; (add.info.: La Vie Sauvage Dans L Ouest Americain)

The Royal Surrey Theatre
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama (hippodrama)

Regency gentlemen riding horses using whips
Regency gentlemen riding horsesat a gallop using whips. How to Ride up Hyde Park. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury from Geoffrey Gambados

Regency designs for wooden chin pieces for falling animals
Regency designs for wooden chin pieces to protect animals when they fall, and to keep away boring Christians. The Puzzle for the Dog, The Puzzle for the Horse, The Puzzle for Turk, Frenchman, or

Regency gentleman rider on a horse at a crossroads in a storm blinded by his hat brim. A couple in a carriage behind him also blinded by the wind. How to Lose Your Way

Regency physician riding a horse wearing a chin piece
Regency physician riding a horse wearing a protective wooden chin piece. A bewildered family of farm labourers watch him go. Dr. Cassock F.R.S. Inventor of the Noble Puzzle for Tumble Down Horses

Regency horse rider about to crash into a stage coach
Regency rider with cudgel on a dray horse about to crash into a stage coach. Coach driver and publican rolling beer barrels outside the Golden Lantern pub watch in horror. One Way to Stop Your Horse

Regency gentleman with cudgel on a thoroughbred horse, while another loses his wig on a galloping steed. A Bit of Blood. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration

Henry Bunbury as Geoffrey Gambado riding a horse. A stage coach laden with passengers and a man beating a nag in the background. Mr. Gambado Seeing the World

Allegorical illustration of a winged woman riding a hobby horse with horn and portrait of Henry Bunbury. The Apotheosis of Geoffery Gambado

Regency gentleman riding a horse with one hind leg tied
Regency gentleman riding a horse with one hind leg buckled into the surcingle. A man with tobacco pipe and ale jug shouts at him. Another rider falls from galloping horse

Regency gentleman on a horse that has bolted. He rides it full gallop into a chicken coop to stop it, and a farmer watches in horror. How to Stop Your Horse at Pleasure

Regency gentleman losing control of his horse
Regency gentleman losing his hat and control of his horse passing a gig on the wrong side (passengers side). How to Pass a Carriage

Regency gentleman using a whip to steer a horse. Behind him, two women in a gig struggle to control their horse. How to Turn any Horse, Mare or Gelding

Regency man riding a horse sliding down a hill on its hind legs, its forelegs straight. A man with a peg leg and eyepatch tumbles behind. How to Travel Upon Two Legs in a Frost

Regency man trying to stop a horse entering a tavern. Drinkers laugh at his struggles to control his horse, as a stage coach rides off in the distance. A Horse with a Nose

Regency man with a cudgel riding a horse prone to tumbling. In the background, a woman falls off a horse with panniers. The Tumbler, or its Affinities

Regency gentleman riding a horse that barely lifts its feet. He loses his bicorne when the horse hits a pig while a woman screams from a thatched cottage. A Daisy Cutter with his Varieties

Regency man riding a horse, while other riders struggle behind him on galloping and bolting mounts. The Mistaken Notion. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration

Regency gentleman riding a horse without a bridle
Regency gentleman riding a horse with only a string around its neck. A man is dragged off by a horse, his foot caught in a stirrup, in the background. How to Ride Without a Bridle

Regency gentleman loses his hat and wig on a mare. How to Make the Mare to Go. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury from Geoffrey Gambados An

Regency gentleman riding a horse while another falls from the saddle. How to Prevent the Horse Slipping his Girths. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by

Regency man riding on a horse with two women pillion
Regency man riding on a horse with two women in seats mounted pillion in pannier basket seats beside him.. Parson and lady riding sidesaddle ahead. Me, My Wife and Daughter

Regency gentleman on a horse caught on a sty during a fox hunt with hounds. How to Do Things by Halves. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury

Regency gentleman riding with his belle
Regency gentleman riding with his love, embarrassed by his horses constant flatulence. A parson rides a bony nag in the background. Love and Wind

Regency gentleman on a bucking horse with a stick under its tail. Two boys laugh at their prank in front of the Game Cock pub and inn. Tricks Upon Travellers

Regency man riding a horse using a whip, while a man whips a galloping donkey and a couple in a carriage beat a horse. How to Make the Least of Him

Self-portrait of artist and writer Henry Bunbury (as
Self portrait of the artist Henry Bunbury as Geoffrey Gambado Esq. with gouty foot and pot belly, seated watching a riding instructor jump on a hobby horse

