Jealousy Collection (page 4)

Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Envy, from the Seven Deadly Sins, ca. 1550-55

Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Curious Envy. Creator: Viet Chu
Curious Envy

Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743)
YOU4419362 Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743). Photography, KIM Youngtae, Nantes, Musee des Beaux Arts de Nantes

Abels death. Engraving in "The main facts of holy history". Epinal Imaging, 4th Series
DUV4209943 Abels death. Engraving in " The main facts of holy history". Epinal Imaging, 4th Series. Pellerin and Cie, printer-publisher, Epinal. End of the 19th century

Avarice, 1924 (pochoir print)
STC226844 Avarice, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Othello, Desdemona and Emilia, 1867
JAG76145 Othello, Desdemona and Emilia, 1867 by Maclise, Daniel (Croquis, Alfred) (1806-70); 130x87 cm; Johannesburg Art Gallery, South Africa; © Johannesburg Art Gallery; Irish, out of copyright

Cinderella, folk tale. Illustration of Vaccari and Carrey in "Les beaux tales"collection "Nos
XEE4181524 Cinderella, folk tale. Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910. Private collection

L Avarice, 1924 (pochoir print)
1123820 L Avarice, 1924 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
2384740 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739 by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma

The quarrel of cats and dogs and that of cats and mice - The Quarrel of the Dogs And Cats
XEE4161830 The quarrel of cats and dogs and that of cats and mice - The Quarrel of the Dogs And Cats, And That of the Cats And Mice (Collection 3, Book 12)

L Ane et le petit chien - The Asset and the Little Dog (Collection 1, Book 4)
XEE4161783 L Ane et le petit chien - The Asset and the Little Dog (Collection 1, Book 4, fable 5) - engraving from " A Hundred Fables of La Fontaine" Illustrated by Percy J

I ll get it! You won t get it! (women fighting for a man) - in "Popular Scenes"by Edme J. Pigal, 1824
LSE4087373 I ll get it! You won t get it! (women fighting for a man) - in " Popular Scenes" by Edme J. Pigal, 1824 by Pigal

A Picnic on the Bosphorus (engraving)
1061321 A Picnic on the Bosphorus (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: A Picnic on the Bosphorus)

Envy, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho)
829030 Envy, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho) by Barbier

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
2384739 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma, Italy; (add.info.: Parma)

Jalousie d enfant. Illustration for Le Pele-Mele, 1906 (colour litho)
3101404 Jalousie d enfant. Illustration for Le Pele-Mele, 1906 (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: Jalousie d enfant. Illustration for Le Pele-Mele, 1906)

Study for Envy, c. 1898 (w / c)
6197981 Study for Envy, c.1898 (w/c) by Davidson, George Dutch (1879-1901); 34.9x10.9 cm; The McManus, Dundee, UK; (add.info)

Othello and Iago, Othello, Act III, Scene III (engraving)
5229012 Othello and Iago, Othello, Act III, Scene III (engraving) by Meadows, Kenny (1790-1874); Private Collection; (add.info.: Othello and Iago, Othello, Act III, Scene III)

The Chest of Set, illustration from The Book of Myths (colour litho)
IL283044 The Chest of Set, illustration from The Book of Myths (colour litho) by Paul, Evelyn (1870-1945); Private Collection; (add.info)

Jacques Lagniet (1620-1672 - He seeks what he does not want to find - engraving by Jacques Lagniet - Is he a friend)
XEE4156341 Jacques Lagniet (1620-1672 - He seeks what he does not want to find - engraving by Jacques Lagniet - Is he a friend the husband finds by " looking for what he would not want to)

Cafe de nuit (Night cafe) - Peinture de Moisei Maer (Moisei-Maer) (Meer) Gertsovich Slepyan (Slepian) (1872-1941)
FIA5347326 Cafe de nuit (Night cafe) - Peinture de Moisei Maer (Moisei-Maer) (Meer) Gertsovich Slepyan (Slepian) (1872-1941), huile sur toile, 1890-1900 - Art russe, 19e-20e siecle, art nouveau

