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Rowlandson Collection (page 9)

Rowlandson, a renowned artist of the late 18th and early 19th centuries, captured the essence of society through his vivid illustrations

Background imageRowlandson Collection: Hounds Hunting a Stag, 1784-88. Creator: Thomas Rowlandson

Hounds Hunting a Stag, 1784-88. Creator: Thomas Rowlandson
Hounds Hunting a Stag, 1784-88

Background imageRowlandson Collection: A Group of Five Donkeys, Three Standing, Two Lying, 1783-87. Creator: Thomas Rowlandson

A Group of Five Donkeys, Three Standing, Two Lying, 1783-87. Creator: Thomas Rowlandson
A Group of Five Donkeys, Three Standing, Two Lying, 1783-87

Background imageRowlandson Collection: Landscape with Two Fishermen Climbing Rocks Next to a Waterfall, 1784-88

Landscape with Two Fishermen Climbing Rocks Next to a Waterfall, 1784-88

Background imageRowlandson Collection: A Sailors Family, 1787. Creator: Thomas Rowlandson

A Sailors Family, 1787. Creator: Thomas Rowlandson
A Sailors Family, 1787

Background imageRowlandson Collection: Three Cows Standing on the Ridge of a Field, 1784-87. Creator: Thomas Rowlandson

Three Cows Standing on the Ridge of a Field, 1784-87. Creator: Thomas Rowlandson
Three Cows Standing on the Ridge of a Field, 1784-87

Background imageRowlandson Collection: A Fair - A Group of Gypsies - Men and Women in Rustic Clothes in Front of Two Makeshift

A Fair - A Group of Gypsies - Men and Women in Rustic Clothes in Front of Two Makeshift Tents, 1786

Background imageRowlandson Collection: A Bacchante, 1787. Creator: Thomas Rowlandson

A Bacchante, 1787. Creator: Thomas Rowlandson
A Bacchante, 1787

Background imageRowlandson Collection: River God with Child, 1784-88. Creator: Thomas Rowlandson

River God with Child, 1784-88. Creator: Thomas Rowlandson
River God with Child, 1784-88

Background imageRowlandson Collection: Fishermen by the Shore - Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe

Fishermen by the Shore - Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe, Next to a Standing Young Woman, with a Second Woman Behind, 1786

Background imageRowlandson Collection: Ruins Next to a Pool in a Wooded Landscape, 1783-84. Creator: Thomas Rowlandson

Ruins Next to a Pool in a Wooded Landscape, 1783-84. Creator: Thomas Rowlandson
Ruins Next to a Pool in a Wooded Landscape, 1783-84

Background imageRowlandson Collection: Landscape with Cottage Among Trees at Left, and a Distant Church Spire at Right, 1783-84

Landscape with Cottage Among Trees at Left, and a Distant Church Spire at Right, 1783-84

Background imageRowlandson Collection: Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblo

Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left, 1784-88

Background imageRowlandson Collection: Deer Hunting - A Landscape Scene with Stag and Hounds in a River, 1787

Deer Hunting - A Landscape Scene with Stag and Hounds in a River, 1787

Background imageRowlandson Collection: Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shor

Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond, 1783-84

Background imageRowlandson Collection: Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left

Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left, 1783-84

Background imageRowlandson Collection: Cows and Seascape, 1783-89. Creator: Thomas Rowlandson

Cows and Seascape, 1783-89. Creator: Thomas Rowlandson
Cows and Seascape, 1783-89

Background imageRowlandson Collection: Fishermen by the Shore - Coastal Scene with a Man Sitting on the Ground Resting an Elbow

Fishermen by the Shore - Coastal Scene with a Man Sitting on the Ground Resting an Elbow on a Fishing Basket, Another Man Opposite Mending a Sail

Background imageRowlandson Collection: Embarking from Brighthelmstone to Diepp[e] (from, Imitations of Modern Drawings), 1787

Embarking from Brighthelmstone to Diepp[e] (from, Imitations of Modern Drawings), 1787

Background imageRowlandson Collection: Oddities, January 1794. Creator: Thomas Rowlandson

Oddities, January 1794. Creator: Thomas Rowlandson
Oddities, January 1794

Background imageRowlandson Collection: The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beaut

The Journalist, With a View of Auckinleck-or the Land of Stones (Picturesque Beauties of Boswell, Part the First), May 15, 1786

Background imageRowlandson Collection: Title Page, The Caricature Magazine, or Mirror of Mirth, November 19, 1808

Title Page, The Caricature Magazine, or Mirror of Mirth, November 19, 1808

Background imageRowlandson Collection: The Horse Armoury in the Tower, January 1, 1800. Creator: Thomas Rowlandson

The Horse Armoury in the Tower, January 1, 1800. Creator: Thomas Rowlandson
The Horse Armoury in the Tower, January 1, 1800

Background imageRowlandson Collection: A Brace of Public Guardians, July 10, 1800. Creator: Thomas Rowlandson

A Brace of Public Guardians, July 10, 1800. Creator: Thomas Rowlandson
A Brace of Public Guardians, July 10, 1800

