Jealousy Collection (page 6)

Careless Attention, early 19th century (pen & ink and w / c on paper)
CHT176046 Careless Attention, early 19th century (pen & ink and w/c on paper) by English School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; English, out of copyright

The Rivals (oil on canvas)
PNY155646 The Rivals (oil on canvas) by Sword, James Brade (1839-1915); 61x40.6 cm; Private Collection; Phillips, Fine Art Auctioneers, New York, USA; American, out of copyright

Mercure, Herse et Aglaure - Mercury, Herse and Aglaurus, by Lagrenee
FIA5408469 Mercure, Herse et Aglaure - Mercury, Herse and Aglaurus, by Lagrenee, Louis-Jean-Francois (1725-1805). Oil on canvas, 1767. Dimension : 55x70 cm

Passions from Physiognomy, 1829 (engraving)
5893741 Passions from Physiognomy, 1829 (engraving) by Smellie, William (1697-1763); (add.info.: Passions from Johann Caspar Lavaters Physiognomy)

Henry (Henry) Stuart dit Lord Darnley (1545-1567) surprised his wife
XEE4192615 Henry (Henry) Stuart dit Lord Darnley (1545-1567) surprised his wife, Queen Mary (Mary) Iere Stuart (1542-1587), with his private secretary, David Rizzio (d. 1566)

Allegory of jealousy stretching the ear on one side and watching what happens
XEE4135662 Allegory of jealousy stretching the ear on one side and watching what happens on the other. Her dress is dotted with eyes and ears

The Seducer, 1929-30 (oil on canvas)
657483 The Seducer, 1929-30 (oil on canvas) by Sickert, Walter Richard (1860-1942); Private Collection; (add.info.: The Seducer. Walter Richard Sickert (1860-1942). Oil on canvas

The Trial of Jealousy (engraving)
5218352 The Trial of Jealousy (engraving) by English School, (19th century); Private Collection; (add.info.: The Trial of Jealousy)

Kenny Meadows: The Common Informer (engraving)
5989573 Kenny Meadows: The Common Informer (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: The Common Informer)

Sauls Jealousy of David (engraving)
5200546 Sauls Jealousy of David (engraving) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info.: Sauls Jealousy of David)

Joseph Being Cast into the Well by his Brothers (oil on panel)
RAF123523 Joseph Being Cast into the Well by his Brothers (oil on panel) by Molenaer, Jan Miense (1610-68); 72x61 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch

The Jealous Husband (oil on canvas)
LST204406 The Jealous Husband (oil on canvas) by Ducreux, Joseph (1735-1802) (studio of); 57.2x76.2 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; French, out of copyright

Saul and David
908739 Saul and David by Normand, Ernest (1857-1923); Private Collection; (add.info.: Hutchinsons History of the Nations published Hutchinson & Co circa 1920); English, out of copyright

Envy in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
STC227386 Envy in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c.1850 (colour litho) by Boilly, Louis Leopold (1761-1845) (after); Private Collection; (add.info)

Lady Flora (w / c)
BRA33362 Lady Flora (w/c) by Sullivan, Edmund Joseph (1869-1933); 76.2x55.8 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English, out of copyright

Two of a trade hate one another, 1932 (colour litho)
473421 Two of a trade hate one another, 1932 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info.: Chinese proverb with parallels in many cultures referring to jealousy)

The Peace-maker (colour litho)
3634369 The Peace-maker (colour litho) by English School, (19th century); Private Collection; (add.info.: The Peace-maker)

Illustration for Book III of Les Confessions de Jean-Jacques Rousseau (gravure)
3641313 Illustration for Book III of Les Confessions de Jean-Jacques Rousseau (gravure) by Leloir, Maurice (1853-1940); Private Collection; (add.info)

New act of marriage (litho)
3642884 New act of marriage (litho) by English School, (20th century); Private Collection; (add.info.: New act of marriage. Postcard, early 20th century.); © Look and Learn

Hutch music sheet for Jealousy. Leslie A. Hutchinson (1900-1969) known as Hutch was a Grenada-born singer and pianist. One of the most popular cabaret stars of the 1920s and 1930s. Date: 1930s

Sunshine and Shadow (engraving)
1100467 Sunshine and Shadow (engraving) by English School, (19th century); Private Collection; (add.info.: Sunshine and Shadow)

Humours of Grouse Driving (engraving)
1041541 Humours of Grouse Driving (engraving) by English School, (19th century); Private Collection; (add.info.: Humours of Grouse Driving)

Scene from Beauty and the Beast (colour litho)
979381 Scene from Beauty and the Beast (colour litho) by Boyle, Eleanor Vere (1825-1916); Private Collection; (add.info.: Scene from Beauty and the Beast.); © Look and Learn

Acis and Galatea (oil on canvas)
617258 Acis and Galatea (oil on canvas) by Troy, Jean Francois de (1679-1752); 130.8x114.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Wilhelm and Mignon (chromolitho)
735597 Wilhelm and Mignon (chromolitho) by European School, (19th century); Private Collection; (add.info.: Wilhelm and Mignon)

New Baby, 1912 (oil on canvas)
NOO367894 New Baby, 1912 (oil on canvas) by Wilbee, Christian Mary (d.1912); Private Collection; Photo eJohn Noott Galleries, Broadway, Worcestershire, UK; British, out of copyright

Cartoon making fun of the opera Lucia di Lammermoor by Donizetti (colour litho
CHT277830 Cartoon making fun of the opera Lucia di Lammermoor by Donizetti (colour litho by German School, (19th century); Bibliotheque de l Opera Garnier, Paris

They flung him into a pit, illustration from Through the Bible
IL197711 They flung him into a pit, illustration from Through the Bible, Virtue Publishing, 1928 (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; English, out of copyright

