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Greetings Card : Facade of St. Marks Basilica, Venice, 1823
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Facade of St. Marks Basilica, Venice, 1823
Facade of St. Marks Basilica, Venice, 1823. Facciata di S. Marco in Venezia. After Seroux d Agincourts Architecture, 1823. Handcoloured copperplate engraving by Alberti from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844
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Media ID 23384030
© Florilegius
1823 Altar Ambrogio Antico Basilica Della Facade Ferrario Giarrè Giulio Marks Milan Moderno Peoples Pietro Santambrogio Venice Antependium Lato
Greetings Card (7"x5")
Breathtakingly beautiful, this selection from the Media Storehouse range of greeting cards features the iconic Facade of St. Mark's Basilica in Venice, as captured in an 1823 print by Mary Evans Picture Library from Mary Evans Prints Online. Transport your recipient to the enchanting city of Venice with this exquisite card, showcasing the intricate details and rich history of this magnificent basilica. Perfect for special occasions or just to brighten someone's day, our high-quality greeting cards are sure to leave a lasting impression.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: A Grandiose Testament to Faith and Artistry: The Facade of St. Mark's Basilica, Venice, 1823 The captivating image before you showcases the magnificent facade of St. Mark's Basilica in Venice, Italy, as depicted in an 1823 handcoloured copperplate engraving. This exquisite work is a reproduction of the architectural drawing by Seroux d'Agincourt, which was published in Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World" in 1844. The Basilica di San Marco, a symbol of Venetian wealth and power, is a stunning fusion of Byzantine, Romanesque, and Gothic architectural styles. The facade, adorned with intricate gold decorations, relief sculptures, and a richly embellished antependium, serves as a testament to the grandeur and opulence of the Roman Catholic Church during the 19th century. The central focus of the image is the altar of St. Ambrogio in Milan, which is depicted on the lato del paliotto della ambrogio, or the reverse side of the altar cloth. The altar, with its ornate gold reliefs and intricate designs, is a stunning contrast to the more subdued yet equally beautiful facade of St. Mark's Basilica. The engraving, created by Alberti, offers a glimpse into the historical fashion and cultural significance of the time. The intricate details of the architectural drawings, combined with the meticulous handcolouring, create a visual masterpiece that transports us back in time to an era of grandeur, faith, and artistic expression. The image is a valuable historical document, providing insights into the architectural and artistic influences of the Roman Catholic Church during the 19th century. It is a testament to the enduring power of faith and the human spirit, as well as the ability of art to transcend time and capture the essence of a moment in history.
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