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Unfinished Collection (page 4)

"Unfinished: A Glimpse into the Incomplete Masterpieces of History" Franklin Delano Roosevelt: The unfinished legacy that shaped a nation and inspired hope

Background imageUnfinished Collection: ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash)

ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash)
5670246 ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash) by Cook, James (1728-79); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches)

Background imageUnfinished Collection: Brown Study (oil on canvas)

Brown Study (oil on canvas)
5889041 Brown Study (oil on canvas) by Miles, George Frank (1852-91); 50.8x61 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageUnfinished Collection: Rabaut Saint-Etienne, c. 1791 (oil on canvas)

Rabaut Saint-Etienne, c. 1791 (oil on canvas)
HEH416425 Rabaut Saint-Etienne, c.1791 (oil on canvas) by David, Jacques Louis (1748-1825); 55.2x42.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageUnfinished Collection: Stableyard with Horse (b / c & w / c on paper)

Stableyard with Horse (b / c & w / c on paper)
473994 Stableyard with Horse (b/c & w/c on paper) by Richardson, John Isaac (1836-1913); 55.8x39.0 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageUnfinished Collection: View of the Church of San Marcuolo (b / w photo)

View of the Church of San Marcuolo (b / w photo)
MES408674 View of the Church of San Marcuolo (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: built 1728-36 by Giorgio Massari; facade was never completed;)

Background imageUnfinished Collection: Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper)

Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper)
2971941 Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper) by Carpeaux, Jean-Baptiste (1827-75); 26.8x20.5 cm; The Art Institute of Chicago, IL

Background imageUnfinished Collection: Woman in a blue dress and wide brimmed hat sitting upon rocks (oil on paper)

Woman in a blue dress and wide brimmed hat sitting upon rocks (oil on paper)
BON83077 Woman in a blue dress and wide brimmed hat sitting upon rocks (oil on paper) by Watson, Harry (1871-1936); 20.6x18.1 cm; Private Collection; Photo eBonhams, London, UK; English

Background imageUnfinished Collection: Rondanini Pieta, 1564 (marble) (see also 55601)

Rondanini Pieta, 1564 (marble) (see also 55601)
NUL121822 Rondanini Pieta, 1564 (marble) (see also 55601) by Buonarroti, Michelangelo (1475-1564); Castello Sforzesco, Milan

Background imageUnfinished Collection: St. Barbara Pursued by her Father, 17th century (oil on board)

St. Barbara Pursued by her Father, 17th century (oil on board)
AMO100854 St. Barbara Pursued by her Father, 17th century (oil on board) by Rubens, Peter Paul (1577-1640); 15x21 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Flemish

Background imageUnfinished Collection: The Day Dream, 19th century (coloured chalks on paper)

The Day Dream, 19th century (coloured chalks on paper)
AMO101432 The Day Dream, 19th century (coloured chalks on paper) by Rossetti, Dante Gabriel Charles (1828-82); 10.5x77 cm; Ashmolean Museum, University of Oxford

Background imageUnfinished Collection: Chaucer at the Court of Edward III - Study, 1845 (pencil on paper)

Chaucer at the Court of Edward III - Study, 1845 (pencil on paper)
BIR100710 Chaucer at the Court of Edward III - Study, 1845 (pencil on paper) by Brown, Ford Madox (1821-93); Birmingham Museums and Art Gallery; (add.info)

Background imageUnfinished Collection: At Civitella, 1822 (oil on paper on canvas)

At Civitella, 1822 (oil on paper on canvas)
XKH149514 At Civitella, 1822 (oil on paper on canvas) by Reinhold, Heinrich (1788-1825); 20x28.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageUnfinished Collection: The Triumph of Arthur (1769-1852) Duke of Wellington

The Triumph of Arthur (1769-1852) Duke of Wellington
HSP197646 The Triumph of Arthur (1769-1852) Duke of Wellington by Ward, James (1769-1859); Royal Hospital Chelsea, London, UK; English, out of copyright

