Prints Collection (page 19)

Otsu, 1840-42 (woodblock print)
6198588 Otsu, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 17x22.5 cm; The McManus, Dundee, UK; (add.info)

Tsuchiyama, 1840-42 (woodblock print)
6198587 Tsuchiyama, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x22.5 cm; The McManus, Dundee

Evening on the Shore (etching)
6198576 Evening on the Shore (etching) by Israels, Jozef (Josef) (1824-1911); 10.2x15.2 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; Dutch

Alfredo Piatti, 19th century (engraving)
6198569 Alfredo Piatti, 19th century (engraving) by Holl, Francis (1815-84); 31.8x25.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

Fifth Month (Gogatsu), 19th century (woodblock print)
6198537 Fifth Month (Gogatsu), 19th century (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 35x23 cm; The McManus, Dundee

Goyu, 1833-34 (woodblock print)
6198489 Goyu, 1833-34 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 17x22.5 cm; The McManus, Dundee, UK; (add.info)

Futagawa, 1840-42 (woodblock print)
6198484 Futagawa, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x22.5 cm; The McManus, Dundee, UK; (add.info)

Nissaka, 1840-42 (woodblock print)
6198470 Nissaka, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x23 cm; The McManus, Dundee, UK; (add.info)

Fuchu, 1840-42 (woodblock print)
6198460 Fuchu, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x23 cm; The McManus, Dundee, UK; (add.info)

Thames Fishermen No. 1, 1859 (drypoint)
6198458 Thames Fishermen No.1, 1859 (drypoint) by Haden, Francis Seymour (1818-1910); 14.6x21.6 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; British

Kanagawa, 1840-42 (woodblock print)
6198434 Kanagawa, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x23 cm; The McManus, Dundee, UK; (add.info)

Kawasaki, 1840-42 (woodblock print)
6198433 Kawasaki, 1840-42 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 16.5x22.5 cm; The McManus, Dundee, UK; (add.info)

St Peters Church and North Hill Colchester (litho)
6012398 St Peters Church and North Hill Colchester (litho) by English School, (19th century); Private Collection; (add.info.: St Peters Church and North Hill Colchester)

St Botolphs Priory Church Colchester 1831 (litho)
6012402 St Botolphs Priory Church Colchester 1831 (litho) by English School, (19th century); Private Collection; (add.info.: St Botolphs Priory Church Colchester 1831)

Copperplate Engraver Carl Edward Sonne, c. 1826 (oil on canvas)
5675865 Copperplate Engraver Carl Edward Sonne, c.1826 (oil on canvas) by Blunck, Ditlev Conrad (1798-1854); 69.5x56 cm; Statens Museum for Kunst, Copenhagen

Page of Victorian printed scraps (coloured engraving)
6030317 Page of Victorian printed scraps (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Cotton Print, Fatehgarh, Uttar Pradesh, India, Piece Goods, No
5938468 Cotton Print, Fatehgarh, Uttar Pradesh, India, Piece Goods, No. 311 from The Collection of the Textile Manufacturers of India, by John Forbes Watson

Picture of Kusunoki Tamonmaru Conquering the Old Badger, 1860 (woodblock)
5916416 Picture of Kusunoki Tamonmaru Conquering the Old Badger, 1860 (woodblock) by Yoshitoshi, Tsukioka (1839-92); 36.2A--73.8 cm; Minneapolis Institute of Arts, MN

Place, 1881 (etching)
5864229 Place, 1881 (etching) by Klinger, Max (1857-1920); 31.8x48.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info)

Fishing- with its consequences, engraved by G
1764009 Fishing- with its consequences, engraved by G. Hunt, published in London by Thomas McClean, 1827 (hand-coloured aquatint) by Egerton, M

Single, litho by Thomas Fairland (1804-52), published by Ackermann and Co
1764003 Single, litho by Thomas Fairland (1804-52), published by Ackermann and Co. 1840 (colour litho) by Absolon, John (1815-95); The Geffrye Museum of the Home, London

Dutch Interior (oil on panel)
1212757 Dutch Interior (oil on panel) by European School; 25.3x35.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; European, out of copyright

Front of No 3, Sweetings Alley, Cornhill, lately property of Samuel Knights, Printseller and Frame Maker (engraving)
610406 Front of No 3, Sweetings Alley, Cornhill, lately property of Samuel Knights, Printseller and Frame Maker (engraving) by English School

A Pretty Independent Print (engraving)
605250 A Pretty Independent Print (engraving) by English School, (18th century); Private Collection; (add.info.: Uain Glory: A Pretty Independent Print)

Ou Lou Kin Ts ai (woodblock)
468817 Ou Lou Kin Ts ai (woodblock) by Chinese School; Private Collection; The Stapleton Collection; Chinese, out of copyright

Abstract designs, from Decorations and Colours, published 1930 (colour litho)
STC404325 Abstract designs, from Decorations and Colours, published 1930 (colour litho) by Valmier, Georges (1885-1937); Private Collection; (add.info)

The Printmaker, engraved by Augrand, c. 1816 (coloured engraving)
STC444541 The Printmaker, engraved by Augrand, c.1816 (coloured engraving) by Busset-Dubruste, Madame G. (fl.1806-17) (attr. to); Private Collection; The Stapleton Collection; French, out of copyright

Mans room (colour litho)
2775543 Mans room (colour litho) by English School, (20th century); Private Collection; (add.info.: A mans room decorated with canvas wallpaper)

Knowledge (Chi), from the series Five Cardinal Virtues, 1767 (colour woodblock print)
2969422 Knowledge (Chi), from the series Five Cardinal Virtues, 1767 (colour woodblock print) by Harunobu, Suzuki (1725-70); 28.5x20.9 cm; The Art Institute of Chicago, IL