Regency gentleman riding a prancing horse in a town street. How to Make the Most of a Horse. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury

Terre a Terre to the Left Seen from Behind (top) and
GG128236 Terre a Terre to the Left Seen from Behind (top) and The Levee upon a Stop (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

The Scholar Mounted between the Pillars (top) and
GG128234 The Scholar Mounted between the Pillars (top) and The Levee or Pesade Seen from Before (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

A Riding School in the Soudan (engraving)
6003645 A Riding School in the Soudan (engraving) by English School, (19th century); Private Collection; (add.info.: A Riding School in the Soudan)

Our young soldiers: French army cavalry cadets in training (colour litho)
6001208 Our young soldiers: French army cavalry cadets in training (colour litho) by French School, (19th century); Private Collection; (add.info.: Our young soldiers)

Arab-Toorkman Charger, from Syria (litho)
5202603 Arab-Toorkman Charger, from Syria (litho) by English School, (19th century); Private Collection; (add.info.: Arab-Toorkman Charger, from Syria)

The Full Gallop or Carriere (top) and Terre a Terre to the right
GG128242 The Full Gallop or Carriere (top) and Terre a Terre to the right (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

The Manege Gallop or Carriere (top) and Terre a Terre to the Right seen
GG128241 The Manege Gallop or Carriere (top) and Terre a Terre to the Right seen from Before (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

The Volte Renversee to the Right (top) and The Horse Learning to back
GG128238 The Volte Renversee to the Right (top) and The Horse Learning to back (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

The Rider Fixing his Curb in its Place before he Mounts (top) and
GG128231 The Rider Fixing his Curb in its Place before he Mounts (top) and The Scholar Placed in his Seat without Styrrops (bottom), c.1750 (oil on canvas) by Butler, Thomas

French cavalry display of horsemanship at the Carrousel de Fontainebleau (colour litho)
2782404 French cavalry display of horsemanship at the Carrousel de Fontainebleau (colour litho) by French School, (20th century); Private Collection; (add.info)

Christian Mueller, 17th Century horse rider from Nuremberg (engraving)
3646819 Christian Mueller, 17th Century horse rider from Nuremberg (engraving) by German School, (19th century); Private Collection; (add.info.: Christian Mueller)

Coaches and four, International Horse Show, Olympia, London
Coaches drawn by four horses at the annual International Horse Show, in the glass-roofed building at Olympia, West London, with spectators seated in the background. Date: 1922

Chasing in the Basses Pyrenees - Sir Alfred James Munnings
Chasing in the Basses Pyrenees - A study of a point-to-point race at Pau, Southern France by Sir Alfred James Munnings (1878-1959). Date: 1926

Little Tommy Miller (engraving)
3626142 Little Tommy Miller (engraving) by English School, (19th century); Private Collection; (add.info.: Little Tommy Miller. Illustration for Chatterbox (1869)

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"Mastering the Art of Horsemanship: A Timeless Bond Between Man and Horse" In the world of horsemanship, there exists a profound connection between man and horse that transcends time, and is an art form that has been captured in various forms throughout history, showcasing the beauty and grace of this extraordinary partnership. One such depiction takes us back to 1887, where artist Eadweard J Muybridge immortalized a moment frozen in time - a man and his horse soaring effortlessly over a fence. The sheer power and agility displayed by both rider and steed are awe-inspiring, symbolizing the trust built through years of training. Traveling across continents to Alberta, Canada, we witness another thrilling display at the Calgary Stampede's Chuck Wagon Race. Here, cowboys push their horses to their limits as they navigate tight turns with precision and speed. The thunderous hooves echo through the air as these skilled riders showcase their mastery over these magnificent creatures. Venturing further south to South America, we encounter gauchos riding gracefully against the backdrop of Cuernos del Paine mountains. Their expertise on horseback is legendary as they effortlessly maneuver through rugged terrains while taming wild herds. This harmonious blend between man, horse, and nature exemplifies true horsemanship at its finest. Delving into history once again brings us face-to-face with Tom Clarke - Huntsman of the Old Berkshire in 1879. In this captivating image created by an unknown artist, we witness Clarke leading his pack with unwavering confidence atop his trusted mount. The bond forged between huntsman and horse is evident in every stride taken together towards adventure. The realm extends beyond practicality; it also encompasses artistic expression. Through vibrant artwork capturing moments from equestrian sports like show jumping or dressage competitions emerge stunning portrayals that celebrate both athleticism and elegance.