Trompe L Oeil Collection (page 7)

Birds Eye Maple, plate XIII from Imitation of Wood, 1827 (colour litho)
STC255102 Birds Eye Maple, plate XIII from Imitation of Wood, 1827 (colour litho) by Whittock, Nathaniel (1791-1860); Private Collection; The Stapleton Collection; English, out of copyright

The Prophet Isaiah, Sistene Chapel Ceiling (fresco)
AII424839 The Prophet Isaiah, Sistene Chapel Ceiling (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Apotheosis of the Spanish Monarchy (fresco) (detail of 170577)
MAE267638 Apotheosis of the Spanish Monarchy (fresco) (detail of 170577) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Palacio Real de Madrid, Spain; ePaul Maeyaert; Italian

Arcangelo Corelli, c. 1715 (engraving)
DEC418541 Arcangelo Corelli, c.1715 (engraving) by English School, (18th century); 24.7x14.4 cm; Gerald Coke Handel Collection, Foundling Museum

Scenes from the Life of Christ (fresco)
3469934 Scenes from the Life of Christ (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

The Nymph of Fontainebleau, c. 1575-99 (oil on wood)
3746319 The Nymph of Fontainebleau, c.1575-99 (oil on wood) by French School, (16th century); 66x121.3 cm; Metropolitan Museum of Art, New York, USA; (add.info.: May be by a Flemish artist)

Still Life, Violin and Music, 1888 (oil on canvas)
3493194 Still Life, Violin and Music, 1888 (oil on canvas) by Harnett, William Michael (1848-92); 101.6x76.2 cm; Metropolitan Museum of Art, New York

Trompe-l Oeil Still Life with a Flower Garland and a Curtain, 1658 (oil on panel)
2967945 Trompe-l Oeil Still Life with a Flower Garland and a Curtain, 1658 (oil on panel) by Spelt, Adriaen van (1630-1673) & Mieris

Fruit Still Life in a Landscape, c. 1862-72 (oil on canvas)
3588521 Fruit Still Life in a Landscape, c.1862-72 (oil on canvas) by Roesen, Severin (c.1820-72); 92.1x128.3 cm; Los Angeles County Museum of Art, CA, USA; German, out of copyright

Virtue and Abundance, 1760 (fresco transferred to canvas)
3618013 Virtue and Abundance, 1760 (fresco transferred to canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); diameter: 289.6 cm; Metropolitan Museum of Art, New York

Don Quixote is cured of his folly by wisdom, 1773 (silk and wool)
1766126 Don Quixote is cured of his folly by wisdom, 1773 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 370.8x386.1 cm; J

Pier table, c. 1820-40 (mahogany veneer, cherry, tropical wood veneer (probably rosewood)
1069415 Pier table, c.1820-40 (mahogany veneer, cherry, tropical wood veneer (probably rosewood), yellow poplar, eastern white pine, basswood & stencil design) by American School

Still Life in Trompe-l oeil (Painting, 17th century)
LRI4574885 Still Life in Trompe-l oeil (Painting, 17th century) by Hoogstraten, Samuel van (1627-78); Akademie der Bildenden Kunste, Vienna

View of the cruciform room (sala a crociera), circa 1561 (fresco)
LRI4575033 View of the cruciform room (sala a crociera), circa 1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto

Metaphysics, 1760 (fresco transferred to canvas)
3618014 Metaphysics, 1760 (fresco transferred to canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 370.8 x 147 cm; Metropolitan Museum of Art, New York

Portrait of a Man and His Wife, 1512 (oil on linden)
3614109 Portrait of a Man and His Wife, 1512 (oil on linden) by Apt, Ulrich the Elder (d.1532); 33x63.2 cm; Metropolitan Museum of Art, New York

Garibaldi, detail (fresco) (detail of 3433390)
3433391 Garibaldi, detail (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze, Rome