Background imageUnfinished Collection: Rondanini Pieta, detail of the heads of Christ and Mary (marble)

Rondanini Pieta, detail of the heads of Christ and Mary (marble)
XIR182622 Rondanini Pieta, detail of the heads of Christ and Mary (marble) by Buonarroti, Michelangelo (1475-1564); Castello Sforzesco, Milan

Background imageUnfinished Collection: La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk

La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk
BIR189841 La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk under-drawing) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageUnfinished Collection: Self Portrait holding the book Normandie (pencil & w / c on paper)

Self Portrait holding the book Normandie (pencil & w / c on paper)
BBC189177 Self Portrait holding the book Normandie (pencil & w/c on paper) by Cotman, John Sell (1782-1842); Kings College, University of London

Background imageUnfinished Collection: Claude Joseph Rouget de Lisle (1760-1836) singing the Marseillaise at the home of

Claude Joseph Rouget de Lisle (1760-1836) singing the Marseillaise at the home of
CHT173532 Claude Joseph Rouget de Lisle (1760-1836) singing the Marseillaise at the home of Dietrich, Mayor of Strasbourg, 26th April 1792 (study) by Pils

Background imageUnfinished Collection: Portrait of Giusto Ferdinando Tenducci (c. 1734-90) castrato singer and composer, c

Portrait of Giusto Ferdinando Tenducci (c. 1734-90) castrato singer and composer, c
BI88639 Portrait of Giusto Ferdinando Tenducci (c.1734-90) castrato singer and composer, c.1773-75 by Gainsborough, Thomas (1727-88); 76.6x64 cm; The Henry Barber Trust

Background imageUnfinished Collection: Portrait of Lord Rockingham (1730-82) and Edmund Burke (1729-97) c. 1766 (oil on canvas)

Portrait of Lord Rockingham (1730-82) and Edmund Burke (1729-97) c. 1766 (oil on canvas)
FIT69661 Portrait of Lord Rockingham (1730-82) and Edmund Burke (1729-97) c.1766 (oil on canvas) by Reynolds, Joshua (1723-92); 145.4x159.1 cm; Fitzwilliam Museum, University of Cambridge

Background imageUnfinished Collection: The Sun: a design for a plate, (pencil, w / c, heightened with gold)

The Sun: a design for a plate, (pencil, w / c, heightened with gold)
1195738 The Sun: a design for a plate, (pencil, w/c, heightened with gold) by Chekhonin, Sergei Vasil evich (1878-1936); 25x33 cm; Private Collection; Photo eChristies Images; Russian

Background imageUnfinished Collection: Lavinia, 1874-c. 1919 (w / c on vellum)

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageUnfinished Collection: Portrait of Sebastien Le Prestre, Marquis de Vauban, Marechal de France

Portrait of Sebastien Le Prestre, Marquis de Vauban, Marechal de France
745433 Portrait of Sebastien Le Prestre, Marquis de Vauban, Marechal de France, wearing the order of Saint Esprit (oil on canvas) by Rigaud

Background imageUnfinished Collection: Study of a head of a woman (oil on canvas)

Study of a head of a woman (oil on canvas)
869287 Study of a head of a woman (oil on canvas) by Amerling, Friedrich von (1803-87); 57.8x44.7 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageUnfinished Collection: The Nativity, ca. 1440 (manuscript on vellum)

The Nativity, ca. 1440 (manuscript on vellum)
1195478 The Nativity, ca.1440 (manuscript on vellum) by French School, (15th century); 22x15 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageUnfinished Collection: Portrait of Miss Sunning, head and shoulders, (oil on canvas)

Portrait of Miss Sunning, head and shoulders, (oil on canvas)
824213 Portrait of Miss Sunning, head and shoulders, (oil on canvas) by Hone, Nathaniel (1718-84); 63.5x50.2. cm; Private Collection; (add.info.: Portrait of Miss Sunning, head and shoulders)

