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Greetings Card : Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
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Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
3086887 Aretino in the Studio of Tintoretto, 1848 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Metropolitan Museum of Art, New York, USA; (add.info.: 16th century Venetian artist Tintoretto feigns violence to literary critic Pietro Aretino whom he has asked to sit for him, as documented by Carlo Ridolfi in his Life of Tintoretto (1642). Aretino in the pose of the martyr St. Francis receiving the stigmata, momentarily fears danger before recognizing Tintorettos playful revenge for his criticism.)
Media ID 25213116
© Bridgeman Images
16th Brother Critic Easel Habit Ingres Dominique 1780 1867 Jean Auguste Dominique Ingres Muralist Neo Classicism Neoclassicism Order Painte Pietro Aretino Pleading Sitter Sixteenth Venetians Il Furioso Neo Classical Neoclassical
Greetings Card (7"x5")
Add a touch of artistic elegance to your correspondence with our exquisite range of greeting cards from Media Storehouse. Featuring the captivating painting "Aretino in the Studio of Tintoretto, 1848" by Jean Auguste Dominique Ingres, these cards bring the beauty of Fine Art Finder's Bridgeman Images directly to your mailbox. The intriguing interaction between the renowned poet, Pietro Aretino, and the great Venetian painter, Tintoretto, is brilliantly captured in this oil on canvas masterpiece from the Metropolitan Museum of Art, New York. Impress your loved ones with these sophisticated greeting cards, perfect for any special occasion or just to brighten someone's day.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print "Aretino in the Studio of Tintoretto, 1848" captures a fascinating moment in art history. Painted by Jean Auguste Dominique Ingres, this oil on canvas artwork depicts a scene from the 16th century Venetian artist Tintoretto's studio. In the painting, Tintoretto is seen playfully feigning violence towards Pietro Aretino, a renowned literary critic. Aretino, portrayed in the pose of St. Francis receiving the stigmata, initially fears danger before realizing that Tintoretto is seeking revenge for his criticism. This image showcases not only Ingres' mastery as an artist but also provides insight into the dynamics between artists and critics during that time period. It highlights how artists like Tintoretto used their creativity to respond to critiques and assert their artistic prowess. The composition of the painting is strikingly neoclassical, with its attention to detail and emphasis on form. The use of light and shadow adds depth to the scene while capturing the intensity of emotions displayed by both figures. Displayed at The Metropolitan Museum of Art in New York City, this artwork serves as a reminder of art's ability to transcend time and capture significant moments in history. It invites viewers to contemplate not only the relationship between artists and critics but also broader themes such as power dynamics within creative circles. Overall, "Aretino in the Studio of Tintoretto" is a thought-provoking piece that offers a glimpse into an intriguing episode from art history while showcasing Ingres' talent as an artist.
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