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The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler
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The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Frances Leyland), c1873, (1904). A drypoint sketch of Frances Leyland (1834-1910) wife of Frederick Richards Leyland (1831-1892) a British shipowner and art collector, patron of the The Peacock Room designed by James McNeill Whistler (1834-1903) held at the Freer Gallery of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
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Media ID 14969251
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Adam And Charles Adam And Charles Black Drypoint Frances Freer Gallery Of Art Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Leyland Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Velvet Whistler Whistler As I Knew Him Black Colour
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EDITORS COMMENTS
The Velvet Dress (Frances Leyland), c1873, (1904) - A Captivating Portrait of Elegance and Patronage". This exquisite print captures the timeless beauty of Frances Leyland, wife of renowned British shipowner and art collector Frederick Richards Leyland. Created by artist James Abbott McNeill Whistler in 1873, this drypoint sketch showcases Frances in all her grace and sophistication. Standing with a side view profile, Frances emanates an air of poise and confidence. Her full-length velvet dress drapes luxuriously around her figure, exuding opulence and refinement. The monochrome color palette adds depth to the image while highlighting the intricate details of both fabric and form. The setting for this portrait is none other than the famous Peacock Room, designed by Whistler himself. As a patron of the arts, Frances played a significant role in supporting Whistler's artistic endeavors. This print serves as a testament to their enduring partnership within the world of art. Housed at the esteemed Freer Gallery of Art in Washington D. C. , this piece stands as a testament to both Whistler's mastery as an artist and Frances' influential position within society. Through Mortimer Menpes' lens, we are transported back to the late 19th century when elegance reigned supreme. With its rich historical significance and striking visual appeal, "The Velvet Dress" offers viewers a glimpse into an era defined by beauty, creativity, and cultural patronage. It remains an iconic representation not only of one woman's allure but also of how art can transcend time through its power to captivate generations.
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