Background imageUnfinished Collection: A Scotch Fair, c. 1847 (pencil)

A Scotch Fair, c. 1847 (pencil)
6200837 A Scotch Fair, c.1847 (pencil) by Phillip, John (1817-67); 95.5x177 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageUnfinished Collection: Portrait Sketch (oil on canvas)

Portrait Sketch (oil on canvas)
5889073 Portrait Sketch (oil on canvas) by Watson, George Spencer (1869-1934); 83.8x63.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageUnfinished Collection: Archery Feast in Antwerp in the 16th Century, c. 1850 (oil on paper mounted on canvas)

Archery Feast in Antwerp in the 16th Century, c. 1850 (oil on paper mounted on canvas)
3930873 Archery Feast in Antwerp in the 16th Century, c.1850 (oil on paper mounted on canvas) by Leys, Jan August Hendrik, Baron (1815-69); 81x108 cm; National Museum, Stockholm, Sweden; Belgian

Background imageUnfinished Collection: Henry Wriothesley, 3rd Earl of Southampton, c. 1596

Henry Wriothesley, 3rd Earl of Southampton, c. 1596
4820466 Henry Wriothesley, 3rd Earl of Southampton, c.1596 by Oliver, Isaac (c.1565-1617); height: 6.5 cm; Private Collection; (add.info.: Henry Wriothesley, 3rd Earl of Southampton (1573-1624)

Background imageUnfinished Collection: Portrait of Paul Valpincon, c. 1855 (oil on canvas)

Portrait of Paul Valpincon, c. 1855 (oil on canvas)
488175 Portrait of Paul ValpinAzon, c.1855 (oil on canvas) by Degas, Edgar (1834-1917); 40.32 x 32.39 cm; Minneapolis Institute of Arts, MN

Background imageUnfinished Collection: Nativity, 1470-75 (tempera on panel) (detail of 5240)

Nativity, 1470-75 (tempera on panel) (detail of 5240)
BBC206160 Nativity, 1470-75 (tempera on panel) (detail of 5240) by Francesca, Piero della (c.1415-92); National Gallery, London, UK; Italian, out of copyright

Background imageUnfinished Collection: Simeon in the Temple, 1669 (oil on canvas)

Simeon in the Temple, 1669 (oil on canvas)
SNM128537 Simeon in the Temple, 1669 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 98.5x79.5 cm; National Museum, Stockholm, Sweden; eSwedish National Art Museum; Dutch, out of copyright

Background imageUnfinished Collection: Study of a Woman, 1893 (litho)

Study of a Woman, 1893 (litho)
KDC384288 Study of a Woman, 1893 (litho) by Empress Frederick of Germany (1840-1901) (after); Private Collection; (add.info.: Victoria, Kaiserin Friedrich; eldest daughter of Queen Victoria)

Background imageUnfinished Collection: A view of Greenwich Reach, taken from Mr Wellss Dock (engraving)

A view of Greenwich Reach, taken from Mr Wellss Dock (engraving)
608937 A view of Greenwich Reach, taken from Mr Wellss Dock (engraving) by English School, (19th century); Private Collection; (add.info.: A view of Greenwich Reach)

Background imageUnfinished Collection: Equestrian portrait of a lady, said to be Lady Elizabeth Foster (oil on panel)

Equestrian portrait of a lady, said to be Lady Elizabeth Foster (oil on panel)
621495 Equestrian portrait of a lady, said to be Lady Elizabeth Foster (oil on panel) by Cosway, Richard (1742-1821); 68.6x53.3 cm; eThe Devonshire Collections

Background imageUnfinished Collection: Lake Agnano (pencil and watercolour on paper)

Lake Agnano (pencil and watercolour on paper)
XKH155152 Lake Agnano (pencil and watercolour on paper) by Fries, Ernst (1801-33); 33.7x46.3 cm; Hamburger Kunsthalle, Hamburg

