Metal Print > Mary Evans Prints Online > New Images July 2020
Metal Print : BEGGAR - CHARLES MACKEY
Metal Prints from Mary Evans Picture Library
BEGGAR - CHARLES MACKEY
Charles Mackey, a black beggar, stands with cap in hand before an old stone cross. Date: Early 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 20150783
© Bubblepunk
1820s 1830s Beggar Beggars Blind Broom Charity Closed Community Offering Stands Mackey
14"x11" (28x35cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse, featuring this evocative image of Charles Mackey, a beggar from early 19th century England. Captured by Mary Evans Prints Online, this timeless photograph is beautifully transformed into a stunning metal print, adding depth and dimension to the rich details of Mackey's expression and the intricacies of the old stone cross behind him. Elevate your home or office décor with this captivating piece of history, sure to spark conversation and inspire reflection.
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 27.9cm x 35.5cm (11" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative early 19th century image captures the poignant moment of Charles Mackey, a black beggar, humbly requesting alms before an old stone cross. The weathered cross, a symbol of faith and community, stands as a backdrop to the scene, emphasizing the intersection of charity and spirituality in the daily lives of the people of Britain during this period. Mackey, with his cap in hand, closes his eyes in a gesture of trust and hope, as if surrendering himself to the kindness and generosity of passersby. The broom leaning against the cross suggests that Mackey may have been a regular presence in the community, adding a layer of familiarity to the scene. The image, which could date from the 1820s or 1830s, offers a poignant glimpse into the lives of the less fortunate during a time when poverty and social inequality were endemic in British society. The closed eye of the beggar invites us to reflect on the humanity and dignity of those who lived on the margins of their communities, and the role that small acts of kindness and charity could play in their lives.
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