Detail of the window, 1556 (fresco)
3498896 Detail of the window, 1556 (fresco) by Gambara, Lattanzio (1530-74); Church of Santo Stefano, Vimercate, Monza Brianza, Lombardy

Christ Appearing to his Mother, c. 1496 (oil on wood)
3700792 Christ Appearing to his Mother, c.1496 (oil on wood) by Juan de Flandes, (c.1465-1519); 63.5x38.1 cm; Metropolitan Museum of Art, New York

Wall decorations from the House of Aulus Vettius, Pompeii, c. 36-39 AD (w / c on paper)
746844 Wall decorations from the House of Aulus Vettius, Pompeii, c.36-39 AD (w/c on paper) by Bazzani, Luigi (1836-1927); Victoria & Albert Museum, London, UK; The Stapleton Collection; Italian

Allegory of Divine Providence and Barberini Power, Ceiling of the Hall of the Palazzo
702380 Allegory of Divine Providence and Barberini Power, Ceiling of the Hall of the Palazzo Barberini, Rome, Italy, 1633-39 (fresco) by Cortona

Interior of the Theatre, built 1580-85 (b / w photo)
ALI252723 Interior of the Theatre, built 1580-85 (b/w photo) by Palladio, Andrea (1508-80) & Scamozzi, Vincenzo (1552-1616); Teatro Olimpico, Vicenza

Detail of the painting of the interior of the dome depicting the Holy Trinity
CLG252651 Detail of the painting of the interior of the dome depicting the Holy Trinity, 1663-65 (fresco) (see also 252650) by Mignard, Pierre (1612-95); Eglise Notre-Dame-du-Val-de-Grace, Paris

Sketch for an Oval Ceiling, c. 1705 (oil on canvas)
XYC254468 Sketch for an Oval Ceiling, c.1705 (oil on canvas) by Laguerre, Louis (1663-1721) (after); 35.6x43.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; French, out of copyright

The Port of Sevastopol, 1854 (colour litho)
CHT365093 The Port of Sevastopol, 1854 (colour litho) by French School, (19th century); Archives des Tsars, St. Petersburg

Apotheosis of the Spanish Monarchy (fresco) (detail of 170577)
MAE267639 Apotheosis of the Spanish Monarchy (fresco) (detail of 170577) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Palacio Real de Madrid, Spain; ePaul Maeyaert; Italian

St. Mark, 1516 (oil on panel)
BAT192547 St. Mark, 1516 (oil on panel) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence, Tuscany

Design for a Ceiling Fresco, published c. 1780 (gouache, ink & w / c on an etched base
STC192028 Design for a Ceiling Fresco, published c.1780 (gouache, ink & w/c on an etched base) (see also 192025-027) by Correggio

Letter Rack, c. 1676 (oil on canvas)
HNT167628 Letter Rack, c.1676 (oil on canvas) by Colyer or Collier, Edwaert (c.1640-c.1707); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; Dutch, out of copyright

The Torah shrine (tempera on plaster)
BLP397882 The Torah shrine (tempera on plaster) by Jewish School, (2nd century); Dura-Europos Synagogue, National Museum of Damascus, Syria; Photo eZev Radovan; out of copyright

The Last Judgement, 1572-79 (fresco)
BEN177349 The Last Judgement, 1572-79 (fresco) by Vasari, Giorgio (1511-74) and Zuccari, Federico (1540-1609); Duomo, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Presentation in the Temple, 1525 (fresco)
BEN177345 Presentation in the Temple, 1525 (fresco) by Luini, Bernardino (c.1480-1532); Sanctuary of the Blessed Virgin of Miracles, Saronno

View of The Last Judgement with its panels closed, depicting the donors
NMG178090 View of The Last Judgement with its panels closed, depicting the donors, Angelo di Jacopo Tani and his wife, Caterina de Tanagli, below the Madonna and Child and St

