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Mouse Mat : Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Creator: Sustermans, Justus (Giusto) (1597-1681)
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Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Creator: Sustermans, Justus (Giusto) (1597-1681)
Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Found in the collection of the Accademia Carrara, Bergamo
Heritage Images features heritage image collections
Media ID 36245087
© Fine Art Images/Heritage Images
Accademia Carrara Bergamo Della Rovere Ferdinando Ii Ferdinando Ii De Medici Florence Grand Duke Of Tuscany Justus Giusto 1597 1681 Medici Sustermans Tuscany Vittoria Della Rovere
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning portrait, painted by the Flemish artist Justus Sustana (Giusto Sustermans) between 1635 and 1640, depicts Vittoria della Rovere (1622-1694), an Italian noblewoman and the last Duchess of Urbino. The portrait was created during a significant period in Vittoria's life, as she was then engaged to Ferdinand II de' Medici, the Grand Duke of Tuscany. Born in Florence, Sustermans was a prominent painter of the Baroque period, renowned for his elegant and sophisticated portraits. In this painting, he masterfully captures the grace and beauty of Vittoria, who is depicted wearing an intricately embroidered gown and a pearl-encrusted headdress. Her expressive eyes and delicate features convey a sense of intelligence and poise, reflecting her noble lineage and refined upbringing. The portrait was once part of the esteemed collection of the Accademia Carrara in Bergamo, Italy. It is a testament to the artistic and cultural exchanges that took place between Italy and the Northern European countries during the 17th century. The painting's rich colors and meticulous details showcase Sustermans' exceptional skill as a painter and his ability to capture the essence of his subject. Vittoria's engagement to Ferdinand II de' Medici was a politically strategic union, as the Medici family sought to strengthen their position in Tuscany and the wider Italian peninsula. The marriage took place in 1642, and Vittoria became the Grand Duchess of Tuscany. The portrait thus serves as a visual record of this important moment in Italian history and the lives of two prominent figures of the time.
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