Pointillist Collection (page 11)

The Pine Tree at St. Tropez, 1909 (oil on canvas)
BAL35631 The Pine Tree at St. Tropez, 1909 (oil on canvas) by Signac, Paul (1863-1935); 72x92 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Model from the Back, 1886 (oil on panel)
XIR30496 Model from the Back, 1886 (oil on panel) by Seurat, Georges Pierre (1859-91); 24.5x15.5 cm; Musee d Orsay, Paris, France; French, out of copyright

2962699; out of copyright

Family in the Orchard, 1890 (oil on canvas)
XIR60871 Family in the Orchard, 1890 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 115.5x163 cm; Rijksmuseum Kroller-Muller, Otterlo, Netherlands; Belgian, out of copyright

La Rade de Grandcamp, 1885 (oil on canvas)
XMV2639969 La Rade de Grandcamp, 1885 (oil on canvas) by Seurat, Georges Pierre (1859-91); Private Collection; French, out of copyright

The Lighthouse at Antibes, 1909 (oil on canvas)
XIR243445 The Lighthouse at Antibes, 1909 (oil on canvas) by Signac, Paul (1863-1935); 46x55 cm; Musee des Beaux-Arts, Nantes, France; French, out of copyright

The Canal Saint-Martin, 1933 (oil on canvas)
XIR239916 The Canal Saint-Martin, 1933 (oil on canvas) by Signac, Paul (1863-1935); 46x65 cm; Private Collection; French, out of copyright

The Pont des Arts, 1928 (oil on canvas)
XIR239902 The Pont des Arts, 1928 (oil on canvas) by Signac, Paul (1863-1935); 46.5x116.5 cm; Musee de la Ville de Paris, Musee du Petit-Palais, France; French, out of copyright

Nudes in a Wood, 1905 (oil on canvas)
XIR234543 Nudes in a Wood, 1905 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Musee de l Annonciade, Saint-Tropez, France; French, out of copyright

View of the Thames, 1893 (oil on canvas)
XIR229966 View of the Thames, 1893 (oil on canvas) by Luce, Maximilien (1858-1941); 61x81 cm; Private Collection; French, out of copyright possible copyright restrictions apply

Aline Marechal (1868-1938) 1892 (oil on canvas)
XIR218957 Aline Marechal (1868-1938) 1892 (oil on canvas) by Lemmen, Georges (1865-1916); 60x51 cm; Musee d Orsay, Paris, France; Belgian, out of copyright

The Harbour at Portrieux, 1888 (oil on canvas)
XIR214247 The Harbour at Portrieux, 1888 (oil on canvas) by Signac, Paul (1863-1935); 60x92 cm; Staatsgalerie, Stuttgart, Germany; French, out of copyright

The Pointe de la Galere, 1891-92 (oil on canvas)
XIR194724 The Pointe de la Galere, 1891-92 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 63x91 cm; Private Collection; French, out of copyright

The Maures, c. 1906-06 (w / c on paper)
XIR194723 The Maures, c.1906-06 (w/c on paper) by Cross, Henri-Edmond (1856-1910); Musee de la Chartreuse, Douai, France; French, out of copyright

The Beach at Heist, 1891-92 (oil on canvas)
XIR140264 The Beach at Heist, 1891-92 (oil on canvas) by Lemmen, Georges (1865-1916); 37x46 cm; Musee d Orsay, Paris, France; Belgian, out of copyright

Chateau de Comblat, c. 1887 (oil on canvas)
XIR204997 Chateau de Comblat, c.1887 (oil on canvas) by Signac, Paul (1863-1935); 60x92 cm; Musee d Art Moderne et d Art Contemporain, Liege, Belgium; French, out of copyright

The Seine, Grenelle, 1899 (oil on canvas)
XIR204995 The Seine, Grenelle, 1899 (oil on canvas) by Signac, Paul (1863-1935); 62x78 cm; Private Collection; French, out of copyright

