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Metal Print : They spruce themselves up, 1799. Artist: Francisco Goya
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They spruce themselves up, 1799. Artist: Francisco Goya
They spruce themselves up, 1799. Plate 51 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain. The series is evidence of the artists political liberalism and revulsion towards ignorance and intellectual oppression
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Media ID 14869898
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10"x8" (25x20cm) Table Top Metal Print
Bring the timeless artistry of Francisco Goya's 'They spruce themselves up, 1799' into your home with our Media Storehouse Metal Prints. This iconic piece, part of Goya's Los Caprichos series, was published during a period of social repression and economic crisis in Spain in 1799. Each Metal Print is meticulously crafted, preserving the rich details and vibrant colors of the original artwork. The high-quality metal surface enhances the image's depth and texture, making it a stunning addition to any decor. Experience the art of the past, transformed into a modern masterpiece. All rights reserved by AccuSoft Inc. and Heritage Images.
Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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They Spruce Themselves Up, 1799
EDITORS COMMENTS
is a captivating print by Francisco Goya. This artwork belongs to the series called Los Caprichos, which was published during a time of social repression and economic crisis in Spain. Plate 51 of Los Caprichos reflects Goya's political liberalism and his disdain for ignorance and intellectual oppression. In this grotesque yet thought-provoking image, we witness a group of poor men outside in the countryside seeking assistance. The artist employs satire to highlight their plight as they gather around an ugly monster-like figure with winged talons instead of feet. With scissors in hand, this monstrous character appears to be cutting the toenails of one man while others await their turn. Goya's etching skillfully captures the poverty-stricken conditions prevalent during that era. Through his caricatured portrayal, he exposes society's disregard for those living in destitution. The monochrome aesthetic adds depth to the composition, emphasizing both the physical hardships endured by these individuals and their marginalized existence. 'They Spruce Themselves Up' serves as a powerful critique on societal inequality and highlights Goya's ability to use art as a medium for social commentary. By shedding light on such issues through his work, Goya challenges viewers to confront uncomfortable truths about class divisions and calls for empathy towards those less fortunate. This print is not only an artistic masterpiece but also an important historical document that reminds us of the enduring relevance of art in addressing socio-pol
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