Odyssey Collection (page 9)

A Sorceress, probably Circe with the cup of poison and Odysseus with his companions
STC88316 A Sorceress, probably Circe with the cup of poison and Odysseus with his companions from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut) by German School

Circe (bronze)
MIB122066 Circe (bronze) by Mackennal, Edgar Bertram (1863-1931); Private Collection; eWhitford Fine Art, London, UK; Australian, out of copyright

Relief depicting Odysseus and Penelope, from Milo, c. 450 BC (stone)
XIR230338 Relief depicting Odysseus and Penelope, from Milo, c.450 BC (stone) by Greek, (5th century BC); 18.7x15.7 cm; Louvre, Paris, France; Greek, out of copyright

Ulysses and the Sirens, illustration from an antique Greek vase (colour litho)
CHT220373 Ulysses and the Sirens, illustration from an antique Greek vase (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

Ulysses and the Sirens, c. 1900 (colour litho)
CHT220372 Ulysses and the Sirens, c.1900 (colour litho) by Greiner, Otto (1869-1916) (after); Bibliotheque des Arts Decoratifs, Paris

The Wedding of Ulysses and Penelope, illustration from
CHT220364 The Wedding of Ulysses and Penelope, illustration from Le Costume Ancien ou Moderne by Jules Ferrario, engraved by A

Map of the Acropolis of the 2nd city at Troy, 1884 (colour litho)
CHT220354 Map of the Acropolis of the 2nd city at Troy, 1884 (colour litho) by Doerpfeld, W (1883-1940) & Hoefler, J. (after); Private Collection; (add.info.: plan de l acropole de la deuxieme cite)

Neptune and Ulysses ship, 1554 (fresco) (b / w photo)
ALI207669 Neptune and Ulysses ship, 1554 (fresco) (b/w photo) by Tibaldi, Pellegrino (1527-96); Palazzo dell Universita, Bologna, Italy; (add.info.: Neptune et le bateau d Ulysse; ); Alinari

The Wedding of Ulysses and Penelope, illustration from
STC252081 The Wedding of Ulysses and Penelope, illustration from Le Costume Ancien ou Moderne by Jules Ferrario, engraved by A

Penelope at her loom (oil on canvas)
BAT139089 Penelope at her loom (oil on canvas) by Straet, Jan van der (Joannes Stradanus) (1523-1605); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo eNicol Orsi Battaglini; Italian

The Cyclops, illustration from Omnium fere gentium nostraeque aetatis Nationum
CHT163355 The Cyclops, illustration from Omnium fere gentium nostraeque aetatis Nationum Habitus et Effigies by Jean Sluperji, Antwerp, 1572 (colour woodcut) by Flemish School

The Odyssey, detail of the Tritons and the horses from Neptunes chariot, 1554-56 (fresco)
ALI177132 The Odyssey, detail of the Tritons and the horses from Neptunes chariot, 1554-56 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Homer Singing with his Lyre, early 19th century (oil on canvas)
CHT176698 Homer Singing with his Lyre, early 19th century (oil on canvas) by Boisselier, Felix (1776-1811) (attr. to); Private Collection; (add.info)

Odyssey: Nausicaa and Odysseus (engraving)
6026372 Odyssey: Nausicaa and Odysseus (engraving) by Jacomb-Hood, George Percy (1857-1930); Private Collection; (add.info.: Nausicaa and Odysseus)

Illustration for Homers Odyssey (engraving)
6011808 Illustration for Homers Odyssey (engraving) by English School, (18th century); Private Collection; (add.info.: Mercury, sent by Jupiter, ordering Calypso, Queen of the Island Ogygia)

Homer The Odyssey
3771645 Homer The Odyssey by Flaxman, John (1755-1826) (after); (add.info.: Homer, The Odyssey. Ulysses (Odysseus) at the table of Circe

Scylla, Ancient Greek bronze plaque (engraving)
5207520 Scylla, Ancient Greek bronze plaque (engraving) by French School, (19th century); Private Collection; (add.info.: Scylla, Ancient Greek bronze plaque)

Nausicaa and Odysseus, scene from Homers Odyssey (engraving)
5216672 Nausicaa and Odysseus, scene from Homers Odyssey (engraving) by German School, (19th century); Private Collection; (add.info.: Nausicaa and Odysseus, scene from Homers Odyssey)

Marble bust of Homer, Ancient Greek poet (litho)
5208308 Marble bust of Homer, Ancient Greek poet (litho) by German School, (19th century); Private Collection; (add.info.: Marble bust of Homer, Ancient Greek poet)

The Meeting of Ulysses and Penelope (engraving)
973728 The Meeting of Ulysses and Penelope (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Meeting of Ulysses and Penelope)

Illustration for Popes Odyssey of Homer (litho)
3651575 Illustration for Popes Odyssey of Homer (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Illustration for Popes Odyssey of Homer with introduction by A J Church (Cassell)