Breeze, Concarneau, 1891 (oil on canvas)
XIR204994 Breeze, Concarneau, 1891 (oil on canvas) by Signac, Paul (1863-1935); 66.5x82 cm; Private Collection; French, out of copyright

The Hair, c. 1892 (oil on canvas)
XIR204985 The Hair, c.1892 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 61x46 cm; Musee d Orsay, Paris, France; French, out of copyright

Ile de la Cite, Paris, 1912 (oil on canvas)
XIR203258 Ile de la Cite, Paris, 1912 (oil on canvas) by Signac, Paul (1863-1935); 81x100 cm; Museum Folkwang, Essen, Germany; French, out of copyright

Harbour at Port-en-Bessin at High Tide, 1888 (oil on canvas)
XIR19980 Harbour at Port-en-Bessin at High Tide, 1888 (oil on canvas) by Seurat, Georges Pierre (1859-91); 67x82 cm; Musee d Orsay, Paris, France; French, out of copyright

Umbrella Pines at Caroubiers, 1898 (oil on canvas)
XIR199123 Umbrella Pines at Caroubiers, 1898 (oil on canvas) by Signac, Paul (1863-1935); 65x81 cm; Musee de l Annonciade, Saint-Tropez, France; (add.info.: Le Pin Parasol aux Caroubiers; ); French

The Yellow Sail, Venice, 1904 (oil on canvas)
XIR182539 The Yellow Sail, Venice, 1904 (oil on canvas) by Signac, Paul (1863-1935); 72x91 cm; Musee des Beaux-Arts et d Archeologie, Besancon, France; French, out of copyright

Study for The Dining Room, c. 1886 (oil on canvas)
XIR181231 Study for The Dining Room, c.1886 (oil on canvas) by Signac, Paul (1863-1935); 46x58 cm; Private Collection; French, out of copyright

Leaving the Port of Saint-Tropez, 1902 (oil on canvas)
XIR180990 Leaving the Port of Saint-Tropez, 1902 (oil on canvas) by Signac, Paul (1863-1935); 89x116 cm; Private Collection; (add.info.: Sortie du port de Saint Tropez; ); French, out of copyright

An Indian Man, c. 1878-9 (graphite)
XOS1766138 An Indian Man, c.1878-9 (graphite) by Seurat, Georges Pierre (1859-91); 48.4x28.5 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Madame Seurat, the Artists Mother, c. 1882-3 (conte crayon on Michallet paper)
XOS1766137 Madame Seurat, the Artists Mother, c.1882-3 (conte crayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 30.5x23.3 cm; J

Une Elegante, Woman strolling, c. 1884 (conte crayon on michalett paper)
XOS1766136 Une Elegante, Woman strolling, c.1884 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 32.8x24 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Study for The Channel at Gravelines, Evening, 1890 (oil on panel)
XIR234546 Study for The Channel at Gravelines, Evening, 1890 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.6x25.6 cm; Musee de l Annonciade, Saint-Tropez, France; French, out of copyright

Model in Profile, 1886 (oil on panel)
XIR15993 Model in Profile, 1886 (oil on panel) by Seurat, Georges Pierre (1859-91); 25x16 cm; Musee d Orsay, Paris, France; French, out of copyright

Woman Hanging up the Washing, 1887 (oil on canvas)
XIR15985 Woman Hanging up the Washing, 1887 (oil on canvas) by Pissarro, Camille (1830-1903); 41x32.5 cm; Musee d Orsay, Paris, France; French, out of copyright

La Plage de Saint-Clair, 1906-07 (oil on canvas)
XIR156948 La Plage de Saint-Clair, 1906-07 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 65x81 cm; Musee de l Annonciade, Saint-Tropez, France; French, out of copyright

The Bridge at Asnieres, 1888 (oil on canvas)
XIR156236 The Bridge at Asnieres, 1888 (oil on canvas) by Signac, Paul (1863-1935); 46x65 cm; Private Collection; (add.info.: Pont d Asnieres; Arriere du Tub; ); French, out of copyright