The Trinity, 1427-28 (fresco) (post restoration) (detail)
BAT173691 The Trinity, 1427-28 (fresco) (post restoration) (detail) by Masaccio, Tommaso (1401-28); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Trompe-l "il with bronze bas-relief representing the Annunciation
5325031 Trompe-l A" il with bronze bas-relief representing the Annunciation, 1825 (oil on canvas) by Mallerini, Prospero (fl.1794-1837)

Trompe l oeil to the window. Painting by Cornelis Gysbrechts (17th century) Ec. Holl
JLJ4686871 Trompe l oeil to the window. Painting by Cornelis Gysbrechts (17th century) Ec. Holl. Oil on canvas. Size: 0, 69 x 0, 59m Rouen, Musee Des Beaux Arts by Gysbrechts

The King of France Henry III (1551-1589) received in Venice by Federico Contarini in 1574
JLJ4578466 The King of France Henry III (1551-1589) received in Venice by Federico Contarini in 1574 at the entrance of the villa of Mira. Painting by Giovanni Tiepolo (1696-1770), 17th century

Painting Awakening Sleeping Genius (oil on canvas)
1152672 Painting Awakening Sleeping Genius (oil on canvas) by Coypel, Charles Antoine (1694-1752); 190.5x134.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Gabrielle d Estrees (1573-1599), mistress of King Henry IV
JLJ4652587 Gabrielle d Estrees (1573-1599), mistress of King Henry IV and his sister the Duchess of Villars (Julienne Hypolite or Julienne Hypolite) (1575-1657)

Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco)
LRI4819895 Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco) by Roman, (1st century BC); Museo Nazionale Romano, Rome

Portrait of Princess Elena Pavlovna, c. 1820 (w / c & gouache on enamel)
SRM91288 Portrait of Princess Elena Pavlovna, c.1820 (w/c & gouache on enamel) by Lagrenee, Anthelme Francois (1774-1832); 8x6.6 cm; State Russian Museum, St

Olympian Gods, wall paintings in the Heaven Room, c. 1695-96
BH1113 Olympian Gods, wall paintings in the Heaven Room, c.1695-96 by Verrio, Antonio (1639-1707); Burghley House Collection, Lincolnshire, UK; Italian, out of copyright

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"Trompe l'oeil: An Artistic Illusion" Step into the world of trompe l'oeil, where art seamlessly blends with reality. From ancient frescoes to modern masterpieces, this captivating technique has been enchanting viewers for centuries. Transport yourself back in time to the Villa of Livia, where a trompe l'oeil garden mural from 40-20 BC adorns the walls. Marvel at its intricate details and lifelike depiction of nature, blurring the line between painting and reality. Fast forward to 1913 and discover "The Winter Egg, " a dazzling creation crafted from quartz, platinum, orthoclase, and diamonds. This exquisite piece showcases how trompe l'oeil can transcend traditional mediums and transform them into something truly extraordinary. In "Quince, Cabbage, Melon, and Cucumber, " an oil on canvas masterpiece from c. 1602 by an unknown artist captures our attention with its deceptive realism. The fruits and vegetables appear so tangible that one might be tempted to reach out and touch them. Moving through history's tapestry of artistry is Oliver Cromwell's portrait from c. 1653. With meticulous brushstrokes capturing every wrinkle on his face, this oil on canvas work exemplifies how trompe l'oeil can breathe life into portraiture. Venturing beyond paintings lies architectural marvels like Kings Weston House in Bristol or Radnor House in Middlesex. These black-and-white photographs transport us into grand spaces adorned with baroque ceilings or painted urns nestled within niches – all meticulously designed to deceive our senses. "The Young Mechanic" by Nathaniel Jocelyn takes us back to 1848 when trompe l'oeil was used as a storytelling device. Through skillful rendering techniques, we witness a young boy engrossed in his mechanical pursuits – an illusion so convincing it almost feels like we are witnessing the scene firsthand.