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He smelt - O Lord! How he did smell!, c1820. Creator: George Cruikshank
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He smelt - O Lord! How he did smell!, c1820. Creator: George Cruikshank
He smelt - O Lord! How he did smell!, c1820. Satirical cartoon, with a quote from Southeys " Minor Poems", vol. iii p. 103. The Prince Regent (future King George IV), is given Essence of Bergam [ot?], having been overcome by the presence of his wife Queen Caroline (left). On the floor is a Bergam Pitch Plaster. From " The Queens matrimonial ladder", a political pamphlet with wood engraved illustrations by George Cruikshank, published after the opening of the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV), in August 1820. [William Hone, London]. Included in an album containing portraits and satirical caricatures related to the trial
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Media ID 19047303
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Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Collapse Collapsed Collapsing Cruikshank Dramatic George Cruikshank George Iv George Iv Of The United Kingdom His Majesty Hone Husband King George Iv King Of Great Britain Legislation Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Rights Smell Smelling Smelling Salts Smelly Upset Wife William Hone Wives Bergamot Overcome Robert Southey Southey
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EDITORS COMMENTS
The satirical cartoon titled "He smelt - O Lord! How he did smell!" by George Cruikshank captures a humorous and politically charged moment in history. Created around 1820, the print depicts the Prince Regent (future King George IV) being overwhelmed by the presence of his wife, Queen Caroline. The quote from Robert Southey's "Minor Poems" adds an ironic touch to the scene. In the image, Queen Caroline stands on the left while her husband is given Essence of Bergamot to combat her scent. The Prince Regent's exaggerated reaction is comically portrayed as he collapses onto the floor. A Bergam Pitch Plaster lies nearby, symbolizing attempts to mask or alleviate unpleasant odors. This caricature was part of a larger political pamphlet called "The Queens matrimonial ladder" published during Queen Caroline's trial in August 1820. The trial itself was a highly publicized event that captivated Britain at that time. George Cruikshank's wood engraved illustrations brilliantly captured both social commentary and humor throughout his career. This particular piece showcases his talent for satire and exaggeration while shedding light on marital tensions within royalty. Overall, this print offers viewers a glimpse into early 19th-century British society and politics through its clever depiction of historical figures and events. It serves as a reminder that even those in positions of power are not immune to personal struggles or public scrutiny.
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