Fort Saint-Jean, Marseilles, 1907 (oil on canvas)
XIR227621 Fort Saint-Jean, Marseilles, 1907 (oil on canvas) by Signac, Paul (1863-1935); 51x65 cm; Musee de l Annonciade, Saint-Tropez, France; French, out of copyright

Afternoon at Pardigon, Var, 1907 (oil on canvas)
XIR131314 Afternoon at Pardigon, Var, 1907 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 81x65 cm; Musee d Orsay, Paris, France; French, out of copyright

Sailing Boats in an Estuary, c. 1892-93 (oil on canvas)
XIR216623 Sailing Boats in an Estuary, c.1892-93 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 50x61 cm; Musee d Orsay, Paris, France; Belgian, out of copyright

The Circus, 1891 (oil on canvas)
XIR21625 The Circus, 1891 (oil on canvas) by Seurat, Georges Pierre (1859-91); 185.5x152.5 cm; Musee d Orsay, Paris, France; French, out of copyright

Study for Factories near Charleroi, 1897 (oil on canvas)
XIR208688 Study for Factories near Charleroi, 1897 (oil on canvas) by Luce, Maximilien (1858-1941); 38.5x51 cm; Musee d Orsay, Paris, France; French

The Toilet, 1887 (oil on canvas)
XIR192890 The Toilet, 1887 (oil on canvas) by Luce, Maximilien (1858-1941); 92x73 cm; Petit Palais, Geneva, Switzerland; French, out of copyright possible copyright restrictions apply

The Coffee, 1892 (oil on canvas)
XIR192888 The Coffee, 1892 (oil on canvas) by Luce, Maximilien (1858-1941); 81x65 cm; Private Collection; French, out of copyright possible copyright restrictions apply

Bank of the Seine, 1887 (oil on canvas)
XOS1765653 Bank of the Seine, 1887 (oil on canvas) by Gogh, Vincent van (1853-90); 32x46 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Bathers at Asnieres, 1884 (oil on canvas)
XOS1109248 Bathers at AsniAšres, 1884 (oil on canvas) by Seurat, Georges Pierre (1859-91); 201x300 cm; National Gallery, London, UK; French, out of copyright

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"Capturing the World in Dots: Exploring the Pointillist Masterpieces" Immerse yourself in the mesmerizing world of pointillism, a revolutionary artistic technique that emerged in the late 19th century. One such masterpiece is "A View of Menton, " painted between 1899 and 1900 by an unknown artist. With meticulous precision, tiny dots of color come together to depict a scenic view of this charming French town. In "Le Jardin du Vert-Galant, " created around 1928, we witness how pointillism evolved over time. The vibrant colors and intricate details bring to life this enchanting garden located on Île de la Cité in Paris. Henri-Edmond Cross showcases his mastery with "Entrance to the Port of Marseille" from 1918. Through carefully placed dots, he captures the bustling atmosphere and maritime charm of this iconic French port city. "Misty Sea, " painted in 1899 by another anonymous artist, transports us to a serene coastal scene where foggy hues blend seamlessly through delicate points. It evokes a sense of tranquility as we gaze upon nature's ethereal beauty. As dusk settles over Herblay in 1889, Georges Seurat's "Sunset" captivates viewers with its warm tones and shimmering reflections on water. Each dot contributes to creating an atmospheric landscape that exudes peacefulness. Jean-Baptiste-Camille Corot's "Boy Sitting on the Grass, " completed circa 1882, showcases his ability to capture human emotion through pointillism. The careful placement of dots brings out both innocence and contemplation within this young subject. Portraitist Paul Signac presents us with "Portrait of Alexander Reid" from 1887—a testament to his skillful use of pointillism even when depicting individuals. Every dot adds depth and character while revealing Reid's personality through subtle nuances.