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Metal Print : Chinese printing, Qing Dynasty
Metal Prints from Mary Evans Picture Library
Chinese printing, Qing Dynasty
Chinese printing, Qing Dynasty. Printers workshop with engraved boards, paper sheets, printing ink, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Bretons China, Its Costumes, Arts, Manufactures, etc. Howlett and Brimmer, London, 1824
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Media ID 23164152
© Florilegius/Mary Evans
Andrea Antoine Arts Baptiste Bertin Boards Breton Cardon Engraved Freschi Henri Leonard Jean Baptiste Howlett Manufactures Printer Printing Sheet Workshop
14"x11" (28x35cm) Metal Print
Bring the rich history of Chinese printing to your home or office with our exquisite Media Storehouse Metal Prints. Featuring this captivating image from the Qing Dynasty, this hand-colored copperplate engraving by Andrea Freschi after Antoine Cardon transports you to a printers workshop of old. Experience the intricate details and vibrant colors as they come to life on high-quality aluminum, creating a stunning and durable piece of art. Perfect for adding a touch of history and culture to any space, our Metal Prints are sure to be a conversation starter. Rights Managed through Mary Evans Prints Online.
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 35.5cm x 27.9cm (14" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This image offers a glimpse into the intricate world of Chinese printing during the Qing Dynasty, as depicted in an engraving by Andrea Freschi after Antoine Cardon from Bertin and Bretons' "China, Its Costumes, Arts, Manufactures, etc." published in London in 1824. The scene unfolds in a traditional Chinese printer's workshop, where the artisans meticulously prepare for the printmaking process. The heart of the workshop is a long table laden with engraved wooden or metal printing boards, each intricately carved with detailed designs. Nearby, stacks of pristine paper sheets await their transformation, while ink pots and brushes are at the ready. The printers, focused intently on their work, carefully align each sheet with the engraved board before applying the ink and pressing down with great precision. The process of creating these prints was a labor-intensive one, requiring a high level of skill and expertise. The engraved boards were first prepared by skilled engravers, who painstakingly carved the designs into the surface. Once the design was complete, the board was inked and a sheet of paper was pressed onto it, transferring the image onto the paper. This process was then repeated for each color in the print, resulting in the intricately detailed and vibrant final product. Hand-coloring was often employed to add depth and richness to the prints, as evidenced by the array of paints and brushes in the workshop. The finished prints were highly prized for their beauty and intricacy, and were often collected as works of art in their own right. This image offers a fascinating window into the world of Chinese printing during the Qing Dynasty, a time when this art form reached new heights of sophistication and artistic expression.
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