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The Return of the Dove to the Ark, 1850. Creator: John Everett Millais

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais


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The Return of the Dove to the Ark, 1850. Creator: John Everett Millais

The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark. This is a sign that there is dry land after the world-engulfing flood sent by God. Painting, sometimes known as The Daughters of Noah, in the collection of the Ashmolean Museum, Oxford. Frontispiece from " Pre-Raphaelite Painters" by Robin Ironside, with a descriptive catalogue by John Gere. [The Phaidon Press Ltd, London, 1948]

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Media ID 24165615

© Shirley Markham Collection/Heritage Images

Artistic Style Book Of Genesis Dove Frontispiece Genesis Hope John Everett Millais John Everett Millais Ra John Millais Kiss Kissing Millais John Millais John Everett Noahs Ark Olive Branch Pre Raphaelite Pre Raphaelite Brotherhood Shirley Markham Sir Je Millais Sir John Everett Millais Sir John Millais Old Testament Olive Leaf


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> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Birds > Robins

> Arts > Artists > B > John Bird

> Arts > Artists > M > John Everett Millais

> Arts > Artists > Y > Art Young

> Arts > Artists > Y > John Young

> Arts > Fine Art

> Arts > Literature

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > London > Art > Paintings


EDITORS COMMENTS
The Return of the Dove to the Ark, 1850" is a captivating print that captures a pivotal moment from the Old Testament story of Noah's Ark. Painted by John Everett Millais, this masterpiece showcases a dove gracefully returning to the Ark with an olive branch in its beak. The presence of the olive branch symbolizes hope and signals that dry land has finally emerged after the devastating flood sent by God. The painting, also known as "The Daughters of Noah" is housed in the esteemed Ashmolean Museum in Oxford. It serves as a frontispiece for Robin Ironside's book "Pre-Raphaelite Painters" accompanied by a descriptive catalogue written by John Gere. This artwork exemplifies Millais' mastery of color and artistic style, showcasing his affiliation with the Pre-Raphaelite Brotherhood. In this scene, we witness not only biblical significance but also themes of femininity and tenderness. A young woman can be seen gently kissing or caressing one of the doves perched on her hand while others observe nearby. The image evokes emotions of faith, resilience, and renewal. Millais' meticulous attention to detail brings this historical event to life through oil painting techniques. With vibrant colors and intricate brushwork, he transports viewers back to ancient times when Noah's family sought refuge on their ark amidst chaos. "The Return of the Dove to the Ark" remains an enduring testament to both religious devotion and artistic brilliance—a timeless reminder that even after great trials, there is always hope for new beginnings.

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