Ovid Collection (page 8)

King Midas and his Daughter Turned to Gold, illustration from "
CHT247763 King Midas and his Daughter Turned to Gold, illustration from " The Greek Mythological Legend", published in London in 1910 (colour litho) by Crane

Narcissus and Echo (oil on canvas)
LST204497 Narcissus and Echo (oil on canvas) by Costanzi, Placido (1702-59); 136x99 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Italian, out of copyright

Ms 1044 Fol. 16v The Word, Creator of the World and The Author Writing His Book
XIR168314 Ms 1044 Fol.16v The Word, Creator of the World and The Author Writing His Book, from Ovide Moralise written by Chretien Legouais (vellum) by French School

Ms 1044 Fol. 74 The Wheel of Fortune, from Ovide Moralise written by Chretien Legouais
XIR177844 Ms 1044 Fol.74 The Wheel of Fortune, from Ovide Moralise written by Chretien Legouais (vellum) by French School, (14th century); Bibliotheque Municipale, Rouen

Jason Taming the Bulls of Aeetes, 1742 (oil on canvas)
BI94894 Jason Taming the Bulls of Aeetes, 1742 (oil on canvas) by Troy, Jean Francois de (1679-1752); 55.3x128.9 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Ovids Metamorphoses, c. 1892-1899 (bronze with green patina)
987395 Ovids Metamorphoses, c.1892-1899 (bronze with green patina) by Rodin, Auguste (1840-1917); 33 cm; Private Collection; (add.info.: Ovids Metamorphoses; Les Metamorphoses d Ovide)

Vertumnus and Pomona, 1613 (oil on canvas)
5670799 Vertumnus and Pomona, 1613 (oil on canvas) by Goltzius, Hendrik (1558-1617); 90x149.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info)

A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)
3025382 A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Cecrops Daughters Finding Erichtonius, c. 1632 (oil on panel)
3930914 Cecrops Daughters Finding Erichtonius, c.1632 (oil on panel) by Rubens, Peter Paul (1577-1640); 31x33 cm; National Museum, Stockholm

Apollo and Daphne, after Lorenzo Berninis Marble Group in the Galleria Borghese
4071460 Apollo and Daphne, after Lorenzo Berninis Marble Group in the Galleria Borghese, Rome, 1736 (pastel on paper) by Liotard, Jean-Etienne (1702-89); 66.2x51.2 cm; Rijksmuseum, Amsterdam

Vertumnus and Pomona (oil on copper)
5058836 Vertumnus and Pomona (oil on copper) by Avont, Pieter van (c.1600-32); 55 x 73 cm; Kunstmuseum, Basel, Switzerland; (add.info)

Glaucus Turned into a Sea-God, 1731 (engraving)
STC404062 Glaucus Turned into a Sea-God, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la
STC415863 Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovids Metamorphoses, Florence

Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI
STC415862 Marsyas is Flayed by Apollo or Apollo Scortica Marsia, Book VI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI
STC415861 Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

The Muses or Le Muse, Book V, illustration from Ovids Metamorphoses, Florence
STC415855 The Muses or Le Muse, Book V, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Apollos Disguise or Apollo sotte le Sembianze di Eukinome Inganna Leucotto, Book IV
STC415847 Apollos Disguise or Apollo sotte le Sembianze di Eukinome Inganna Leucotto, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses
STC415846 Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid
STC415830 Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

The Golden Age or Eta dell Oro, illustration from Ovids Metamorphoses, Florence
STC415801 The Golden Age or Eta dell Oro, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Ganymede carried off into Heaven or Ganimede Rapito, Book X
STC415869 Ganymede carried off into Heaven or Ganimede Rapito, Book X, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Orpheus or Orfeo, illustration from Ovids Metamorphoses, Florence
STC415865 Orpheus or Orfeo, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV
STC415850 Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Jove in love with Io or Giove e Io, Book I, illustration from Ovids Metamorphoses
STC415815 Jove in love with Io or Giove e Io, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

The Silver Age or Eta d Argento, Book I, illustration from Ovids Metamorphoses
STC415802 The Silver Age or Eta d Argento, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Portrait of Ovid (engraving)
819856 Portrait of Ovid (engraving) by English School, (19th century); Private Collection; (add.info.: Publius Ovidius Naso, popularly known as Ovid, Roman poet)

Lycaon Metamorphosed into a Wolf, 1731 (engraving)
STC134210 Lycaon Metamorphosed into a Wolf, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; (add.info.: Lycaon change en loup; ); The Stapleton Collection; French

Ms 1044 fol. 18 The Creation of the Animals, from Ovide Moralise written by Chretien
XIR215108 Ms 1044 fol.18 The Creation of the Animals, from Ovide Moralise written by Chretien Legouais (vellum) by French School, (14th century); Bibliotheque Municipale, Rouen, France; French

Fall of Phaeton, 1808 (oil on panel)
TBL238412 Fall of Phaeton, 1808 (oil on panel) by Ward, James (1769-1859); 112.7x74.5 cm; Tabley House Collection, University of Manchester