Background imageRowlandson Collection: A Smart, December 1, 1790. Creator: Thomas Rowlandson

A Smart, December 1, 1790. Creator: Thomas Rowlandson
A Smart, December 1, 1790

Background imageRowlandson Collection: Sadness (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Sadness (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Weeping (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Weeping (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Acute Pain (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Acute Pain (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Compassion (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Compassion (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Laughter, January 21, 1800. Creator: Thomas Rowlandson

Laughter, January 21, 1800. Creator: Thomas Rowlandson
Laughter, January 21, 1800

Background imageRowlandson Collection: Scorn (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Scorn (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Terrour or Fright (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Terrour or Fright (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Horror, January 21, 1800. Creator: Thomas Rowlandson

Horror, January 21, 1800. Creator: Thomas Rowlandson
Horror, January 21, 1800

Background imageRowlandson Collection: Laughter (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Laughter (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Veneration (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Veneration (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Desire, February 21, 1800. Creator: Thomas Rowlandson

Desire, February 21, 1800. Creator: Thomas Rowlandson
Desire, February 21, 1800

Background imageRowlandson Collection: Anger, January 21, 1800. Creator: Thomas Rowlandson

Anger, January 21, 1800. Creator: Thomas Rowlandson
Anger, January 21, 1800

Background imageRowlandson Collection: Joy with Tranquility (Le Brun Travested, or Caricatures of the Passions), January 21

Joy with Tranquility (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Rapture (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Rapture (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Title Page: Le Brun Travested, or Caricatures of the Passions, January 21, 1800

Title Page: Le Brun Travested, or Caricatures of the Passions, January 21, 1800

Background imageRowlandson Collection: Le Brun Travested, or Caricatures of the Passions, January-February 1800

Le Brun Travested, or Caricatures of the Passions, January-February 1800

Background imageRowlandson Collection: Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions)

Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageRowlandson Collection: Desire (Le Brun Travested, or Caricatures of the Passions), January 20, 1800

Desire (Le Brun Travested, or Caricatures of the Passions), January 20, 1800

Background imageRowlandson Collection: Admiration (Le Brun Travested, or Caricatures of the Passions), January 20, 1800

Admiration (Le Brun Travested, or Caricatures of the Passions), January 20, 1800

Background imageRowlandson Collection: Lady on a Lawyers Knee—Romance, February 8, 1787. Creator: William Henry Wood

Lady on a Lawyers Knee—Romance, February 8, 1787. Creator: William Henry Wood
Lady on a Lawyers Knee--Romance, February 8, 1787

Background imageRowlandson Collection: Studious Gluttons, October 1788. Creator: Samuel Alken

Studious Gluttons, October 1788. Creator: Samuel Alken
Studious Gluttons, October 1788

Background imageRowlandson Collection: Side Box Sketches, June 5, 1786. Creator: Samuel Alken

Side Box Sketches, June 5, 1786. Creator: Samuel Alken
Side Box Sketches, June 5, 1786

Background imageRowlandson Collection: Art of Scaling, 1792. Creator: Samuel Alken

Art of Scaling, 1792. Creator: Samuel Alken
Art of Scaling, 1792

Background imageRowlandson Collection: O Tempora, O Mores!, December 1799. Creator: Samuel Alken

O Tempora, O Mores!, December 1799. Creator: Samuel Alken
O Tempora, O Mores!, December 1799



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Rowlandson, a renowned artist of the late 18th and early 19th centuries, captured the essence of society through his vivid illustrations. His works encompassed various themes and subjects, showcasing his versatility as an artist. In "The Contrast, " December 1792, Rowlandson depicted the stark differences between social classes with intricate detail. This piece highlighted the disparities prevalent in society during that time. One of Rowlandson's earlier works was set in Cuckfield, Sussex in 1789. The artwork showcased the picturesque beauty of this English village and demonstrated Rowlandson's ability to capture landscapes with precision. "Modern Athenians plate 1 - Edinburgh" portrayed the vibrant city life of Edinburgh during that era. Through this illustration, Rowlandson revealed his talent for capturing bustling urban scenes filled with people going about their daily lives. Hare coursing at Waterloo Cup was another subject that fascinated Rowlandson. His depiction of this popular sport showcased both the excitement and intensity surrounding it. It also delved into historical events such as an English gentleman on trial in France during the 18th century. With meticulous attention to detail, he brought to life courtroom drama from a bygone era. "The Corsican Spider in His Web. " dated July 12, 1808, depicted Napoleon Bonaparte as a cunning spider entangling Europe within his grasp. This satirical portrayal reflected Rowlandson's political commentary on Napoleon's ambitions and power. Through "Stamford Lincolnshire" from Sketches from Nature (1822), Rowlandson displayed his love for nature by capturing its serene beauty through detailed sketches. Rugby Union became another subject matter for Rowlandson as he illustrated players engaged in intense matches on the field – showcasing not only their physical prowess but also highlighting teamwork and sportsmanship.