Symbolising Collection (page 2)

Barbarian art: cross set with precious stones, 6th century
LRI4646375 Barbarian art: cross set with precious stones, 6th century by Byzantine School, (6th century); Basilica di San Pietro, Rome

TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving)
7262220 TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving)
7262244 THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE MOCK PHOENIX)

CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)
7262243 CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington, UK; (add.info.: CROSS EXAMINATION)

POLAR STAR, 1813 (engraving)
7262218 POLAR STAR, 1813 (engraving) by Dubois, Frederic (fl.1780-1815); Bromley Museum, Orpington, UK; (add.info.: POLAR STAR Oct 1813 cat: 11708 Star Brilliant, immense, it illuminates)

THE TWO KINGS OF TERROR, 1813 (engraving)
7262215 THE TWO KINGS OF TERROR, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TWO KINGS OF TERROR)

Napoleon depicted as the Beast of the Revelation, 1808 (engraving)
7262214 Napoleon depicted as the Beast of the Revelation, 1808 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)
7262211 GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

AN ATTEMPT TO SWALLOW THE WORLD ! Napoleon has a globe in his mouth, John Bull is unimpressed. 1803 (engraving)
7262242 AN ATTEMPT TO SWALLOW THE WORLD ! Napoleon has a globe in his mouth, John Bull is unimpressed. 1803 (engraving) by Woodward, George Moutard (c.1760-1809); Bromley Museum, Orpington

ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving)
7262238 ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving) by English School, (19th century); Bromley Museum, Orpington

THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving)
7262234 THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving) by Fores, S.W. (fl.1785-1825); Bromley Museum, Orpington

THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)
7262217 THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving)
7262206 THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving) by English School, (19th century); Bromley Museum, Orpington

Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)
7262236 Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

COSSACKS AT THE BIVOUAC, c. 1814 (engraving)
7262229 COSSACKS AT THE BIVOUAC, c. 1814 (engraving) by Debucourt, Philibert Louis (1755-1832); Bromley Museum, Orpington

I SHOT THIS IN MOSCOW, 1813 (engraving)
7262228 I SHOT THIS IN MOSCOW, 1813 (engraving) by Dutch School, (19th century); Bromley Museum, Orpington, UK; (add.info.: DEZE BOK HEB IK GESCHOTEN TE MOSCOU Dutch print by Esfer)

NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving)
7262212 NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington, UK; (add.info.: NAP AND HIS FRIENDS IN THEIR GLORY)

THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)
7262205 THE CORSICAN MACHEATH DESIGNED. 1803 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington, UK; (add.info.: THE CORSICAN MACHEATH DESIGNED)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)
7262213 BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving) by Tegg, Thomas (1776-1845); Bromley Museum, Orpington, UK; (add.info.: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!)

NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)
7262204 NAPOLEON -MAKE PEACE WITH !! 1813 (engraving) by German School, (19th century); Bromley Museum, Orpington, UK; (add.info.: NAPOLEON -MAKE PEACE WITH !)

DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)
7262241 DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)
7262219 THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TYRANT OF THE CONTINENT IS FALLEN)

AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
7262210 AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving) by Roberts, Piercy (fl.1791-1828); Bromley Museum, Orpington

THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)
7262194 THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

France invites the Genius of Painting to transmit to future generations the story of French conquests
XIR347328 France invites the Genius of Painting to transmit to future generations the story of French conquests and the victories of her armies, c.1800 (gouache) by Lesueur, P. A

Allegory of the Revolution of 1789, 1796 (oil on canvas)
XIR371998 Allegory of the Revolution of 1789, 1796 (oil on canvas) by Wilbaut, Jacques (1729-1806); 139x127 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Calligraphic title page with vignette of woman emerging from a p 1928 (print)
7237129 Calligraphic title page with vignette of woman emerging from a p 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas)
7260239 Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas) by Rubens, Peter Paul (1577-1640); 380x692 cm; Galleria degli Uffizi, Florence, Tuscany

Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph)
7236890 Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph) by Guerard, Nicolas (18th century); Private Collection; (add.info)

Frontispiece of Novel L Astree by Honore d Urfe (engraving)
1728866 Frontispiece of Novel L Astree by Honore d Urfe (engraving) by French School; (add.info.: Frontispiece of novel " L Astree" by Honore d Urfe (1557-1625) : Celadon

Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving)
7236763 Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving) by Labrousse, L.F. (fl.1796); Private Collection; (add.info)

Coats of arms, helms, coronets of nobility. 1763 (engraving)
7236023 Coats of arms, helms, coronets of nobility. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of religious ranks, helms, coronets of nobility)

Marble statue of the Roman goddess Flora with garland. 1779 (engraving)
7237431 Marble statue of the Roman goddess Flora with garland. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Marble statue of Flora with garland)

Statue of Flora, Roman goddess of flowers and spring. 1779 (engraving)
7237410 Statue of Flora, Roman goddess of flowers and spring. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Statue of Flora, Roman goddess of flowers)

Coats of arms of kings, queens and emperors. 1763 (engraving)
7236025 Coats of arms of kings, queens and emperors. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms with crests and supporters of kings)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236012 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Statue of the River Nile leaning on a sphinx, 1779 (engraving)
7237401 Statue of the River Nile leaning on a sphinx, 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info)

Francois Fradin, 1535 (two-color print)
7259467 Francois Fradin, 1535 (two-color print) by French School, (16th century); 11.7x8.7 cm; Private Collection; (add.info.: Printers mark of French printer and bookseller Francois Fradin (fl)

Sash badges of orders of chivalry. 1763 (engraving)
7236036 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Coats of arms of the French dignitaries, 18th century. 1763 (engraving)
7236033 Coats of arms of the French dignitaries, 18th century. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries, 18th century)

Pennant with 32 quarters. 1763 (engraving)
7236032 Pennant with 32 quarters. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Pennant with 32 quarters. Pennon de 32 quartiers)

Coats of arms of French dignitaries. 1763 (engraving)
7236030 Coats of arms of French dignitaries. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries)

Coats of arms of republics, dukes, admirals, etc. 1763 (engraving)
7236029 Coats of arms of republics, dukes, admirals, etc. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of republics, dukes, admirals, etc)

Sash badges of orders of chivalry. 1763 (engraving)
7236026 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Coats of arms of kings, emperors and sultans. 1763 (engraving)
7236024 Coats of arms of kings, emperors and sultans. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of kings, emperors and sultans)

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Symbolising is the art of conveying profound meanings through powerful imagery. From the ancient Papyrus of Ani, where The Judgement unfolds, to Caesar's daring crossing of the Rubicon, symbols have shaped history and defined our understanding of pivotal moments. In Allegory of Music, 1649, an oil on canvas masterpiece, harmonious melodies become a metaphor for life's symphony. Kronos devouring his children symbolizes the cyclical nature of time and its inevitable passage. Bishamon God of Glory represents honor and protection in Japanese culture while Imperial China celebrates New Year with vibrant symbolism. MITHRAS embodies cosmic harmony and enlightenment in ancient mythology. During WWII, a heartfelt greetings card sent to a soldier becomes a symbol of hope amidst chaos and despair. War and Peace intertwine as opposing forces seek resolution in their struggle for dominance. Three Japanese Gifts for Felicitous Events represent prosperity, longevity, and happiness. The Ace of Spades holds mysterious allure as it signifies death or transformation in various cultures throughout history. Each symbol carries layers upon layers of meaning that transcend time and language barriers. In this vast tapestry woven by humanity's collective imagination lies the power to inspire emotions, provoke thoughts, unite communities or divide nations – all within the confines of symbolic representation.