Ms. Lat. Q. v. I. 126 fol. 21 Josephs brothers showing their father proof that Joseph is
XJL197010 Ms. Lat. Q.v.I.126 fol.21 Josephs brothers showing their father proof that Joseph is dead, from the Book of Hours of Louis d Orleans, 1490 (vellum) by Colombe

The Calumny of Apelles, 15th century (maiolica)
AMO195999 The Calumny of Apelles, 15th century (maiolica) by Nicola da Urbino (c.1480-1537/8); Ashmolean Museum, University of Oxford, UK; (add.info.: Apelles, (4th century BC)

The Triumph of Venus: April from the Room of the Months, detail from the left hand side
ALG171508 The Triumph of Venus: April from the Room of the Months, detail from the left hand side, c.1467-70 (fresco) by Cossa, Francesco del (1435/6-c.1477); Palazzo Schifanoia, Ferrara

Love is Strong as Death, 1894 (w / c & gold paint on paper)
PNH367457 Love is Strong as Death, 1894 (w/c & gold paint on paper) by Penstone, John Jewell (fl.1835-95); 23x15 cm; Private Collection; (add.info)

Showing a Preference, 1860 (oil on canvas)
VFS109715 Showing a Preference, 1860 (oil on canvas) by Horsley, John Callcott (1817-1903); 67.5x52.7 cm; Private Collection; English, out of copyright

How Venus arrives and stormed the castle built by jealousy
AIS5346215 How Venus arrives and stormed the castle built by jealousy, Miniature by Guillaume Lorris from the manuscript Le Romanesque de la Rose, , 14th century. Valencia

Cinderella. Illustration by Hermann Vogel, 1894
GIA4741462 Cinderella. Illustration by Hermann Vogel, 1894. by Vogel, Hermann (1856-1918); Private Collection; (add.info.: Cinderella)

Scene of "Cola Rienzi, the last of the Tribuns"(Rienzi
GIA4775472 Scene of " Cola Rienzi, the last of the Tribuns" (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842

Lidia, an adultere wife, is surprised by her husband in Pirros arms
GIA4795139 Lidia, an adultere wife, is surprised by her husband in Pirros arms. Illustration for the news 69 (New 9 of the seventh day)

Mona Lisa - in "Tales et nouvelles en vers"by Jean La Fontaine
GIA4782530 Mona Lisa - in " Tales et nouvelles en vers" by Jean La Fontaine. 1762. by Unknown artist, (18th century); Private Collection; (add.info)

Mr. Colimard, if you continue to look at the dancers in such an inappropriate way
JEB4853937 Mr. Colimard, if you continue to look at the dancers in such an inappropriate way, I will take you home before the show ends

Mercury, Herse and Aglauros, 1763 (oil on canvas)
PWI91027 Mercury, Herse and Aglauros, 1763 (oil on canvas) by Pierre, Jean Baptiste Marie (1713-89); 325x329 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

Acis and Galetea Hiding from the Giant Polyphemus (oil on canvas)
PWI91024 Acis and Galetea Hiding from the Giant Polyphemus (oil on canvas) by Perrier, Francois (Bourguignon) (1590-1650); 97x133 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche
BEN78446 The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche, 1528 (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te, Mantua

Battle for a Woman, 1905 (oil on wood)
BOO73538 Battle for a Woman, 1905 (oil on wood) by Stuck, Franz von (1863-1928); 90x117 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

Joseph and his Brethren (oil on canvas)
SCP38718 Joseph and his Brethren (oil on canvas) by Castillo, Antonio del (1616-68); 109x145 cm; Prado, Madrid, Spain; Spanish, out of copyright

Envy, c. 1305 (fresco)
BEN67139 Envy, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

The pious tailor caught in adultery. Engraving by Cabbage from 1768 in "
XEE4187138 The pious tailor caught in adultery. Engraving by Cabbage from 1768 in " Lire Et Galanterie". Weekly Collection of Galantes Images on the direction of John Grand-Carteret

The earmaker and the mould racking illustration for Les contes de La Fontaine
XEE4155332 The earmaker and the mould racking illustration for Les contes de La Fontaine, circa 1743". engraving by Charles-Nicolas Cochin (1715-1790)

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"Jealousy: The Green-Eyed Monster that Haunts Italy's Tragic Tales" In the enchanting land of Italy, where passion and drama intertwine, jealousy takes center stage. Just like Desdemona and Othello in Shakespeare's masterpiece or Iago's cunning manipulation, this emotion has left an indelible mark on the country's cultural heritage. Giuseppe Verdi captured the essence in his opera Otello (1887), illustrated with striking oleographs. The intensity of emotions portrayed through music and art reveals the destructive power envy holds over human hearts. From biblical narratives to satirical engravings like "Flight to Egypt, " jealousy transcends time and genre. H. M. Bateman's comical illustration aptly depicts how irrationality can consume even the most rational minds. Tales such as "The Jealous Eye" remind us that envy knows no boundaries; it infiltrates every aspect of life, including duels between captains or intimate moments when a nurse administers an enema syringe to a bedridden man. "The Jealous Devil" personifies this emotion as a malevolent force lurking within us all. Its presence is felt not only in grand operas but also in everyday encounters, as depicted by Miss Hilda Moore's captivating gaze. Even renowned works like Verdi's Trouvere or Shakespearean plays like The Winter Tale explore jealousy’s intricate web. Harlequin, Columbine, and Pierrot dance their way into our hearts while reminding us that love triangles often breed resentment. As we delve into history through paintings such as "Two’s Company, Three’s None, " we witness how they are shatter relationships beyond repair. It serves as a cautionary tale for those who dare to test its limits. Italy stands testament to humanity’s fascination with this complex emotion – from tragic tales etched onto canvases to timeless performances on grand stages.