Greetings Card : Maesta, 1280-1285, by Cimabue (c. 1240-1302)
Cards from Mary Evans Picture Library
Maesta, 1280-1285, by Cimabue (c. 1240-1302)
Cimabue (c.1240-1302). Florentine painter. Maesta, 1280-1285. Uffizi Gallery. Florence. Italy
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14329936
© Thaliastock / Mary Evans
1280 1285 13th Abraham Angel Benvenuto Bless Blessing Christ Christianism Florence Florentine Gallery Gilding Gilt Hieratic Infancy Infant Isaiah Jeremiah Jesus Madonna Prophet Trinita Trono 14th Cenni Cimabue Gild Maesta
Greetings Card (7"x5")
Experience the timeless beauty of art history with our exquisite range of greeting cards from Media Storehouse. This card features a stunning reproduction of Cimabue's masterpiece, "Maesta," created between 1280 and 1285. Widely regarded as a seminal work of the late Gothic period, this iconic painting, housed in the Uffizi Gallery in Florence, Italy, showcases Cimabue's exceptional skill and artistic vision. Impress your loved ones with a thoughtful and unique greeting, adorned with this magnificent work of art.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Maesta," or "Majesty," is a seminal work of art created by the Florentine painter Cimabue between 1280 and 1285, currently housed in the Uffizi Gallery in Florence, Italy. This masterpiece of the late 13th century showcases Cimabue's innovative approach to composition, perspective, and the use of gold leaf, which significantly influenced the development of Italian painting during the Middle Ages. The painting depicts the Virgin Mary, seated on a throne, holding the infant Jesus on her lap. Surrounded by a group of angels and Old Testament prophets, including Isaiah, Jeremiah, and David, Mary and Jesus are presented as the embodiment of divine grace and power. The Madonna's regal and hieratic demeanor, with her raised right hand in blessing, emphasizes her role as the Mother of God and the intercessor between humanity and the divine. The child Jesus, shown in the traditional pose of the Infant Savior, blesses the viewer with his left hand while resting his right hand on a book, symbolizing his role as the Word of God. The gold gilding on the throne, the halo surrounding the Madonna's head, and the richly decorated robes of the angels and prophets add to the work's grandeur and sacredness. Cimabue's innovative use of perspective, with Mary and Jesus positioned slightly above the angels and prophets, creates a sense of depth and three-dimensionality, enhancing the painting's overall impact. The Odegitria, or "Virgin Hodegetria," iconographic tradition, which portrays Mary as the guide or "hodos" to the viewer, is evident in this work, further emphasizing the role of the Madonna as a spiritual guide and protector. This masterpiece, a testament to Cimabue's artistic genius and the evolving nature of Christian art during the Middle Ages, continues to captivate and inspire viewers with its intricate details, rich symbolism, and profound spiritual significance.
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