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Lillah McCarthy
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Lillah McCarthy
A portrait painting of English actress and theatrical manager, Lillah Emma McCarthy, 1875-1960, who is seen here, in costume, playing The Dumb Wife, by Anatole France, an adaptation of a play by Francois Rabelais. Date: circa 1918
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Media ID 32254934
© CLM Archive Collection / Mary Evans
Adaptation Anatole Dumb Emma Francois Lillah Manager Mccarthy Rabelais Shannon 1919 January Theatrical Volume
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This portrait captures the enigmatic presence of Lillah Emma McCarthy (1875-1960), an English actress and theatrical manager, as she embodies the character of The Dumb Wife in Anatole France's adaptation of Francois Rabelais' play. The image, painted by an unidentified artist around 1918, showcases McCarthy's theatrical prowess and her ability to bring depth and nuance to a role that requires her to remain largely silent. Dressed in the elaborate costume of the time period, McCarthy's expressive eyes and subtle facial expressions convey a range of emotions, hinting at the complexities of her character. The muted color palette of the painting adds to the overall sense of intrigue and mystery, drawing the viewer in and inviting them to ponder the story unfolding before them. This portrait was published in a magazine, likely in the January 1919 volume of Charles Haselwood Shannon's "March of the Women" collection. McCarthy's career spanned several decades, and she was known for her versatility as an actress and her innovative approach to theatrical management. Despite her many accomplishments, however, she remains best remembered for her captivating performances on the stage, such as this one as The Dumb Wife. The painting serves as a testament to McCarthy's talent and the enduring power of live theatre to transport us to another world, leaving us eager to explore the stories and characters that continue to captivate us today.
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