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Regency gentleman riding a horse down hill
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Regency gentleman riding a horse down hill
Regency gentleman riding a horse down hill, while a couple fall off a horse in the background. How to Ride Genteel and Agreable Down Hill. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury from Geoffrey Gambados An Academy for Grown Horsemen and Annals of Horsemanship, London, 1809
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Media ID 23389586
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EDITORS COMMENTS
Regency Elegance and the Uncertainties of Life: A Scene of Riding Down Hill, as Depicted in Thomas Rowlandson's Handcoloured Copperplate Engraving This handcoloured copperplate engraving by Thomas Rowlandson, after an illustration by Henry Bunbury, offers a delightful yet allegorical glimpse into the Regency era's genteel society and the unpredictability of life. The image, titled "How to Ride Genteel and Agreable Down Hill," is taken from Geoffrey Gambados's "An Academy for Grown Horsemen and Annals of Horsemanship," published in London in 1809. At the forefront of the scene, a dapper Regency gentleman confidently rides his horse down the steep hill, his top hat securely in place and a serene expression on his face. The graceful lines of his riding coat and the elegance of his riding boots are a testament to his refined status. However, the background reveals a stark contrast to the gentleman's tranquil ride. A couple, both dressed in the height of Regency fashion, are losing their balance on their horse, their faces contorted in fear and dismay. The allegorical undertones of the engraving are further emphasized by the various symbols scattered throughout the scene. A father time figure, represented by an elderly man with a scythe, watches the scene unfold from the hillside. A globe and an hourglass symbolize the passage of time and the transience of life. Men and women, some wearing masks, engage in a lively dance at the bottom of the hill, symbolizing the fleeting nature of pleasure and enjoyment. Wings and a skull serve as reminders of the fragility of life and the inevitability of death. This engraving, with its intricate details and vibrant handcolours, offers a fascinating glimpse into the Regency era's society and its preoccupation with the art of riding and the uncertainties of life. The work of Thomas Rowlandson and Henry Bunbury continues to captivate audiences, providing a window into a bygone era and the human condition.
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