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Mouse Mat : St Cecilia, 1879 (stained glass)
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St Cecilia, 1879 (stained glass)
3475514 St Cecilia, 1879 (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Marys Church, Tadcaster, Yorkshire, UK; (add.info.: Morris & Co.); eAlastair Carew-Cox; English, out of copyright
Media ID 23624116
© Alastair Carew-Cox / Bridgeman Images
Aestheticism Arts And Crafts Attribute Banner Cecilia Iconography Idealised Organ Stylised Halo Miniture Pre Raphaelite
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the stunning stained glass artwork titled "St Cecilia, 1879" by Edward Coley Burne-Jones. The masterpiece can be found in St. Mary's Church, located in the picturesque town of Tadcaster, Yorkshire, UK. Created under the renowned Morris & Co. , this piece exemplifies the artistic brilliance of the Arts and Crafts movement. The image portrays St Cecilia, a revered religious figure known for her musical talents and devotion to God. Burne-Jones beautifully captures her idealized form amidst a backdrop of sea and foliage, creating an ethereal atmosphere that transports viewers into a realm of divine beauty. Every detail is meticulously crafted with intricate inscriptions and symbolic attributes that enhance the overall iconography. A radiant halo encircles St Cecilia's head while she gracefully holds a miniature organ as her emblematic instrument. The vibrant blue hues dominate this stained glass window, adding depth and intensity to its stylized design. A delicate banner unfurls at the bottom with words that exalt both faith and artistry. As a representative work from the Victorian era, this piece embodies Pre-Raphaelite aesthetics with its meticulous attention to detail and emphasis on naturalistic forms. Captured expertly by Alastair Carew-Cox through his lens, this print immortalizes Burne-Jones' masterpiece for all art enthusiasts to admire beyond geographical boundaries or time constraints.
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