Prints Collection (page 16)

Cobweb Houseleek and Canna Leaved Strelitzia, 1806 (hand-coloured engraving)
1195413 Cobweb Houseleek and Canna Leaved Strelitzia, 1806 (hand-coloured engraving) by Edwards, Sydenham Teast (c.1768-1819) (after); 27x21 cm; Private Collection; Photo eChristies Images; English

Wiener Werkstatte, (lithograph in colours)
1195098 Wiener Werkstatte, (lithograph in colours) by Peche, Dagobert (1887-1923); 95.2x49.5 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Poster for the Second Exhibition of Lithography Painters, Salle du Figaro
1195083 Poster for the Second Exhibition of Lithography Painters, Salle du Figaro, Paris, 1898 (colour lithograph) by Gottlob

Many Heads Beat One; a 1929 work incentive poster, 1929 (colour lithograph)
1198098 Many Heads Beat One; a 1929 work incentive poster, 1929 (colour lithograph) by American School, (20th century); 110x91 cm; Private Collection; Photo eChristies Images; American

Toucans in their nests agree Guinness is good for you, 1957 (lithograph in colours)
1194970 Toucans in their nests agree Guinness is good for you, 1957 (lithograph in colours) by English School, (20th century); 152x102 cm; Private Collection; Photo eChristies Images; English

Guinness Time, c. 1940 (lithograph in colours)
1194965 Guinness Time, c.1940 (lithograph in colours) by English School, (20th century); 152x102 cm; Private Collection; Photo eChristies Images; English, out of copyright

Encore! (Girl, bottle and harp), c. 1938 (lithograph in colours)
1194964 Encore! (Girl, bottle and harp), c.1938 (lithograph in colours) by English School, (20th century); 76x51 cm; Private Collection; Photo eChristies Images; English, out of copyright

What the situation demands (wheel and mask), 1942 (lithograph in colours)
1194959 What the situation demands (wheel and mask), 1942 (lithograph in colours) by Harrison, F.C. (fl.1920s); 152x102 cm; Private Collection; Photo eChristies Images; English, out of copyright

Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)
1197711 Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version), 1898 (colour lithograph) by Klimt

Serratula Nudicaulis (Bare-stemmed Common Sawwort), c. 1928 (gelatin silver print)
1197681 Serratula Nudicaulis (Bare-stemmed Common Sawwort), c.1928 (gelatin silver print) by Blossfeldt, Karl (1865-1932); 29.8x23.8 cm; Private Collection; (add.info.: Blossfeldt)

Leonie Garrido Looking at an Album of Prints, (oil on panel)
1197485 Leonie Garrido Looking at an Album of Prints, (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 55x45.7 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

986419

Rubus caesius (dewberry), 1811-1818 (hand-coloured lithograph)
986406 Rubus caesius (dewberry), 1811-1818 (hand-coloured lithograph) by German School, (19th century); 48x39.5 cm; Private Collection; (add.info.: Rubus caesius (dewberry)

El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph)
986405 El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: El Kasne (Treasury), Petra

Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
986398 Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Rouen, seen from Bon-Secours; Rouen)

The Hippopotamus, 1804 (hand-coloured aquatint)
986395 The Hippopotamus, 1804 (hand-coloured aquatint) by Daniell, Samuel (1775-1811); 43.5x57.5 cm; Private Collection; (add.info.: The Hippopotamus, plate 12)

Silver Rock Melon, 1812 (aquatint and stipple-engraving
986390 Silver Rock Melon, 1812 (aquatint and stipple-engraving, printed in colour and finished b) by Brookshaw, George (1751-1823); 57.4x45.9 cm; Private Collection; (add.info.: Silver Rock Melon)

Poster for Anti-Imperialist Exhibition, 1931 (photo-offset lithograph
991508 Poster for Anti-Imperialist Exhibition, 1931 (photo-offset lithograph, two sheets mounted together, backed on) by Klucis

Fruit and Pottery Still Life, c. 1900 (brown pigment gum bichromate print
991434 Fruit and Pottery Still Life, c.1900 (brown pigment gum bichromate print, hand-applied watercolour was) by Kuhn, Heinrich (1866-1944); 36.83x28.57 cm; Private Collection; (add.info)

