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Greetings Card : WORLD WAR I: CARTOON, 1915. Belgium: the return of the Goth. American cartoon

WORLD WAR I: CARTOON, 1915. Belgium: the return of the Goth. American cartoon



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WORLD WAR I: CARTOON, 1915. Belgium: the return of the Goth. American cartoon

WORLD WAR I: CARTOON, 1915.
Belgium: the return of the Goth. American cartoon, 1915, by Boardman Robinson

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12403352

1915 Anti German Belgium Boardman Bomb Bombing Destruction Germany Knife Monster Pacifist Pickelhaube Politics Return Robinson World War I Caveman Goth


Greetings Card (7"x5")

Step back in time with our captivating selection of historical greeting cards from Media Storehouse. This particular card features a classic American cartoon from 1915, titled "Belgium: the return of the Goth." Depicting a humorous take on the events of World War I, this vintage design by Boardman Robinson is brought to life through Granger Art on Demand. Share a piece of history with your loved ones and add a touch of nostalgia to your correspondence with this unique and intriguing greeting card.

Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
The print titled "WORLD WAR I: CARTOON, 1915. Belgium: the return of the Goth" captures an American cartoon by Boardman Robinson from 1915. This powerful image reflects the anti-German sentiment prevalent during World War I. The cartoon depicts a monstrous figure representing Germany, referred to as "the Goth" returning to Belgium with destructive intentions. In this thought-provoking artwork, Robinson uses symbolism to convey his pacifist views and critique German aggression. The monster is shown wearing a pickelhaube helmet, a symbol associated with German militarism at that time. Armed with a knife and bombs, it represents the threat posed by Germany's military might. The destruction caused by the Goth is evident in the background of the cartoon, depicting ruined buildings and terrified civilians. The artist highlights Belgium's suffering as one of the major battlegrounds during World War I. Robinson's cartoon serves as both political commentary and propaganda against Germany during this tumultuous period in history. By portraying Germany as a menacing force responsible for devastation and violence, he aims to rally support for America's involvement in the war effort. This print provides us with valuable insight into early 20th-century attitudes towards war and politics while showcasing Boardman Robinson's talent for using art as a means of social commentary.

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