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Ce que certains journaux appeleraient... 1870. Creator: Honore Daumier
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Ce que certains journaux appeleraient... 1870. Creator: Honore Daumier
Ce que certains journaux appeleraient... 1870.
what some newspapers would call a free election
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Media ID 36299699
© Heritage Art/Heritage Images
Actualites Allegorical Caricatures Cartoons Daumier Honore Daumier Honore Victorin Election Franco Prussian War 1870 1871 Gillotype Gillotype On Newsprint Gunpoint H Daumier Honore Daumier Honore Victorin Daumier Newsprint Photo Engraving Threat Threatening Title Allegorical Figure Parody Satirical Titled
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EDITORS COMMENTS
Ce que certains journaux appeleraient... 1870" (What Some Newspapers Would Call... 1870) is an engraving by the renowned French artist Honore Daumier, created in the late 19th century. This powerful allegorical work depicts a scene of a man at a polling station, holding a gun and forcing a woman to vote at gunpoint. The title of the piece refers to the manipulation and corruption that often occurred during elections in France during this time, with some newspapers reporting falsely on the outcome or the process itself. The image is a testament to Daumier's mastery of caricature and satire, using bold lines and stark contrasts to convey the message. The use of black and white, or monochrome, further emphasizes the seriousness and gravity of the situation. The man's menacing expression and the woman's fearful gaze add to the sense of unease and unequal power dynamics. This print is an important depiction of the political climate in France during the Franco-Prussian War of 1870-1871. The military defeat and subsequent political instability led to widespread corruption and manipulation in the electoral process. The use of the Gillotype on newsprint technique adds to the authenticity and historical significance of the piece. Today, "Ce que certains journaux appeleraient... 1870" is a valuable addition to any art collection or gallery, showcasing the artistic school of the 19th century and the rich cultural heritage of France. The work continues to resonate with audiences, serving as a reminder of the importance of fair and free elections and the role of art as a powerful tool for social commentary and critique. This print is currently on exhibit at the National Gallery of Art in Washington D.C., where it continues to draw crowds and inspire reflection on the past and the present. The figure of the man with a gun and the helpless woman remains a poignant reminder of the importance of transparency and accountability in the democratic process.
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