Mausoleum of the Oratoire du Louvre, Rue Saint-Honore, in memory of French statesman
986469 Mausoleum of the Oratoire du Louvre, Rue Saint-Honore, in memory of French statesman Pierre Seguier, May 1672, c.1770-1780 (engraving) by Le Brun

The Penguin, 1770 (hand coloured engraving)
986461 The Penguin, 1770 (hand coloured engraving) by Edwards, George (1694-1773) (after); Private Collection; (add.info.: The Penguin)

Plan and view of Seville, 1579-1590 (hand-coloured engraving)
986452 Plan and view of Seville, 1579-1590 (hand-coloured engraving) by Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90); 41x30 cm; Private Collection; (add.info.: Plan and view of Seville)

The New Testament (chapter headings), 1535-1536 (woodcut print)
986387 The New Testament (chapter headings), 1535-1536 (woodcut print) by English School, (16th century); 31.5x19.5 cm; Private Collection; (add.info.: The New Testament (chapter headings)

BKS291195110B 01
View of a Part of the River Arno. Plate from Raccolta delle piu belle Vedute e Prospettive della Cita di Firenze from the composite album Venice and Tuscany

A Double-Page Map of North America, c. 1708-20 (hand-coloured engraving)
986383 A Double-Page Map of North America, c.1708-20 (hand-coloured engraving) by English School, (18th century); 66x54 cm; Private Collection; (add.info.: A Double-Page Map of North America)

Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed
986379 Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Title page)

Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard
986341 Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard and Her Dog, 1806 (hand-coloured engravin) by Martin

Map of the Island of Mallorca, 1785 (hand-coloured engraving)
986325 Map of the Island of Mallorca, 1785 (hand-coloured engraving) by Spanish School, (18th century); 121x160 cm; Private Collection; (add.info)

Geographical Map of the Theatre of War, showing the Kingdom of Hungary in the main
986323 Geographical Map of the Theatre of War, showing the Kingdom of Hungary in the main, 1771 (hand-coloured engraving.) by German School

Map of Asia, 1740 (hand-coloured engraving)
986320 Map of Asia, 1740 (hand-coloured engraving) by Fer, Nicolas de (1646-1720); 104x156 cm; Private Collection; (add.info.: Map of Asia; L Asie.... Nicolas de Fer (1646-1720)

Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph)
986316 Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph) by German School, (19th century); 57x43 cm; Private Collection; (add.info.: Georgios Karaiskakis (Greek hero)

A figure with a red beard brandishing a sword and holding a golden circle (plate 53), c
986309 A figure with a red beard brandishing a sword and holding a golden circle (plate 53), c.1800 (watercolour and bodycolour drawing) by Chinese School (19th century)

A figure brandishing swords (plate 57), c. 1800 (watercolour and bodycolour drawing)
986308 A figure brandishing swords (plate 57), c.1800 (watercolour and bodycolour drawing) by Chinese School (19th century); 35.5x29.5 cm; Private Collection; (add.info)

Great Eared Owl, 1841 (hand-coloured engraving)
986303 Great Eared Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 67x54 cm; Private Collection; (add.info.: Great Eared Owl. From Illustrations of British Ornithology)

Le Paradis Rouge, 1802 (colour engraving)
986294 Le Paradis Rouge, 1802 (colour engraving) by Audebert, Jean Baptiste (1759-1800); Private Collection; (add.info.: Le Paradis Rouge)

Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut)
986285 Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut) by German School, (15th century); 30.4x20.5 cm; Private Collection; (add.info.: Agrippina of Coellen (Cologne)

A Mad Bull, 1806 (1824) (aquatint)
986259 A Mad Bull, 1806 (1824) (aquatint) by Dodd, Robert (1748-1815); 42x55.5 cm; Private Collection; (add.info.: A Mad Bull. From Authentic Memoirs of the Late George Morland)