Ms 1044 fol. 76 Hunting Hares, from Ovide Moralise written by Chretien Legouais (vellum)
XIR226198 Ms 1044 fol.76 Hunting Hares, from Ovide Moralise written by Chretien Legouais (vellum) by French School, (14th century); Bibliotheque Municipale, Rouen, France; French, out of copyright

The Spirit of Justice - Study for the Head of a Counsellor, 1844-45 (pencil, pen & ink)
BIR185885 The Spirit of Justice - Study for the Head of a Counsellor, 1844-45 (pencil, pen & ink) by Brown, Ford Madox (1821-93); 31.6x24 cm; Birmingham Museums and Art Gallery; English

Ms 1044 f. 16 Metamorphoses, from Ovid Moralise written by Chretien Legouais (vellum)
XIR159019 Ms 1044 f.16 Metamorphoses, from Ovid Moralise written by Chretien Legouais (vellum) by French School, (14th century); Bibliotheque Municipale, Rouen, France; French, out of copyright

Clytia Turned into a Turnesole, 1731 (engraving)
STC134211 Clytia Turned into a Turnesole, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Thisbe and the Lioness, from The Childrens Hour: Stories from the Classics
IL262824 Thisbe and the Lioness, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Pygmalion and Galatea (oil on canvas)
BOO226891 Pygmalion and Galatea (oil on canvas) by Boucher, Francois (1703-70); 230x329 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Four female nudes round a basin (pen & ink on paper)
449299 Four female nudes round a basin (pen & ink on paper) by Rubens, Peter Paul (1577-1640); 11.4x21.6 cm; eThe Devonshire Collections

Daedalus escaping from Crete with his son, Icarus, sees him falling to his death
741542 Daedalus escaping from Crete with his son, Icarus, sees him falling to his death, 1619 (engraving) by French School, (17th century); Bibliotheque des Arts Decoratifs, Paris

P. Ovidius Naso (engraving)
655670 P. Ovidius Naso (engraving) by English School, (19th century); Private Collection; (add.info.: P. Ovidius Naso. Illustration from The Illustrated History of the World (Ward Lock, c 1880)

Aegina visited by Jupiter, c. 1767-69 (oil on canvas)
3492977 Aegina visited by Jupiter, c.1767-69 (oil on canvas) by Greuze, Jean Baptiste (1725-1805); 147x195.9 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The young woman may be Aegina)

Harmony before Matrimony, pub. Hannah Humphrey, 25th October 1805
2491019 Harmony before Matrimony, pub. Hannah Humphrey, 25th October 1805 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: A young woman plays a harp)

Plate with Picus and Circe by L or Lu. Ur. 1535 (tin-glazed earthenware maiolica)
1217347 Plate with Picus and Circe by L or Lu.Ur. 1535 (tin-glazed earthenware maiolica) by Italian School, (16th century); diam: 25.9 cm; Ashmolean Museum, University of Oxford

The Fall of Phaeton (litho)
961204 The Fall of Phaeton (litho) by Italian School, (16th century) (after); Private Collection; (add.info.: Choice examples of early printing and engraving, facsimiles of rare and curious books)

Daphne and Apollo (oil on canvas)
CH397563 Daphne and Apollo (oil on canvas) by Sirani, Elisabetta (1638-55) (attr. to); 238.8x160.6 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Acis and Galatea (oil on canvas)
617258 Acis and Galatea (oil on canvas) by Troy, Jean Francois de (1679-1752); 130.8x114.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

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"Ovid: Unveiling the Myths and Legends of Ancient Rome" Step into the enchanting world of Ovid, where tales of love, tragedy, and transformation come alive. From Narcissus and Echo to Apollo and Daphne, this Roman poet weaves a tapestry of captivating stories that have stood the test of time. In Caravaggio's mesmerizing paintings, witness the fateful encounter between Narcissus and Echo. The former bewitched by his own reflection while the latter pines away in unrequited love. Medusa's terrifying gaze freezes all who dare to look upon her face; Caravaggio captures her monstrous beauty with haunting precision. Explore Ovid's exploration of human emotions through "Anger (Ira), " an engraving from his series on The Seven Deadly Sins. Feel the intensity as wrath consumes its subject, reminding us of our own capacity for both good and evil. Marvel at Bernini's masterful sculpture depicting Medusa's severed head - a chilling reminder that even gods can meet their demise. And in Carracci's painting "Silenus gathering Grapes, " witness Bacchus' loyal companion indulging in earthly pleasures amidst lush vineyards. Delve into Ovid's epic poem "Metamorphoses" where Apollo relentlessly pursues Daphne until she is transformed into a laurel tree to escape his advances. This tragic tale serves as a cautionary reminder about obsession and its consequences. Discover Publius Ovidius Naso himself - an influential figure whose works continue to inspire artists across centuries. Lucas Cranach immortalizes him in "The Silver Age, " capturing both his brilliance as a writer and his impact on Western literature. From satirical artworks mocking animal magnetism to Randolph Rogers' poignant sculpture "The Lost Pleiade, " which pays homage to one of Ovid's lesser-known myths - every piece tells a story within this captivating exhibition.