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Mrs A. Shaw, in the new opera of "The Brides of Venice", at Drury-Lane Theatre

Mrs A. Shaw, in the new opera of 'The Brides of Venice', at Drury-Lane Theatre


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Mrs A. Shaw, in the new opera of "The Brides of Venice", at Drury-Lane Theatre

Mrs A. Shaw, in the new opera of " The Brides of Venice", at Drury-Lane Theatre, 1844. Opera singer Mary Shaw, in blackface, in the part of the disguised Arabian girl. From " Illustrated London News", 1844, Vol I

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Media ID 20369851

© The Print Collector/Heritage Images

Benedict Blackface Cosmetics Drury Lane Drury Lane Theatre Julius Julius Benedict Make Up Makeup Shaw Sir Julius Theatre Royal Black And Illustrated London News Sir Julius Benedict


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> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Opera

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > Theatre Royal Drury Lane

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
Caption: This print captures Mrs A. Shaw, a renowned opera singer, in her mesmerizing performance as the disguised Arabian girl in the new opera "The Brides of Venice" at Drury-Lane Theatre in 1844. The image, originally published in the Illustrated London News, showcases Mary Shaw's exceptional talent and theatrical prowess. In this engraving from the 19th century, we see Mrs A. Shaw adorned with cosmetics and makeup to portray her character convincingly. Although controversial by today's standards, blackface was a common practice during that era for performers playing roles of different ethnicities. Shaw's full-length depiction exudes grace and elegance as she embodies the mysterious Arabian girl on stage. Her portrayal captivated audiences at Drury-Lane Theatre, one of Britain's most prestigious venues for entertainment during Victorian times. The artist behind this remarkable print remains unknown; however, their skillful rendering immortalizes Shaw's unforgettable performance. This historical artifact serves as a testament to both the artistic achievements of individuals like Mary Shaw and the prevailing cultural norms of 19th-century British society. As we gaze upon this image today, it offers us a glimpse into an era when theater played a significant role in shaping public imagination and provided an escape from everyday life. It reminds us of how art evolves over time while also prompting reflection on our own contemporary perspectives on representation and diversity within performing arts.

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