Rowlandson Collection (page 2)

Meeting of the Agricultural Society, London. By Pugin and Rowlandson from Microcosm of London Ackermann, London
531773 Meeting of the Agricultural Society, London. By Pugin and Rowlandson from Microcosm of London Ackermann, London, 1808-10 (chromolithograph); (add.info)

The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen
1000889 The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen, after Thomas Rowlandson, 1802

Boisterous party, amusement of the people on a hill in Greenwich Park, London, England
UIG5414726 Boisterous party, amusement of the people on a hill in Greenwich Park, London, England, copper engraving by Thomas Rowlandson, 1811; UIG.

Art connoisseur, English caricature about the lust of men by Thomas Rowlandson, circa 1800
UIG5414680 Art connoisseur, English caricature about the lust of men by Thomas Rowlandson, circa 1800; UIG.

Misfortune in the Tulip Hall: Dr Syntax falls over, is bitten by dog, loses wig
531319 Misfortune in the Tulip Hall: Dr Syntax falls over, is bitten by dog, loses wig and has head watered by agitated hostess, and gardener holding watering can looks on in amazement

The Contrast 1793. British Liberty. French liberty. Which is best?, 1793. Creator: Rowlandson, Thomas (1756-1827)
The Contrast 1793. British Liberty. French liberty. Which is best?, 1793. Found in the collection of the Bibliotheque Nationale de France

A Penny Barber, 1789. 1789. Creator: Thomas Rowlandson
A Penny Barber, 1789

Four O Clock in the Country, October 20, 1790. October 20, 1790
Four O Clock in the Country, October 20, 1790

Medieval knight in armour holding a swooning lady
Medieval knight in suit of armour holding a swooning lady outside a castle. His defeated opponent lies on the ground. Sir Ethelbert holds Adelaide over the prone body of Alan

Medieval knights fighting a duel with swords. Sir Ethelbert fights Alan over the body of Adelaide. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament

English gentleman held captive by two Papal guards in uniform in a room in Avignon. A prisoner at Avignon. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from Journal

Gentleman trying to play footsie with a beauty at the table
Gentleman trying to play footsie with a beauty under the dining table but pressing the wrong foot. More Miseries. Handcoloured copperplate engraving designed

Thomas Rowlandson, The Honeymoon - When the old fool has drunk his wine, and gone to rest - I will be thine. circa 1816

Love in the East, 1787. Creator: Thomas Rowlandson
Love in the East, 1787

The Doctor Dismissing Death, 1785. 1785. Creators: Peter Simon, Francis Jukes
The Doctor Dismissing Death, 1785

Crawley (An Excursion to Brighthelmstone), June 1, 1790. June 1, 1790
Crawley (An Excursion to Brighthelmstone), June 1, 1790

Country Inn, 1787. 1787. Creator: Thomas Rowlandson
Country Inn, 1787

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Platonic Love, May 30, 1807. May 30, 1807. Creator: Thomas Rowlandson
Platonic Love, May 30, 1807

Outside Half Hanger, Hanging Guard, Inside Half Hanger, September 1, 1798

North View of Friar Bacons Study at Oxford, late 18th century, (1943). Creator
North View of Friar Bacons Study at Oxford, late 18th century, (1943). The tower to the left of Folly Bridge housed the study of Roger Bacon (c1214-1292), English experimental scientist

Vauxhall Gardens, Lambeth, c1785, (1942). Creators: Robert Pollard, Francis Jukes
Vauxhall Gardens, Lambeth, c1785, (1942). Vauxhall Gardens in south London was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

The Great Subscription Room at Brookss, St. Jamess Street, London, 1808, (1947)
The Great Subscription Room at Brooks s, St. Jamess Street, London, 1808, (1947). Interior of Brookss gentlemens club showing the segmental barrel vault ceiling

Aerostation out at Elbows or The Itinerant Aeronaut, 1786. Artist: Thomas Rowlandson
Aerostation out at Elbows or The Itinerant Aeronaut, 1786. Illustration from Social Caricature in the Eighteenth Century

The Anatomist, 1811. Artist: Thomas Rowlandson
The Anatomist, 1811. Cartoon showing the terror of a patient and his wife as a surgeon opens his bag of instruments. Seeing the skeleton in the cupboard

Inner court, Fleet Prison, London, 1808-1811. Artist: Thomas Rowlandson
Inner court, Fleet Prison, London, 1808-1811. Prisoners playing fives and skittles, and socialising. Fleet Prison was a prison for debt and contempt of court