Second Study for Envy, c. 1898 (w / c)
6197982 Second Study for Envy, c.1898 (w/c) by Davidson, George Dutch (1879-1901); 35.5x10.5 cm; The McManus, Dundee, UK; (add.info)

Series "Les batheuses"two women in swimsuit examines the cut of another
ELD4840650 Series " Les batheuses" two women in swimsuit examines the cut of another, caricature by Honore Daumier (1808-1879) 1844 (The bathers: two ladies wearing a swimming suit)

Envy, 1914 (pochoir print)
STC226930 Envy, 1914 (pochoir print) by Barbier, Georges (1882-1932) (after); Private Collection; The Stapleton Collection

Othello and Desdemona, 1859 (oil on panel)
CH378299 Othello and Desdemona, 1859 (oil on panel) by Maclise, Daniel (Croquis, Alfred) (1806-70); 64.8x77.5 cm; Private Collection; (add.info)

Gracious and Percinet. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari
XEE4181695 Gracious and Percinet. Tale by Marie Catherine d Aulnoy (1651-1705). Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910

Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this
XEE4156435 Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this. You re going to gater your eye - Caroline Otero (1868-1965)

Envy, 1898 (w / c)
6197977 Envy, 1898 (w/c) by Davidson, George Dutch (1879-1901); 76.2x24.1 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

The Rivals (engraving)
7161633 The Rivals (engraving) by Garland, Charles Trevor (fl. 1880-1901) (after); Private Collection; (add.info.: The Rivals)

Commedia dell arte : une femme partagee entre un jeune homme qui l enlace et un personnage age
FIA5343796 Commedia dell arte : une femme partagee entre un jeune homme qui l enlace et un personnage age, a qui elle tend un binocle

Jupiter, Junon et Io (Jupiter, Juno and Io) - Peinture de Niccolo (Nicolo) Bambini (1651-1736), huile sur toile
FIA5375664 Jupiter, Junon et Io (Jupiter, Juno and Io) - Peinture de Niccolo (Nicolo) Bambini (1651-1736), huile sur toile, fin 17e siecle - Art venitien, 17e siecle

Lovers - Schiele, Egon (1890-1918) - 1914-1915 - Black chalk, Gouache on Paper - 47, 4x30, 5 - Leopold Museum, Vienna
FIA5394448 Lovers - Schiele, Egon (1890-1918) - 1914-1915 - Black chalk, Gouache on Paper - 47, 4x30, 5 - Leopold Museum, Vienna by Schiele, Egon (1890-1918); Leopold Museum, Vienna

Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483)
XIR341927 Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483) by Francken, Frans the Elder (1542-1616); Musee Municipal, Dunkirk

Concert. Peinture de Mattia Preti (1613-1699), huile sur toile, vers 1630. Art italien, 17e siecle, art baroque
FIA5374195 Concert. Peinture de Mattia Preti (1613-1699), huile sur toile, vers 1630. Art italien, 17e siecle, art baroque. State Hermitage, Saint Petersbourg

Pres de Rome (Italie) (Near Roma). Une femme assise sous des arbres avec un bebe dans les bras ecoute parler un homme
FIA5334872 Pres de Rome (Italie) (Near Roma). Une femme assise sous des arbres avec un bebe dans les bras ecoute parler un homme vetu d un chapeau et d une cape

Une scene d une representation du theatre des serfs. Oeuvre d un maitre russe, aquarelle sur papier, vers 1840
FIA5376259 Une scene d une representation du theatre des serfs. Oeuvre d un maitre russe, aquarelle sur papier, vers 1840. Art scenographique russe, 19e siecle. State Central A

Fine frenzy of heroine (engraving)
7172706 Fine frenzy of heroine (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: Fine frenzy of heroine)

