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Photographic Print : He smelt - O Lord! How he did smell!, c1820. Creator: George Cruikshank

He smelt - O Lord! How he did smell!, c1820. Creator: George Cruikshank



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He smelt - O Lord! How he did smell!, c1820. Creator: George Cruikshank

He smelt - O Lord! How he did smell!, c1820. Satirical cartoon, with a quote from Southeys " Minor Poems", vol. iii p. 103. The Prince Regent (future King George IV), is given Essence of Bergam [ot?], having been overcome by the presence of his wife Queen Caroline (left). On the floor is a Bergam Pitch Plaster. From " The Queens matrimonial ladder", a political pamphlet with wood engraved illustrations by George Cruikshank, published after the opening of the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV), in August 1820. [William Hone, London]. Included in an album containing portraits and satirical caricatures related to the trial

Heritage Images features heritage image collections

Media ID 19047303

© The Print Collector/Heritage Images

Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Collapse Collapsed Collapsing Cruikshank Dramatic George Cruikshank George Iv George Iv Of The United Kingdom His Majesty Hone Husband King George Iv King Of Great Britain Legislation Pains And Penalties Bill Pains And Penalties Bill 1820 Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Queen Caroline Queen Consort Of George Iv Rights Smell Smelling Smelling Salts Smelly Upset Wife William Hone Wives Bergamot Overcome Robert Southey Southey


10"x8" (25x20cm) Photo Print

Step into the past with our captivating Media Storehouse Photographic Print of 'He smelt - O Lord! How he did smell!' by George Cruikshank. This satirical cartoon, inspired by Southey's "Minor Poems," vol. iii p. 103, takes you back to the early 1800s with its intriguing narrative and vivid detail. Immerse yourself in the humor and historical significance of this iconic image, a must-have for any art or history enthusiast's collection. Experience the past like never before with our high-quality, museum-grade prints.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > S > Smelt

> Arts > Artists > C > George Cruikshank

> Arts > Artists > C > Robert Cruikshank

> Arts > Artists > M > Robert Minor

> Arts > Artists > P > George Prince

> Arts > Artists > W > George White

> Arts > Artists > W > Robert White

> Arts > Artists > W > William White

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Politics > Related Images


EDITORS COMMENTS
The satirical cartoon titled "He smelt - O Lord! How he did smell!" by George Cruikshank captures a humorous and politically charged moment in history. Created around 1820, the print depicts the Prince Regent (future King George IV) being overwhelmed by the presence of his wife, Queen Caroline. The quote from Robert Southey's "Minor Poems" adds an ironic touch to the scene. In the image, Queen Caroline stands on the left while her husband is given Essence of Bergamot to combat her scent. The Prince Regent's exaggerated reaction is comically portrayed as he collapses onto the floor. A Bergam Pitch Plaster lies nearby, symbolizing attempts to mask or alleviate unpleasant odors. This caricature was part of a larger political pamphlet called "The Queens matrimonial ladder" published during Queen Caroline's trial in August 1820. The trial itself was a highly publicized event that captivated Britain at that time. George Cruikshank's wood engraved illustrations brilliantly captured both social commentary and humor throughout his career. This particular piece showcases his talent for satire and exaggeration while shedding light on marital tensions within royalty. Overall, this print offers viewers a glimpse into early 19th-century British society and politics through its clever depiction of historical figures and events. It serves as a reminder that even those in positions of power are not immune to personal struggles or public scrutiny.

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