Skating on Ice
Illustration of ice skaters racing towards the finishing line. Artist: George Derville Rowlandson. Date: circa 1905

Steeplechase
Illustration of a steeplechase in progress with competitors at a water-jump. Artist: George Derville Rowlandson. Date: circa 1905

Cricket
Illustration of a batsman running a quick single. Artist: George Derville Rowlandson. Date: circa 1905

Widow Ducker and Her Nymphs at Scarborough, Yorkshire
Widow Ducker and Her Nymphs at Scarborough, North Yorkshire Date: 1812

The Terrace, Scarborough, North Yorkshire Date: 1812

The Spa, Scarborough, North Yorkshire Date: 1812

The Departure from Scarborough, North Yorkshire

Terrace Steps, Scarborough, North Yorkshire Date: 1812

St Mary's Church, Scarborough, North Yorkshire Date: 1812

Scene on the Spa Terrace, Scarborough, North Yorkshire Date: 1812

Scene on the beach at Scarborough, North Yorkshire Date: 1812

Scarborough Castle, Scarborough, North Yorkshire Date: 1812

Cornelian Bay, Scarborough, North Yorkshire - two women trapped on the beach in a storm Date: 1812

A Game of Chess
3781312 A Game of Chess by Cruikshank, George (1792-1878); (add.info.: A Game of Chess, caricature by George Cruikshank 1835. GC: 1792- 1878. Tinted version. original img: 147554); Lebrecht History

The Westminster Pitt, 1798 (pen and ink and watercolour)
651804 The Westminster Pitt, 1798 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 22x32 cm; Private Collection; (add.info.: The Westminster Pitt. Thomas Rowlandson (1756-1827)

The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)
824097 The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount) by Rowlandson, Thomas (1756-1827); 22.9x29.5 cm; Private Collection; (add.info.: The Butchers Stall, Leadenhall Market)

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Street Musicians, 1823 (pen and ink and watercolour)
651936 Street Musicians, 1823 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 15.2x25.4 cm; Private Collection; (add.info.: Street Musicians. Thomas Rowlandson (1756-1827)

Age and Youth, (pencil, pen and brown ink and watercolour)
651922 Age and Youth, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 12.3x19.9 cm; Private Collection; (add.info.: Age and Youth. Thomas Rowlandson (1756-1827)

A New Form of Prayer, (pencil, pen and watercolour)
651846 A New Form of Prayer, (pencil, pen and watercolour) by Rowlandson, Thomas (1756-1827); 32.4x25.4 cm; Private Collection; (add.info.: A New Form of Prayer. Thomas Rowlandson (b)

Writing the Will, 1786 (pen and grey ink and watercolour)
651829 Writing the Will, 1786 (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23x32 cm; Private Collection; (add.info.: Writing the Will. Thomas Rowlandson (1756-1827)

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Rowlandson, a renowned artist of the late 18th and early 19th centuries, captured the essence of society through his vivid illustrations. His works encompassed various themes and subjects, showcasing his versatility as an artist. In "The Contrast, " December 1792, Rowlandson depicted the stark differences between social classes with intricate detail. This piece highlighted the disparities prevalent in society during that time. One of Rowlandson's earlier works was set in Cuckfield, Sussex in 1789. The artwork showcased the picturesque beauty of this English village and demonstrated Rowlandson's ability to capture landscapes with precision. "Modern Athenians plate 1 - Edinburgh" portrayed the vibrant city life of Edinburgh during that era. Through this illustration, Rowlandson revealed his talent for capturing bustling urban scenes filled with people going about their daily lives. Hare coursing at Waterloo Cup was another subject that fascinated Rowlandson. His depiction of this popular sport showcased both the excitement and intensity surrounding it. It also delved into historical events such as an English gentleman on trial in France during the 18th century. With meticulous attention to detail, he brought to life courtroom drama from a bygone era. "The Corsican Spider in His Web. " dated July 12, 1808, depicted Napoleon Bonaparte as a cunning spider entangling Europe within his grasp. This satirical portrayal reflected Rowlandson's political commentary on Napoleon's ambitions and power. Through "Stamford Lincolnshire" from Sketches from Nature (1822), Rowlandson displayed his love for nature by capturing its serene beauty through detailed sketches. Rugby Union became another subject matter for Rowlandson as he illustrated players engaged in intense matches on the field – showcasing not only their physical prowess but also highlighting teamwork and sportsmanship.