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Mouse Mat : Portrait of a Carthusian, 1446 (oil on wood)
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Portrait of a Carthusian, 1446 (oil on wood)
3615921 Portrait of a Carthusian, 1446 (oil on wood) by Christus, Petrus (c.1410-1475/76); 29.2x21.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Carthusian Order, also called the Order of Saint Bruno, is a Catholic religious order of enclosed monastics.); Netherlandish, out of copyright
Media ID 23626422
© Bridgeman Images
Carthusian Hooded Monastic Netherlandish Order Panel Piety Pious Robe Robed Tonsure Trompe L Oeil Trompe Loeil Northern Renaissance
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Portrait of a Carthusian, 1446" is a remarkable piece of art that captures the essence of piety and devotion. Painted by Petrus Christus in oil on wood, this Netherlandish masterpiece measures 29.2x21.6 cm and is currently housed at the Metropolitan Museum of Art in New York. The subject of the painting is a member of the Carthusian Order, an enclosed monastic community also known as the Order of Saint Bruno within Catholicism. The man depicted exudes an aura of deep spirituality and contemplation, his hooded robe adding to his air of mystery. With his long beard and mustache framing his face, this monk's expression reflects unwavering dedication to his religious beliefs. The artist skillfully employs trompe l'oeil techniques to create a lifelike representation that almost tricks the eye into believing it is gazing upon a real person. Through this portrait, Christus not only showcases his technical prowess but also pays homage to the devoutness and commitment displayed by members of religious orders during the Northern Renaissance period. This artwork serves as a testament to their unwavering faith and provides viewers with an intimate glimpse into their world. As we admire this profound portrayal, let us appreciate both its artistic merit and its ability to transport us back in time – reminding us of the rich history behind such spiritual traditions.
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