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La Mort sur un champ de bataille [Death on a Battlefield], 1648
![La Mort sur un champ de bataille [Death on a Battlefield], 1648](/p/731/la-mort-sur-champ-bataille-death-battlefield-21232072.jpg.webp "La Mort sur un champ de bataille [Death on a Battlefield], 1648")
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La Mort sur un champ de bataille [Death on a Battlefield], 1648
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Media ID 21232072
© Heritage Art/Heritage Images
Allegorical Bella Stefano Della Della Bella Stefano Etching On Laid Paper Feather Feathers Fight Four Horsemen Of The Apocalypse Horseman Horsemen Horsemen Of The Apocalypse Ostrich Feather Ostrich Feathers Riders Skeleton Stefano Della Bella The Four Horsemen Of The Apocalypse Allegorical Figure Battlefield
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La Mort sur un champ de bataille [Death on a Battlefield], 1648 - A Haunting Allegory of War
EDITORS COMMENTS
. This powerful black and white etching by Stefano della Bella, created in the 17th century, captures the grim reality of war through its allegorical imagery. Titled "La Mort sur un champ de bataille [Death on a Battlefield]" this artwork portrays the devastating consequences of conflict. In the center of the composition stands Death itself, depicted as a skeletal figure riding on horseback. Accompanied by three other horsemen representing Pestilence, Famine, and War - collectively known as the Four Horsemen of the Apocalypse - Death surveys the chaotic scene before him. The battlefield is strewn with fallen soldiers and their horses, symbolizing lives lost in senseless violence. The artist's attention to detail is evident in every stroke; from feathers floating in mid-air to delicate etchings depicting expressions of agony and despair on human faces. Della Bella's work serves as a reminder that war knows no boundaries or mercy. It transcends countries and religions alike, leaving destruction in its wake. Through his artistry, he conveys a profound message about humanity's capacity for self-destruction. Displayed at the National Gallery of Art Washington, this print invites viewers to reflect upon our collective history while contemplating mankind's ongoing struggle with conflict. It serves as an enduring testament to both artistic skill and social commentary – reminding us that even centuries later, we
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