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Mouse Mat : The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882
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The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882
The tomb of Leonardo Bruni (c1369-1444), Basilica of Santa Croce, Florence, 1882. Leonardo Bruni (or Leonardo Aretino) was a leading humanist, historian and a chancellor of Florence. He has been called the first modern historian. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)
Heritage Images features heritage image collections
Media ID 14942301
© The Print Collector / Heritage-Images
Basilica Bruni Chancellor Charles Yriarte Florence Historian Humanism Humanist Leonardo Mausoleum Santa Croce Tuscany Yriarte Leonardo Bruni Print Collector7
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Tomb of Leonardo Bruni - A Testament to Renaissance Humanism and Historical Legacy
EDITORS COMMENTS
. This print captures the solemn beauty of the tomb of Leonardo Bruni, located in the Basilica of Santa Croce in Florence. Dating back to 1882, this image showcases a remarkable mausoleum that pays homage to one of Italy's most influential figures. Leonardo Bruni, also known as Leonardo Aretino, was not only a chancellor but also a leading humanist and historian during the 14th and 15th centuries. Often referred to as the first modern historian, his contributions shaped our understanding of history and laid the groundwork for future scholars. The photograph highlights both the architectural grandeur of Santa Croce Cathedral Basilica and its religious significance within Tuscany. The monochrome palette adds an air of timelessness, emphasizing how Bruni's legacy transcends centuries. As we gaze upon this print, we are reminded not only of Bruni's intellectual prowess but also his lasting impact on Italian culture. This image serves as a powerful testament to his life's work—a symbol that historical knowledge is essential for progress. Preserved through Charles Yriarte's publication "Florence" this photograph allows us to connect with history on multiple levels—through artistry, architecture, religion, and scholarship. It invites us into an era where humanism flourished amidst religious fervor—an era that continues to inspire countless individuals today. In contemplating this image, we are transported
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