Various European insects and flowers (four plates: CLXI to CLXIV)
986255 Various European insects and flowers (four plates: CLXI to CLXIV), 1730 (hand-coloured engraving) by Merian, Maria Sibylla Graff (1647-1717); 51.7x35.8 cm; Private Collection; (add.info)

Mocking Bird (Turdus Polyglottus), 1827-1838 (hand-coloured engraving)
986253 Mocking Bird (Turdus Polyglottus), 1827-1838 (hand-coloured engraving) by Audubon, John James (1785-1851); 88x62.4 cm; Private Collection; (add.info.: Mocking Bird (Turdus Polyglottus)

The Hedgehog, 1761-1766 (hand-coloured etching)
986243 The Hedgehog, 1761-1766 (hand-coloured etching) by Paillou, Peter (c.1720-90) (after); 52.8x36.5 cm; Private Collection; (add.info.: The Hedgehog)

Snowy Owl, 1832-1837 (hand-coloured lithograph)
986236 Snowy Owl, 1832-1837 (hand-coloured lithograph) by Lear, Edward (1812-88); 53x36 cm; Private Collection; (add.info.: Snowy Owl. From The Birds of Europe, by John Gould (1804-1881)

Industry, Frontispiece from Locupletissimi Rerum Naturalium Thesauri Accurata
986228 Industry, Frontispiece from Locupletissimi Rerum Naturalium Thesauri Accurata Descriptio, 1734-1765 (hand-coloured engraving) by Dubourg

986211

Chaetodon Imperator (Emperor Fish), 1785-1788 (hand-coloured engraving)
986202 Chaetodon Imperator (Emperor Fish), 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Chaetodon Imperator (Emperor Fish)

November 1732, showing seasonal apples, pears, grapes etc, 1732 (hand-coloured engraving)
986192 November 1732, showing seasonal apples, pears, grapes etc, 1732 (hand-coloured engraving) by Casteels, Pieter (1684-1749) (after); 43x35 cm; Private Collection; (add.info.: November 1732)

Black-throated Diver (Colymbus Arcticus), also known as Arctic Loon (Gavia Arctica)
986190 Black-throated Diver (Colymbus Arcticus), also known as Arctic Loon (Gavia Arctica), 1836 (hand-coloured engraving) by Audubon

A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)
986188 A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving) by Dutch School, (17th century); 23x36 cm; Private Collection; (add.info)

View from the Castle Hill, Looking Towards Monte Skopo, Zante, 1863 (lithograph)
986184 View from the Castle Hill, Looking Towards Monte Skopo, Zante, 1863 (lithograph) by Lear, Edward (1812-88); Private Collection; (add.info.: View from the Castle Hill)

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"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history: Astronaut footprints forever etched on the surface of the Moon, a testament to human exploration and achievement. Canary Wharf in all its glory: The towering skyscrapers of UK's financial district leave their own impressive prints on London's skyline. A majestic tapestry unfolds: The Shard and Tower Bridge create an enchanting panorama, leaving indelible imprints in our memories. Icons that define a city: Houses of Parliament, Big Ben, and London Eye stand tall, imprinting their grandeur upon every visitor's heart. Connecting past and present: Waterloo Bridge spans over River Thames, bridging time with its architectural beauty and leaving lasting impressions. Nature paints a masterpiece: An Orange Harvest Moon casts its ethereal glow, imprinting serenity upon those who gaze at its celestial presence. Unsettling transformations unfold: Awful Changes capture our attention as they leave their perplexing imprints on society's ever-evolving landscape. Plate 18 reveals hidden stories: Intriguing prints tell tales untold, inviting us to delve into mysteries waiting to be unraveled. Trafalgar Square beckons with pride: Nelson's Column stands tall amidst vibrant crowds, imprinting valorous spirits within each passerby. Journey through picturesque landscapes begins here: Russell Square Underground Station serves as a gateway for explorations yet unknown but eagerly anticipated by adventurous souls seeking new imprints along England's paths. Reliving seaside dreams from yesteryears: A Southern Railway poster advertising Ramsgate transports us back to 1939 when colorful lithographs left vivid prints in people’s minds about idyllic coastal getaways.