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Metal Print : The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744
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The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744
XJF867801 The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744 (engraving) by English School, (18th century); Private Collection; (add.info.: BM J, 1.116); English, out of copyright
Media ID 12940555
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Anglican Church Of England Clerical Curate Dean Greed Living Parish Prelate Protestant Rector Vicar Ecclesiastical Holy Orders Incumbent Monks Parishes
10"x8" (25x20cm) Table Top Metal Print
Introducing the Media Storehouse Metal Prints, featuring the captivating engraving "The Pluralist" by Nathaniel Parr, published by Edward Cooper around 1744. This exquisite work of art, sourced from Bridgeman Images through Fine Art Finder, showcases the intricacies of 18th-century English engraving. With vibrant colors and exceptional detail, our Metal Prints bring this historical masterpiece to life, transforming your space into a gallery. Experience the richness of art history in your home or office with our premium Metal Prints.
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Pluralist
EDITORS COMMENTS
is a captivating print created by Nathaniel Parr and published by Edward Cooper around 1744. This intriguing engraving, attributed to the English School of the 18th century, showcases a scene filled with religious figures such as priests, monks, and clergy members. The image offers a satirical commentary on various aspects of religion during that time. In this thought-provoking artwork, we witness an array of characters representing different religious orders within the established church. The artist skillfully portrays their distinctive attire and clerical bands while highlighting their roles within the ecclesiastical hierarchy. The central theme explored in "The Pluralist" revolves around greed and sinecure prevalent among some members of the clergy. It humorously depicts how certain individuals held multiple positions or benefices simultaneously, often leading to neglecting their pastoral duties for personal gain. Through clever caricature and satire, Parr's print sheds light on issues surrounding parishes, incumbents, prelates, deans, rectors, vicars – all elements associated with Church of England at that time. The cartoon-like style adds an element of playfulness to this social critique. This particular print captures not only the artistic brilliance but also provides valuable historical insights into religious practices during the 18th century in England. As it belongs to a private collection and falls out of copyright restrictions today; it serves as a significant visual record for those interested in exploring the complexities surrounding religion and its influence on society from centuries past
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