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Studies for the Trivulzio Monument, c1508 (1954). Artist: Leonardo da Vinci
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Studies for the Trivulzio Monument, c1508 (1954). Artist: Leonardo da Vinci
Studies for the Trivulzio Monument, c1508 (1954). In 1508 Gian Giacomo Trivulzio, a Milanese aristocrat and military commander and governor of the city, commissioned Leonardo da Vinci to sculpt an equestrian statue for his tomb. Leonardo produced designs for the statue but it was never realised. Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)
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Media ID 14942809
© The Print Collector / Heritage-Images
Da Vinci Equestrian Statue Leonardo Leonardo Da Leonardo Da Vinci Leonardo De Vinci Memorial Trivulzio Vinci Gian Giacomo Trivulzio Giovanni Giacomo Mausoleum Print Collector8
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EDITORS COMMENTS
This print captures the intricate studies for the Trivulzio Monument, a masterpiece envisioned by Leonardo da Vinci in 1508. Commissioned by Gian Giacomo Trivulzio, an esteemed Milanese aristocrat and military commander, this equestrian statue was intended to serve as his tomb's centerpiece. However, despite Leonardo's brilliant designs, the monument remained unrealized. In this image, we witness Leonardo's meticulous attention to detail as he explores various angles and poses for both horse and rider. The sculpture would have showcased a powerful horseback figure representing Trivulzio himself—a symbol of strength and nobility. The artist's expertise shines through in every stroke of his pen or pencil. Each line conveys movement, grace, and anatomical precision that epitomize the Renaissance era. This study exemplifies Leonardo's ability to seamlessly merge art with science—an aspect that defined his genius. Preserved within the Royal Library at Windsor Castle, this print offers us a glimpse into one of history's greatest artistic minds at work. It serves as a reminder of Leonardo da Vinci's enduring legacy—his contributions not only to art but also to engineering, anatomy, and countless other fields. Though never realized in its physical form, these studies remain a testament to both Giovanni Giacomo Trivulzio’s vision and Leonardo da Vinci’s extraordinary talent—a timeless tribute frozen in time on paper.
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