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Mother Cole, 1821
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Mother Cole, 1821
Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile, cross-eyed Alderman Wood with a brandy decanter in his right hand
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Media ID 15178386
© London Metropolitan Archives (City of London) / Heritage-Images
Alcohol Alderman Alderman Of London Armchair Brandy Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Drunk Drunkenness George Iv George Iv Of The United Kingdom Georgian King George Iv King Of Great Britain Matthew Matthew W Matthew Wood Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Queen Consort Of George Iv Sir Matthew Sir Matthew Wood Supporter Headgear Slumped
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Mother Cole, 1821 - A Satirical Depiction of Queen Caroline's Drunken State
EDITORS COMMENTS
. This intriguing print captures a moment in history when the scandalous behavior of Queen Caroline, consort to King George IV, was openly mocked. Created in the early 19th century, this anonymous caricature showcases an intoxicated Queen Caroline slumped in an armchair with a glass of brandy clutched tightly in her hand. Behind her stands Alderman Wood, portrayed as servile and cross-eyed, holding a brandy decanter. The artist's intention is clear – to highlight the excessive drinking habits of both figures and their questionable conduct within British society. Queen Caroline's disheveled appearance and drunken state are emphasized by her rumpled clothing and disarrayed headdress. This satirical portrayal reflects the public perception of her troubled marriage to George IV and adds fuel to the ongoing controversy surrounding their relationship. The etching skillfully uses color and detail to bring this scene to life. It is believed that Matthew Wood, an alderman from London at that time, served as inspiration for Alderman Wood's character in this artwork. Preserved by Guildhall Library and Art Gallery today, this piece offers us a glimpse into the political climate of Georgian Britain while shedding light on societal attitudes towards women who dared challenge traditional norms. It serves as a reminder that even those born into royalty were not immune from criticism or ridicule during turbulent times.
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