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The Prospect before us, 1791. Artist: Thomas Rowlandson
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The Prospect before us, 1791. Artist: Thomas Rowlandson
The Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917067
© The Print Collector / Heritage-Images
Audience Auditorium Emily Morse Emily Morse Symonds George Paston Pantheon Paston Rowlandson Symonds Thomas Rowlandson
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The Prospect before us, 1791
EDITORS COMMENTS
captures the vibrant atmosphere of a bustling theater in 18th century Britain. In this print by Thomas Rowlandson, we are transported to the grand auditorium of the Pantheon, where an audience eagerly awaits a performance. The artist pays homage to the talented singers, dancers, and musical professors who grace the stage with their artistry. The image showcases an interior filled with people from all walks of life. Women dressed in elegant attire mingle with men in dapper suits, creating a lively scene that reflects the social diversity of the time. A female dancer takes center stage, captivating viewers with her graceful movements and commanding presence. Rowlandson's attention to detail is evident as he meticulously depicts every architectural element of the building itself. The box seats provide an exclusive vantage point for some lucky attendees while adding depth to the composition. This historical artwork not only serves as a visual record but also offers insight into the cultural significance of theater during this period. It reminds us that even centuries ago, people sought entertainment and escape through music and dance. "The Prospect before us" is part of a larger collection curated by George Paston (Emily Morse Symonds), showcasing over two hundred illustrations that capture social caricatures in 18th-century Britain. This particular print exemplifies Rowlandson's skillful hand at capturing both human expression and architectural beauty within his works.
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