High-Ranked Courtesan, from the series Five Shades of Ink in the Northern
3079349 High-Ranked Courtesan, from the series Five Shades of Ink in the Northern Quarter, c.1794-95 (colour woodblock print) by Utamaro

Pages from a wholesale catalogue published by I. Marians & Co. 1896 (engraving)
2972992 Pages from a wholesale catalogue published by I. Marians & Co. 1896 (engraving) by English School, (19th century); The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English

Getting Ready for a Visit, plate eight from Intimacies, 1898
2972303 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut in black on cream wove paper) by Vallotton, Felix Edouard (1865-1925); 17.7x22.4 cm; The Art Institute of Chicago, IL

Illustration from Metamorphosis insectorum Surinamensium
3063297 Illustration from Metamorphosis insectorum Surinamensium. Ofte Verandering der Surinaamsche Insecten, published in 1705 (coloured engraving) by Merian

Trade card of M. Levoi, Taylor, Salelsman & Mans Mercer, Brydges Street
3037904 Trade card of M. Levoi, Taylor, Salelsman & Mans Mercer, Brydges Street, Covent Garden by English School, (18th century); Private Collection; (add.info.: Tailor in menswear)

White cotton muslin dress with green floral print design, 1860s (cotton)
3100429 White cotton muslin dress with green floral print design, 1860s (cotton) by Unknown Artist, (19th century); (add.info)

Tamaya uchi Komurasaki, Kocho, Haruji, 1794 (colour woodblock print)
2637027 Tamaya uchi Komurasaki, KochA, Haruji, 1794 (colour woodblock print) by Utamaro, Kitagawa (1753-1806); 37.5x25 cm; New York Public Library, USA; (add.info.: TA'ji zensei bijin-zoroe)

Liber Studiorum: Coast of Yorkshire, near Whitby, c. 1807-19 (etching & mezzotint)
491017 Liber Studiorum: Coast of Yorkshire, near Whitby, c.1807-19 (etching & mezzotint) by Turner, Joseph Mallord William (1775-1851); Cleveland Museum of Art, OH

Louise de Savoie, Louise of Savoy (1476|1531)
5855244 Louise de Savoie, Louise of Savoy (1476|1531) by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Louise of Savoy (1476|1531), Duchess of Angouleme

The Virgin and Child on a Crescent, 1499 (engraving)
1767116 The Virgin and Child on a Crescent, 1499 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: The Virgin and Child on a Crescent. Albrecht Durer (1471-1528)

Almanacco Italiano, 1901, 1901 (lithograph in colours)
1766945 Almanacco Italiano, 1901, 1901 (lithograph in colours) by Casaltoli, Carlo (1865-1903); 108x79 cm; Private Collection; (add.info.: Almanacco Italiano, 1901. C. Casaltoli)

Canadian Pacific to Canada & USA, 1933 (lithograph in colours)
1766915 Canadian Pacific to Canada & USA, 1933 (lithograph in colours) by Shoesmith, Kenneth (1890-1939); Private Collection; (add.info.: Canadian Pacific to Canada & USA)

Red Star Line, Antwerpen America, c. 1899 (lithograph in colours)
1766909 Red Star Line, Antwerpen America, c.1899 (lithograph in colours) by Belgian School, (19th century); 84x51 cm; Private Collection; (add.info.: Red Star Line, Antwerpen America. Anonymous)

Champagne Ruinart, 1896 (lithograph in colours)
1766906 Champagne Ruinart, 1896 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 177x58 cm; Private Collection; (add.info.: Champagne Ruinart. Alphonse Mucha (1860-1939)

Papiers Peints, c. 1820-35 (porcelain)
1766891 Papiers Peints, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papiers Peints / Veloutage, Foncage, Assemblage)

A Chamberlains Worcester slender oviform black-ground vase and cover, c. 1825 (ceramic)
1766861 A Chamberlains Worcester slender oviform black-ground vase and cover, c.1825 (ceramic) by English School, (19th century); Private Collection; (add.info)

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"Capturing the Imprints of Time: From Astronaut Footprints on the Moon to London's Iconic Landmarks" Witnessing history: Astronaut footprints forever etched on the surface of the Moon, a testament to human exploration and achievement. Canary Wharf in all its glory: The towering skyscrapers of UK's financial district leave their own impressive prints on London's skyline. A majestic tapestry unfolds: The Shard and Tower Bridge create an enchanting panorama, leaving indelible imprints in our memories. Icons that define a city: Houses of Parliament, Big Ben, and London Eye stand tall, imprinting their grandeur upon every visitor's heart. Connecting past and present: Waterloo Bridge spans over River Thames, bridging time with its architectural beauty and leaving lasting impressions. Nature paints a masterpiece: An Orange Harvest Moon casts its ethereal glow, imprinting serenity upon those who gaze at its celestial presence. Unsettling transformations unfold: Awful Changes capture our attention as they leave their perplexing imprints on society's ever-evolving landscape. Plate 18 reveals hidden stories: Intriguing prints tell tales untold, inviting us to delve into mysteries waiting to be unraveled. Trafalgar Square beckons with pride: Nelson's Column stands tall amidst vibrant crowds, imprinting valorous spirits within each passerby. Journey through picturesque landscapes begins here: Russell Square Underground Station serves as a gateway for explorations yet unknown but eagerly anticipated by adventurous souls seeking new imprints along England's paths. Reliving seaside dreams from yesteryears: A Southern Railway poster advertising Ramsgate transports us back to 1939 when colorful lithographs left vivid prints in people’s minds about idyllic coastal getaways.