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Ovid Collection (page 5)

"Ovid: Unveiling the Myths and Legends of Ancient Rome" Step into the enchanting world of Ovid, where tales of love, tragedy, and transformation come alive

Background imageOvid Collection: Venus with Mercury and Cupid. Artist: Van Loo, Louis Michel (1707-1771)

Venus with Mercury and Cupid. Artist: Van Loo, Louis Michel (1707-1771)
Venus with Mercury and Cupid. Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Background imageOvid Collection: La Nuit et l Aurore (Night and Dawn). Artist: Champaigne, Jean-Baptiste de (1631-1681)

La Nuit et l Aurore (Night and Dawn). Artist: Champaigne, Jean-Baptiste de (1631-1681)
La Nuit et l Aurore (Night and Dawn). Found in the collection of Louvre, Paris

Background imageOvid Collection: The Triumph of Bacchus and Ariadne

The Triumph of Bacchus and Ariadne. Found in the Collection of Palazzo Farnese, Rome

Background imageOvid Collection: Sappho throwing herself into the sea (Illustration for The Heroides by Ovid), 1485-1499

Sappho throwing herself into the sea (Illustration for The Heroides by Ovid), 1485-1499. Found in the collection of the The Huntington, California

Background imageOvid Collection: Jupiter and Olympia, 1526-1534. Artist: Giulio Romano (1499-1546)

Jupiter and Olympia, 1526-1534. Artist: Giulio Romano (1499-1546)
Jupiter and Olympia, 1526-1534. Found in the collection of the Palazzo Te, Mantua

Background imageOvid Collection: Pan and the Nymph Syrinx, 17th century. Artist: Sebastien Bourdon

Pan and the Nymph Syrinx, 17th century. Artist: Sebastien Bourdon
Pan and the Nymph Syrinx, 17th century. Depiction of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

Background imageOvid Collection: Diana and Callisto, 17th century. Artist: Pietro Liberi

Diana and Callisto, 17th century. Artist: Pietro Liberi
Diana and Callisto, 17th century. According to Ovid, Jupiter took the form of Diana in order to force himself on Callisto when she was separated from Diana

Background imageOvid Collection: Cabinet. Antwerp (?). circa 1650. Detail

Cabinet. Antwerp (?). circa 1650. Detail. The paintings that decore the cabinet offers a Calvinist vision of concept of Love and Beauty, through a moralizing interpretation of Metamorphosis of Ovid

Background imageOvid Collection: Orpheus death. Illustration from the French version

Orpheus death. Illustration from the French version of Ovid's Metamorphoses (15th-16th centuries). Gothic art. Miniature Painting

Background imageOvid Collection: Pygmalion and Galatea, 1797 (oil on canvas)

Pygmalion and Galatea, 1797 (oil on canvas)
MAN277434 Pygmalion and Galatea, 1797 (oil on canvas) by Gauffier, Louis (1761-1801); 67.5x51.2 cm; Manchester Art Gallery, UK; (add.info.: see 6041274 for study); © Manchester Art Gallery

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906138 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906062 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905792 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4906044 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906103 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905754 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905852 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905733 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4906027 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c. 1550 (gold, wool and silk)
CUL4905957 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c. 1550 (gold, wool and silk)
CUL4905802 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c. 1550 (gold, wool and silk)
CUL4906182 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Background imageOvid Collection: Landscape with Diana and Actaeon (oil on panel)

Landscape with Diana and Actaeon (oil on panel)
471501 Landscape with Diana and Actaeon (oil on panel) by Mellery, Xavier (1845-1921); 32x51 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Diana)

Background imageOvid Collection: Aeneas made immortal by Venus, second half 17th century (oil on canvas)

Aeneas made immortal by Venus, second half 17th century (oil on canvas)
7292740 Aeneas made immortal by Venus, second half 17th century (oil on canvas) by Giordano, Luca (1634-1705); Museo Civico Palazzo Chiericati, Vicenza

Background imageOvid Collection: Aesculapius, Metamophoses by Ovid (engraving)

Aesculapius, Metamophoses by Ovid (engraving)
1702023 Aesculapius, Metamophoses by Ovid (engraving) by French School; (add.info.: Asclepius (Latin: Aesculapius) is a hero and god of medicine in ancient Greek religion and mythology

Background imageOvid Collection: Ovids revenge (copper engraving)

Ovids revenge (copper engraving)
7201510 Ovids revenge (copper engraving) by German School, (16th century) (after); Private Collection; (add.info.: Ovids revenge)

Background imageOvid Collection: Procris impaled by the never erring javelin, Cephalus running towards her and Aurora

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646162 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) by Peruzzi

Background imageOvid Collection: Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC134126 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Background imageOvid Collection: Procris impaled by the never erring javelin, Cephalus running towards her and Aurora

