Jealousy Collection (page 3)

King Philip II (1527-1598) surprises his son, Prince Don Carlos (1545-1568)
XEE4192773 King Philip II (1527-1598) surprises his son, Prince Don Carlos (1545-1568), trying to violate his mother-in-law (stepmother)

The skeleton of Death pushes a ladder away from a wall killing a gallant suitor as he tries to elope with a beauty
FLO4690408 The skeleton of Death pushes a ladder away from a wall killing a gallant suitor as he tries to elope with a beauty. The girls father shoots a musket at the falling man

Josephs bloody tunic presented to Jacob. Josephs jealous brothers who gave up killing him make their father Jacob
XEE4415114 Josephs bloody tunic presented to Jacob. Josephs jealous brothers who gave up killing him make their father Jacob believe his death by presenting Josephs coat covered with sheeps blood

A young American woman causes fights between her pretendants. Anonymous engraving of the 19th century
XEE4407303 A young American woman causes fights between her pretendants. Anonymous engraving of the 19th century by French School

The Silver Age or "The Effects of Jealousy"Painting by Lucas Cranach the Elder (1472-1553) 1535 Sun
LRI4620787 The Silver Age or " The Effects of Jealousy" Painting by Lucas Cranach the Elder (1472-1553) 1535 Sun

Punishment of the sexy bathing women: out of jealousy, a group of women expel bathers in swimsuits from a beach in
XEE4183788 Punishment of the sexy bathing women: out of jealousy, a group of women expel bathers in swimsuits from a beach in Brittany with brambles and nettles

Apollo and Marsyas (oil on canvas, 1618. )
LRI4607208 Apollo and Marsyas (oil on canvas, 1618.) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palatine Gallery, Pitti Palace, Florence; (add.info.: Apollo and Marsyas)

To take revenge for the infidelity of his wife, Gabrielle de Vergy, Eudes de Fayel makes him eat without his knowledge
XEE4192589 To take revenge for the infidelity of his wife, Gabrielle de Vergy, Eudes de Fayel makes him eat without his knowledge the heart of his lover, Raoul de Coucy

The Marquis of Montespan, Louis Henri (Louis-Henri) de Pardaillan de Gondrin (1640-1691), slapped his wife
XEE4192632 The Marquis of Montespan, Louis Henri (Louis-Henri) de Pardaillan de Gondrin (1640-1691), slapped his wife, the Marquise of Montespan (Francoise Athenais)

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646162 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) by Peruzzi

Two eleven year-old boys fighting with knives over the love of a young girl (colour litho)
2782413 Two eleven year-old boys fighting with knives over the love of a young girl (colour litho) by French School, (20th century); Private Collection; (add.info)

A drama on the railway (colour litho)
2818186 A drama on the railway (colour litho) by French School, (19th century); Private Collection; (add.info.: A drama on the railway. The Montmoreau affair. Un drame en chemin de fer)

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi

The Jealous Parrot, 1919 (pochoir print)
781118 The Jealous Parrot, 1919 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Le Perroquet Jaloux Illustration from La Guirlande)

Battle of the sea-gods (pen & brown ink on white paper)
CTS366761 Battle of the sea-gods (pen & brown ink on white paper) by Mantegna, Andrea (1431-1506) (workshop of); 25.7x38 cm; The Devonshire Collections

Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Envy, from the Seven Deadly Sins, ca. 1550-55

Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Curious Envy. Creator: Viet Chu
Curious Envy

Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743)
YOU4419362 Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743). Photography, KIM Youngtae, Nantes, Musee des Beaux Arts de Nantes

Abels death. Engraving in "The main facts of holy history". Epinal Imaging, 4th Series
DUV4209943 Abels death. Engraving in " The main facts of holy history". Epinal Imaging, 4th Series. Pellerin and Cie, printer-publisher, Epinal. End of the 19th century

Avarice, 1924 (pochoir print)
STC226844 Avarice, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Othello, Desdemona and Emilia, 1867
JAG76145 Othello, Desdemona and Emilia, 1867 by Maclise, Daniel (Croquis, Alfred) (1806-70); 130x87 cm; Johannesburg Art Gallery, South Africa; © Johannesburg Art Gallery; Irish, out of copyright

Cinderella, folk tale. Illustration of Vaccari and Carrey in "Les beaux tales"collection "Nos
XEE4181524 Cinderella, folk tale. Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910. Private collection

L Avarice, 1924 (pochoir print)
1123820 L Avarice, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
2384740 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739 by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma

The quarrel of cats and dogs and that of cats and mice - The Quarrel of the Dogs And Cats
XEE4161830 The quarrel of cats and dogs and that of cats and mice - The Quarrel of the Dogs And Cats, And That of the Cats And Mice (Collection 3, Book 12)

L Ane et le petit chien - The Asset and the Little Dog (Collection 1, Book 4)
XEE4161783 L Ane et le petit chien - The Asset and the Little Dog (Collection 1, Book 4, fable 5) - engraving from " A Hundred Fables of La Fontaine" Illustrated by Percy J

I ll get it! You won t get it! (women fighting for a man) - in "Popular Scenes"by Edme J. Pigal, 1824
LSE4087373 I ll get it! You won t get it! (women fighting for a man) - in " Popular Scenes" by Edme J. Pigal, 1824 by Pigal

A Picnic on the Bosphorus (engraving)
1061321 A Picnic on the Bosphorus (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: A Picnic on the Bosphorus)