Le Bruns Passions of the Soul: Hatred or Jealousy (engraving)
7165949 Le Bruns Passions of the Soul: Hatred or Jealousy (engraving) by Le Brun, Charles (1619-90); Private Collection; (add.info.: Hatred or Jealousy)

Diner aux chandelles (Supper with candlelight). Peinture d Anna Dorothea Therbusch Lisiewska (1721-1782)
FIA5370907 Diner aux chandelles (Supper with candlelight). Peinture d Anna Dorothea Therbusch Lisiewska (1721-1782). Huile sur toile, 95, 5 x 117 cm, 18e siecle. art allemand, art rococo

Le duel. (La mort du poete Alexandre Pouchkine (1799-1837) tue par son rival Georges Charles de Heeckeren d Anthes
FIA5331383 Le duel. (La mort du poete Alexandre Pouchkine (1799-1837) tue par son rival Georges Charles de Heeckeren d Anthes (1812-1895), le 25 janvier 1837

Delirium of hero (engraving)
7172704 Delirium of hero (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: Delirium of hero. Illustration from Sir Guy de Guy: A Stirring Romaunt)

Une taverne. (Scene autour des tables dressees, des personnes boivent le the, un jeune commis lit une feuille imprimee)
FIA5354308 Une taverne. (Scene autour des tables dressees, des personnes boivent le the, un jeune commis lit une feuille imprimee, un vieil homme montre des gravures a un amateur, fumant la pipe)

Fable: The Envious Man and the Covetous, n. d. Creator: Thomas Bewick
Fable: The Envious Man and the Covetous, n.d

Aha oe feii? (What! Are You Jealous?), 1894. Creator: Paul Gauguin
Aha oe feii? (What! Are You Jealous?), 1894

Jealousy, the Rival, 1803. Creator: Thomas Rowlandson
Jealousy, the Rival, 1803. Does not this drawing with its foreground arrangement of profoundly expressive figures become something greater than the subject might suggerst

J: Jealousy, the success of his companions hurt him
6523562 J: Jealousy, the success of his companions hurt him. by French School, (19th century); Private Collection; (add.info.: in " Moral Alphabet in Action. In Paris at all novelty merchants)

Jesus Christ in Bethanie. c. 1900 (illustration)
6437960 Jesus Christ in Bethanie. c. 1900 (illustration) by German School, (20th century); Private Collection; (add.info.: Religion Catholic religion)

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"Jealousy: The Green-Eyed Monster that Haunts Italy's Tragic Tales" In the enchanting land of Italy, where passion and drama intertwine, jealousy takes center stage. Just like Desdemona and Othello in Shakespeare's masterpiece or Iago's cunning manipulation, this emotion has left an indelible mark on the country's cultural heritage. Giuseppe Verdi captured the essence in his opera Otello (1887), illustrated with striking oleographs. The intensity of emotions portrayed through music and art reveals the destructive power envy holds over human hearts. From biblical narratives to satirical engravings like "Flight to Egypt, " jealousy transcends time and genre. H. M. Bateman's comical illustration aptly depicts how irrationality can consume even the most rational minds. Tales such as "The Jealous Eye" remind us that envy knows no boundaries; it infiltrates every aspect of life, including duels between captains or intimate moments when a nurse administers an enema syringe to a bedridden man. "The Jealous Devil" personifies this emotion as a malevolent force lurking within us all. Its presence is felt not only in grand operas but also in everyday encounters, as depicted by Miss Hilda Moore's captivating gaze. Even renowned works like Verdi's Trouvere or Shakespearean plays like The Winter Tale explore jealousy’s intricate web. Harlequin, Columbine, and Pierrot dance their way into our hearts while reminding us that love triangles often breed resentment. As we delve into history through paintings such as "Two’s Company, Three’s None, " we witness how they are shatter relationships beyond repair. It serves as a cautionary tale for those who dare to test its limits. Italy stands testament to humanity’s fascination with this complex emotion – from tragic tales etched onto canvases to timeless performances on grand stages.