Background imageUnfinished Collection: The Artists sister, Mrs Sarah Wilson and her child (oil on canvas)

The Artists sister, Mrs Sarah Wilson and her child (oil on canvas)
FC68082 The Artists sister, Mrs Sarah Wilson and her child (oil on canvas) by Hunt, William Holman (1827-1910); 35.6x45.7 cm; The FORBES Magazine Collection

Background imageUnfinished Collection: Ms 561 f. 37r Historiated initial O depicting the Adoration of the Magi

Ms 561 f. 37r Historiated initial O depicting the Adoration of the Magi
AII78850 Ms 561 f.37r Historiated initial O depicting the Adoration of the Magi, from a gradual from the Monastery of San Jacopo di Ripoli, early 14th century by Cimabue

Background imageUnfinished Collection: The Harrowing of Hell, the Resurrection and the Ascension

The Harrowing of Hell, the Resurrection and the Ascension
BEN80055 The Harrowing of Hell, the Resurrection and the Ascension, from the side of the North Pulpit by Donatello (c.1386-1466), 1460 (bronze) by Donatello, (c.1386-1466); San Lorenzo, Florence

Background imageUnfinished Collection: The Botkin Children (w / c & pencil on paper)

The Botkin Children (w / c & pencil on paper)
SRM96583 The Botkin Children (w/c & pencil on paper) by Serov, Valentin Aleksandrovich (1865-1911); 49.8x40.6 cm; State Russian Museum, St

Background imageUnfinished Collection: Georgiana, Countess Spencer and her Daughter Lady Georgiana

Georgiana, Countess Spencer and her Daughter Lady Georgiana
PWI91066 Georgiana, Countess Spencer and her Daughter Lady Georgiana, Afterwards Duchess of Devonshire, 1759 (oil on canvas) by Reynolds

Background imageUnfinished Collection: Man sitting upon rocks smoking a pipe (oil on paper)

Man sitting upon rocks smoking a pipe (oil on paper)
BON83079 Man sitting upon rocks smoking a pipe (oil on paper) by Watson, Harry (1871-1936); 17.8x22.3 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright



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"Unfinished: A Glimpse into the Incomplete Masterpieces of History" Franklin Delano Roosevelt: The unfinished legacy that shaped a nation and inspired hope. Inverary Pier, Loch Fyne: Morning whispers on an unfinished canvas, waiting for the artist's final brushstroke. Monte Rosa: Nature's majestic masterpiece, forever incomplete in its ever-changing glory. Portrait of Wolfgang Amadeus Mozart at the Piano: A glimpse into the genius mind frozen in time, yet yearning to compose his unfinished symphony. Cardinal Fisher, Bishop of Rochester: Hans Holbein captures the essence of a man whose life was abruptly cut short, leaving behind an unfinished chapter in history. Mary, Lady Monteagle: Hans Holbein immortalizes her beauty but leaves us wondering about her untold story - an enigma left unfinished. The Unfinished Church in St. Georges, Bermuda: An architectural marvel paused mid-construction; a testament to dreams interrupted by time's relentless march forward. PLAY/CHATEAUBRIAND/ATALA: A literary masterpiece left incomplete; Chateaubriand's words echo through time as we ponder what could have been written on those empty pages. A Street in Cologne with the Unfinished Cathedral in the Centre: An eternal reminder of human ambition and perseverance against all odds – a cathedral that remains both magnificent and incomplete after centuries. Sir James Outram c1863 : His portrait tells tales of bravery and valor but also hints at stories left untold - chapters lost to history’s unforgiving grasp. Self-Portrait as a Young Man : Brushstrokes capture fleeting youthfulness while revealing hidden depths yet unexplored - an artist’s journey still unfolding. Sir Augustus Wall Callcott 1883 : On this millboard lies fragments of artistic brilliance, a testament to the artist's unfinished quest for perfection. 13. St.