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi

Background imageOvid Collection: Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC404058 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Background imageOvid Collection: Perseus and the Origin of Coral, c. 1671 (black chalk, sepia and black ink)

Perseus and the Origin of Coral, c. 1671 (black chalk, sepia and black ink, sepia and gray wash with white)
3493262 Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white) by Claude Lorrain (Claude Gellee) (1600-82)

Background imageOvid Collection: Cadmus and the Dragon, 1813 (oil on canvas)

Cadmus and the Dragon, 1813 (oil on canvas)
ALM394400 Cadmus and the Dragon, 1813 (oil on canvas) by Martin, John (1789-1854); Allen Memorial Art Museum, Oberlin College, Ohio, USA; (add.info.: Cadmos, brother of Europa)

Background imageOvid Collection: The Birth of Venus (detail), c. 1485 (tempera on canvas)

The Birth of Venus (detail), c. 1485 (tempera on canvas)
696611 The Birth of Venus (detail), c.1485 (tempera on canvas) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Background imageOvid Collection: Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving)

Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving)
STC134125 Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Background imageOvid Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
CUL4906145 Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: by COECKE VAN AELST)

Background imageOvid Collection: French womens costumes of the 13th century

French womens costumes of the 13th century
6340134 French womens costumes of the 13th century by Villain (19th century); (add.info.: French womens costumes of the 13th century. From a manuscript in Rouen Library, the Metamorphosis of Ovid)

Background imageOvid Collection: Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)

Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
2646161 Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Background imageOvid Collection: Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)

Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
2646081 Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageOvid Collection: Danae and the Shower of Gold, 1753 (oil on canvas)

Danae and the Shower of Gold, 1753 (oil on canvas)
3106577 Danae and the Shower of Gold, 1753 (oil on canvas) by Hoffmann, Jonas (1726-80); 41x53 cm; National Museum, Stockholm

Background imageOvid Collection: Meleager and Atalanta, c. 1770 (pen & ink with wash on paper)

Meleager and Atalanta, c. 1770 (pen & ink with wash on paper)
746670 Meleager and Atalanta, c.1770 (pen & ink with wash on paper) by Wilson, Richard (1713/14-82); Bolton Museum and Art Gallery, Lancashire, UK; © Bolton Museum and Art Gallery

Background imageOvid Collection: Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
2384740 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739 by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma

Background imageOvid Collection: Spring, 1685-95 (oil on canvas)

Spring, 1685-95 (oil on canvas)
5973993 Spring, 1685-95 (oil on canvas) by Rasio, Antonio (fl.1677-c.1695); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Inspired by the Metamorphoses by Ovid)

Background imageOvid Collection: Portrait of Ovid, 1501-03 (monochrome fresco)

Portrait of Ovid, 1501-03 (monochrome fresco)
6262975 Portrait of Ovid, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Alberi Library)

Background imageOvid Collection: Ovid (fresco)

Ovid (fresco)
6262797 Ovid (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageOvid Collection: Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy

Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
2384739 Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy by Romano, Giulio (c.1499-1546) (school of) (attr.to); Rocca dei Rossi, San Secondo, Parma, Italy; (add.info.: Parma)

Background imageOvid Collection: Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)

Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)
6262971 Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria



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"Ovid: Unveiling the Myths and Legends of Ancient Rome" Step into the enchanting world of Ovid, where tales of love, tragedy, and transformation come alive. From Narcissus and Echo to Apollo and Daphne, this Roman poet weaves a tapestry of captivating stories that have stood the test of time. In Caravaggio's mesmerizing paintings, witness the fateful encounter between Narcissus and Echo. The former bewitched by his own reflection while the latter pines away in unrequited love. Medusa's terrifying gaze freezes all who dare to look upon her face; Caravaggio captures her monstrous beauty with haunting precision. Explore Ovid's exploration of human emotions through "Anger (Ira), " an engraving from his series on The Seven Deadly Sins. Feel the intensity as wrath consumes its subject, reminding us of our own capacity for both good and evil. Marvel at Bernini's masterful sculpture depicting Medusa's severed head - a chilling reminder that even gods can meet their demise. And in Carracci's painting "Silenus gathering Grapes, " witness Bacchus' loyal companion indulging in earthly pleasures amidst lush vineyards. Delve into Ovid's epic poem "Metamorphoses" where Apollo relentlessly pursues Daphne until she is transformed into a laurel tree to escape his advances. This tragic tale serves as a cautionary reminder about obsession and its consequences. Discover Publius Ovidius Naso himself - an influential figure whose works continue to inspire artists across centuries. Lucas Cranach immortalizes him in "The Silver Age, " capturing both his brilliance as a writer and his impact on Western literature. From satirical artworks mocking animal magnetism to Randolph Rogers' poignant sculpture "The Lost Pleiade, " which pays homage to one of Ovid's lesser-known myths - every piece tells a story within this captivating exhibition.