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Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855

Second Class-The Parting. 'Thus part we rich in sorrow, parting poor. ', 1855


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Second Class-The Parting. "Thus part we rich in sorrow, parting poor. ", 1855

Second Class-The Parting. " Thus part we rich in sorrow, parting poor." ; Third Class - The Parting, 1855

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Media ID 20766365

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Abraham Solomon Compartment Daughter Luggage Paintings Parting Passenger Passengers Railway Carriage Train Train Carriage Yale Center For British Art Second Class


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> Arts > Artists > S > Abraham Solomon

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Railways

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


Second Class - The Parting - A Glimpse into 19th Century Family Dynamics

EDITORS COMMENTS
. This photo print, titled "Second Class - The Parting" offers a poignant glimpse into the emotional landscape of 19th-century Britain. Painted by Abraham Solomon in 1855, this oil on panel masterpiece captures a tender moment of farewell within the confines of a railway carriage. The scene unfolds as a mother and her two children find themselves reluctantly parting ways with their loved ones. As they prepare to embark on their journey, an overwhelming sense of sorrow permeates the air. Solomon's skillful use of color and composition draws us into this intimate family portrait, where emotions are palpable. In this evocative image, we witness not only the physical separation but also the symbolic division between social classes. Placed in second class accommodations, we see how economic circumstances shape one's experience even during moments of deep personal connection. Solomon masterfully conveys the weightiness of parenthood through his portrayal of maternal love and sacrifice. The mother's face reflects both strength and vulnerability as she bids farewell to her cherished son and daughter. This painting serves as a testament to the universal nature of human emotions across time and place. Displayed at Yale Center for British Art, this artwork invites contemplation about themes such as family bonds, travel experiences, and societal divisions prevalent during that era. It is truly an invaluable piece that speaks volumes about our shared history while reminding us that love knows no boundaries

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