Envy, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho)
829030 Envy, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho) by Barbier

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
2384739 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma, Italy; (add.info.: Parma)

Jalousie d enfant. Illustration for Le Pele-Mele, 1906 (colour litho)
3101404 Jalousie d enfant. Illustration for Le Pele-Mele, 1906 (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: Jalousie d enfant. Illustration for Le Pele-Mele, 1906)

Study for Envy, c. 1898 (w / c)
6197981 Study for Envy, c.1898 (w/c) by Davidson, George Dutch (1879-1901); 34.9x10.9 cm; The McManus, Dundee, UK; (add.info)

Othello and Iago, Othello, Act III, Scene III (engraving)
5229012 Othello and Iago, Othello, Act III, Scene III (engraving) by Meadows, Kenny (1790-1874); Private Collection; (add.info.: Othello and Iago, Othello, Act III, Scene III)

The Chest of Set, illustration from The Book of Myths (colour litho)
IL283044 The Chest of Set, illustration from The Book of Myths (colour litho) by Paul, Evelyn (1870-1945); Private Collection; (add.info)

Jacques Lagniet (1620-1672 - He seeks what he does not want to find - engraving by Jacques Lagniet - Is he a friend)
XEE4156341 Jacques Lagniet (1620-1672 - He seeks what he does not want to find - engraving by Jacques Lagniet - Is he a friend the husband finds by " looking for what he would not want to)

Cafe de nuit (Night cafe) - Peinture de Moisei Maer (Moisei-Maer) (Meer) Gertsovich Slepyan (Slepian) (1872-1941)
FIA5347326 Cafe de nuit (Night cafe) - Peinture de Moisei Maer (Moisei-Maer) (Meer) Gertsovich Slepyan (Slepian) (1872-1941), huile sur toile, 1890-1900 - Art russe, 19e-20e siecle, art nouveau

Second Study for Envy, c. 1898 (w / c)
6197982 Second Study for Envy, c.1898 (w/c) by Davidson, George Dutch (1879-1901); 35.5x10.5 cm; The McManus, Dundee, UK; (add.info)

Series "Les batheuses"two women in swimsuit examines the cut of another
ELD4840650 Series " Les batheuses" two women in swimsuit examines the cut of another, caricature by Honore Daumier (1808-1879) 1844 (The bathers: two ladies wearing a swimming suit)

Envy, 1914 (pochoir print)
STC226930 Envy, 1914 (pochoir print) by Barbier, Georges (1882-1932) (after); Private Collection; The Stapleton Collection

Othello and Desdemona, 1859 (oil on panel)
CH378299 Othello and Desdemona, 1859 (oil on panel) by Maclise, Daniel (Croquis, Alfred) (1806-70); 64.8x77.5 cm; Private Collection; (add.info)

Gracious and Percinet. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari
XEE4181695 Gracious and Percinet. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910

Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this
XEE4156435 Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this. You re going to gater your eye - Caroline Otero (1868-1965)

Envy, 1898 (w / c)
6197977 Envy, 1898 (w/c) by Davidson, George Dutch (1879-1901); 76.2x24.1 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

The Rivals (engraving)
7161633 The Rivals (engraving) by Garland, Charles Trevor (fl. 1880-1901) (after); Private Collection; (add.info.: The Rivals)

Commedia dell arte : une femme partagee entre un jeune homme qui l enlace et un personnage age
FIA5343796 Commedia dell arte : une femme partagee entre un jeune homme qui l enlace et un personnage age, a qui elle tend un binocle

Jupiter, Junon et Io (Jupiter, Juno and Io) - Peinture de Niccolo (Nicolo) Bambini (1651-1736), huile sur toile
FIA5375664 Jupiter, Junon et Io (Jupiter, Juno and Io) - Peinture de Niccolo (Nicolo) Bambini (1651-1736), huile sur toile, fin 17e siecle - Art venitien, 17e siecle

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"Jealousy: The Green-Eyed Monster that Haunts Italy's Tragic Tales" In the enchanting land of Italy, where passion and drama intertwine, jealousy takes center stage. Just like Desdemona and Othello in Shakespeare's masterpiece or Iago's cunning manipulation, this emotion has left an indelible mark on the country's cultural heritage. Giuseppe Verdi captured the essence in his opera Otello (1887), illustrated with striking oleographs. The intensity of emotions portrayed through music and art reveals the destructive power envy holds over human hearts. From biblical narratives to satirical engravings like "Flight to Egypt, " jealousy transcends time and genre. H. M. Bateman's comical illustration aptly depicts how irrationality can consume even the most rational minds. Tales such as "The Jealous Eye" remind us that envy knows no boundaries; it infiltrates every aspect of life, including duels between captains or intimate moments when a nurse administers an enema syringe to a bedridden man. "The Jealous Devil" personifies this emotion as a malevolent force lurking within us all. Its presence is felt not only in grand operas but also in everyday encounters, as depicted by Miss Hilda Moore's captivating gaze. Even renowned works like Verdi's Trouvere or Shakespearean plays like The Winter Tale explore jealousy’s intricate web. Harlequin, Columbine, and Pierrot dance their way into our hearts while reminding us that love triangles often breed resentment. As we delve into history through paintings such as "Two’s Company, Three’s None, " we witness how they are shatter relationships beyond repair. It serves as a cautionary tale for those who dare to test its limits. Italy stands testament to humanity’s fascination with this complex emotion – from tragic tales etched onto canvases to timeless performances on grand stages.