Illustration for Popes Odyssey of Homer (litho)
3651568 Illustration for Popes Odyssey of Homer (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Illustration for Popes Odyssey of Homer with introduction by A J Church (Cassell)

Illustration for Popes Odyssey of Homer (litho)
3651585 Illustration for Popes Odyssey of Homer (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Illustration for Popes Odyssey of Homer with introduction by A J Church (Cassell)

Polyphemus, the Cyclops, 1929 (litho)
3060295 Polyphemus, the Cyclops, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is)

The mourning Penelope, 1929 (litho)
3060288 The mourning Penelope, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is)

Mercury ordering Calypso to release Ulysses, (oil on canvas)
827816 Mercury ordering Calypso to release Ulysses, (oil on canvas) by Lairesse, Gerard de (1640-1711); 91.4x113.7 cm; Private Collection; (add.info.: Mercury ordering Calypso to release Ulysses)

Homers Odyssey (engraving)
961857 Homers Odyssey (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for Pictorial Atlas to Homers Iliad and Odyssey (Grevel, 1892)

Homers Odyssey (engraving)
961851 Homers Odyssey (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for Pictorial Atlas to Homers Iliad and Odyssey (Grevel, 1892)

Homers Iliad (engraving)
961832 Homers Iliad (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for Pictorial Atlas to Homers Iliad and Odyssey (Grevel, 1892)

Sirens (chromolitho)
1093748 Sirens (chromolitho) by European School, (19th century); Private Collection; (add.info.: Sirens. Liebig educational card, late 19th or early 20th century.); © Look and Learn; European

Circe drinking from a cup with the companions of Ulysses in a boat at left, a circular composition, 1531-76

Ulysses and Nausicaa, c. 1853. Creator: Gleyre, Charles (1808-1874)
Ulysses and Nausicaa, c. 1853. Private Collection

The Muses Urania and Calliope, c. 1634. Creators: Simon Vouet, Workshop of Simon Vouet
The Muses Urania and Calliope, c. 1634

Achilles, 1794. Creator: Tischbein, Johann Heinrich Wilhelm (1751-1829)
Achilles, 1794. Private Collection

Ulysses and Circe, ca 1630-1634. Creator: Jordaens, Jacob (1593-1678)
Ulysses and Circe, ca 1630-1634. Found in the collection of Art Museum Basel

Homer, 1663. Creator: Rembrandt van Rhijn (1606-1669)
Homer, 1663. Found in the collection of The Mauritshuis, The Hague

Hephaestus at the Forge. Creator: Palma il Giovane, Jacopo, the Younger (1544-1628)
Hephaestus at the Forge. Private Collection

Ulysses and Calypso, 1882. Creator: Bocklin, Arnold (1827-1901)
Ulysses and Calypso, 1882. Found in the collection of Art Museum Basel

Telemachus and Calypso, c. 1809. Creator: Benjamin West
Telemachus and Calypso, c. 1809

Circe changing the companions of Ulysses into beasts, 1650-1651

Circe with the companions of Ulysses changed into animals, 1650-51

Arrival of Telemachus at the Island of Calypso. Creators: Antoine Jean Duclos
Arrival of Telemachus at the Island of Calypso. After Francois Boucher

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

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"Embarking on an Artistic Odyssey: Exploring the Mythical World through Captivating Masterpieces" Step into the enchanting world of Greek mythology as depicted by renowned artist John William Waterhouse in his mesmerizing painting "Circe Invidiosa, 1892. " With intricate brushstrokes and vivid colors, Waterhouse brings to life the captivating tale of Circe, the sorceress who bewitched Odysseus and his men. In another artistic rendition, we witness Odysseus' unwavering loyalty towards his faithful companion Argos. The painting "Odysseus & Argos / Brown" captures their poignant reunion after years of separation, showcasing the enduring bond between man and beast. Moving further along this odyssey of artistry, we encounter James Joyce's iconic novel "Ulysses, " a modern-day interpretation of Homer's epic poem. Through a caricature drawn by Myron C. Nutting in the 1920s, we catch a glimpse of Leopold Bloom - one of literature's most complex characters - embarking on his own personal journey through Dublin. Delving deeper into Homer's original masterpiece, we come face to face with Ulysses Deriding Polyphemus in Jacques-Louis David's oil painting from 1829. This powerful portrayal depicts Odysseus taunting the Cyclops Polyphemus after blinding him – a pivotal moment that showcases both cunning strategy and bravery. As our odyssey continues, we encounter Scylla – a terrifying sea monster with six heads – lurking amidst treacherous waters. This depiction from "The Odyssey/Scylla" serves as a reminder that even heroes like Odysseus faced unimaginable challenges during their perilous journeys. Shifting gears from art to science, Rutherford and Geiger take center stage in their laboratory where they conducted groundbreaking experiments.